Silly and Sweet: A Review of The Invisible Scarlet O'Neil at Babes With Blades Theatre Company by Irene Hsiao

Fight For The Right To Rock: A Review of Rock of Ages at Drury Lane by Mary Kroeck

The jukebox musical features dozens of eighties rock classics, complete with acid washed jeans and fishnet tights.

No Place Like Home: A Review of Muthaland at 16th Street Theater by Mary Kroeck

Throughout "Muthaland" Minita Gandhi channels over a dozen figures in her life

Flawlessly Deployed: A Review of The CiviliTy of Albert Cashier at Permoveo Production/Pride Films and Plays by Irene Hsiao

Shattering Stereotypes About Muslims: Playwright Rohina Malik Discusses "Yasmina's Necklace" by Hugh Iglarsh

AKA "Islamic rom-com" according to director Ann Filmer.

In Discomfort, Beauty: Carole McCurdy Blends Argentine Tango and Butoh at Defibrillator by Sharon Hoyer

Exploring the embrace of otherness, and the eternal wavering "between female and male, presence and nostalgia, attention and forgetting."

Long In Title, Concise In Spirit: A Review of A Funny Thing Happened on the Way to the Gynecologic Oncology Unit at Memorial Sloan Kettering Cancer Ce by Danielle Levsky

A Preview of the Instigation Festival by Michael Workman

What Could Be Better? Glenn Edgerton Discusses the Fortieth Anniversary Season of Hubbard Street Dance by Sharon Hoyer

The Fall Series will transport audiences backstage and behind the scenes at the Harris Theater.

Fire and Smoke: A Review of Barbecue at Strawdog Theatre Company by Irene Hsiao

Stage Top 5: September 2017 by Kevin Greene

Dance Top 5 by Sharon Hoyer

From Shen Wei Dance Arts to Visceral Dance.

Making a Monster: Rivendell Theatre Ensemble Continues Its Dedication to Female-Identified Artists With World Premiere of Margaret Atwood Adaptation by Danielle Levsky

Substance Is Spectacle: A Review of The Elaborate Entrance of Chad Deity at Red Theater Chicago by Jay Van Ort

A Woman's World: A Review of The Audience at TimeLine Theatre Company by Danielle Levsky

By Wrench or By Gear: A Review of Machinal at Greenhouse Theater Center by Jay Van Ort

Progress in Performance: A Review of "Set Free" by Michael Workman

More Than A Meal: A Review of The Food Show at The Neo-Futurists by Jay Van Ort

Playing with Cultural Gestures: A Preview of "sixty minutes towards being there" at Defibrillator by Michael Workman

Frank Willens is among several Berlin artists, including Tino Sehgal, Meg Stuart and Peter Stamer, whose use of dance, choreography, performance and interactivity pairs with social construct…

Deranged Delight: A Review of Shockheaded Peter at Black Button Eyes Productions by Irene Hsiao

Raw Talent Refined: A Preview of "Body Passages" by Michael Workman

Poetry and dance have always shared a denigrated status across cultures for not commanding the material value of the other art forms and their attendant cultural sway, so it's nice to see th…

Architectonic Dynamism: A Preview of Dropshift Dance's "The Remains" at Defibrillator by Michael Workman

Painful With Purpose: A Review of Who's Afraid of Virginia Woolf at Pulse Theatre by Hugh Iglarsh

Quivering Skin and Wet Lips by Michael Workman

Flips But Falls Flat: A Review of Fight City at The Factory Theater by Danielle Levsky