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4,024 stories from http://www.theaterscene.net

Nederlands Dans Theater 2 by Joel Benjamin

All four works"particularly the first three"had a certain offhanded similarity, a lack of formal movement ideas and construction, but all four choreographers are clearly students of the scho…

SOURCE: www.theaterscene.net at 12:31pm on January 21, 2019

On Blueberry Hill by Victor Gluck, Editor-in-chief

Irish actors Niall Buggy and David Ganly returning to their original roles play two murderers sharing a cell in Dublin's Montjoy Jail. The fiftyish PJ (Ganly) and the sixtyish Christy (Buggy…

SOURCE: www.theaterscene.net at 11:24pm on January 20, 2019

Blue Ridge by Victor Gluck, Editor-in-chief

Ireland gives a big performance that is almost larger than life. From the moment we meet her, she commands the stage. Watch how intently she listens to the others or how you can hear her tho…

SOURCE: www.theaterscene.net at 11:42pm on January 19, 2019

Yvonne Constant: "Aznavour As Is" by Darryl Reilly

"Emmenez Moi" was the stirring opening number performed by the French Ms. Constant as she majestically strode through Don't Tell Mama's cabaret room and onto the small stage. With her expres…

SOURCE: www.theaterscene.net at 12:16am on January 19, 2019

Intelligence by Christopher Caz

This setting and premise alone might suggest quite a dull evening of theater, except for the fact that from the moment these actresses converge on the stage, the subtle energies of their cha…

SOURCE: www.theaterscene.net at 1:32pm on January 18, 2019

Alone It Stands by Joseph Pisano

Breen's script, a succession of rapid-fire vignettes divided in half by an unnecessary intermission, tries to compensate for its lack of depth with imagined multitudes. According to a promot…

SOURCE: www.theaterscene.net at 11:31pm on January 17, 2019

Aileen Passloff, Stepping Forward: One Foot (in front of the other) by Joel Benjamin

Of Passloff's eight works, the newest, "Frolic," (2018) to music by Erik Satlie ("Trois morceau en la forme de poire") came closest in spirit to her classical ballet origins, utilizing whims…

SOURCE: www.theaterscene.net at 10:44pm on January 16, 2019

LaBute New Theater Festival 2019 by Darryl Reilly

An exhilarating trio of short plays by that noted cultural provocateur Neil LaBute make their New York City premieres in this edition of the LaBute New Theatre Festival 2019.  Since 2013,…

SOURCE: www.theaterscene.net at 4:17pm on January 16, 2019

Maestro by Mark Dundas Wood

Eve Wolf's play is essentially a monodrama, with John Noble portraying the title character. The production is a rich one, both visually and aurally. It features an abundance of live music, p…

SOURCE: www.theaterscene.net at 12:06pm on January 16, 2019

CAROL CHANNING… A Personal Remembrance by Chip Deffaa, Editor-at-large

She encouraged me to dream big, grab opportunities when they came, and work full steam--and not to wait, because none of us know how much time we have. (I thought she'd live forever.) When…

SOURCE: www.theaterscene.net at 8:34pm on January 15, 2019

Wendell & Pan by Darryl Reilly

A spirited cast and a talented director do their best to bring playwright Katelynn Kenney's heartfelt but leaden "Wendell & Pan" to the stage. It's an unsatisfying family secre…

SOURCE: www.theaterscene.net at 2:48pm on January 15, 2019

Choir Boy by David Kaufman

Now playing at the MTC's Samuel J. Friedman Theatre on Broadway, "Choir Boy" is set at The Charles R Drew Preparatory School for Boys, a Catholic academy for young men of color. Written by T…

SOURCE: www.theaterscene.net at 1:06pm on January 15, 2019

Carol Channing died Jan 15, 2019

Theaterscene.net is deeply saddened to report the passing of the legendary Carol Channing. Channing died at 12:31am on Tuesday, January 15th, 2019, at home in Rancho Mirage, CA of natural ca…

SOURCE: www.theaterscene.net at 7:49am on January 15, 2019

The Fool's Lear by Darryl Reilly

Whether being pushed in a wheelchair or hobbling around on a cane, Mark Peters is an excellent Lear. Mr. Peters forcefully captures all of the character's pathos, humor and despair with his …

SOURCE: www.theaterscene.net at 11:12am on January 13, 2019

Bleach by Darryl Reilly

Do you have any objection to being touched?" asks the theater representative of audience members when they check in at the Brooklyn basement where British playwright Dan Ireland-Reeves' "Ble…

SOURCE: www.theaterscene.net at 3:20pm on January 12, 2019

Contemporary Dance Festival: Japan + East Asia 2019 by Joel Benjamin

The four choreographers whose three works were represented at the Japan Society's Contemporary Dance Festival: Japan + East Asia flung themselves headlong into the modern world of dance with…

SOURCE: www.theaterscene.net at 9:34pm on January 10, 2019

Noche Flamenca, Taimane, and Taiko Masala by Karen McHenry

We felt like we toured the world this past weekend without ever leaving New York. It was a three-stop whirlwind of music and dance, and we were both spectators and participants. Spain. On Su…

SOURCE: www.theaterscene.net at 8:34am on January 9, 2019

Smoker by Darryl Reilly

Mr. Brader's writing on this fascinating subject is sharp, insightful and well-observed. As a performer, Brader's breezy personability endows his personal odyssey with an appealing everyman …

SOURCE: www.theaterscene.net at 9:59pm on January 7, 2019

Real by Mark Dundas Wood

The supernatural scenario is a little like something one might find on an eerie episode of Alfred Hitchcock's old TV anthology. Unfortunately, it all comes off as fairly stilted and heavy-ha…

SOURCE: www.theaterscene.net at 1:45pm on January 7, 2019

Waiting for Godot (New Yiddish Rep) by Joel Benjamin

Translator Shane Baker has found excellent Yiddish equivalents for Beckett's language.  He understands that Yiddish is a minor key tongue full of sadness, quicksilver tone changes, perfec…

SOURCE: www.theaterscene.net at 11:35am on January 7, 2019

ON THE TOWN… with Chip Deffaa, January 6, 2019 by Chip Deffaa, Editor-at-large

No one loves Berlin's music more than I do. But the creators of this stage adaptation have tried to jam too many well-known songs into the show. I think that cutting a couple of the songs…

SOURCE: www.theaterscene.net at 10:05pm on January 6, 2019

Spitting in the Face of the Devil by Darryl Reilly

Mr. Brader is an engaging and soulful performer with a smooth and pleasing vocal delivery. Brader is an admirer of Spalding Gray and channels that monumental artist's impassioned sense of st…

SOURCE: www.theaterscene.net at 4:26pm on January 5, 2019

The Good Adoptee by Darryl Reilly

Employing humor, documentary detail and suspense, Bachner offers an emotional detective story. Wit and whimsy meld with poignancy as the picaresque quest begins in present day New York City.…

SOURCE: www.theaterscene.net at 12:36pm on January 4, 2019

The Pirates of Penzance 2018 (NYGASP) by Mark Dundas Wood

In the plus column, it was easy on the eyes. Scenic designer Lou Anne Gilleland created agreeable though not particularly elaborate sets: a rocky stretch of seashore for the first act and a …

SOURCE: www.theaterscene.net at 12:11pm on January 2, 2019

TheaterScene.net published 480 reviews in 2018 from twelve reviewers. by Jack Quinn

Our TheaterScene.net staff was very prolific in 2018. I'm proud of all their efforts and our site in it's 18th year as a home for long form independent arts journalism. The post TheaterScene…

SOURCE: www.theaterscene.net at 3:32pm on January 1, 2019
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