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8,108 stories from DC Theatre Scene

Review: As You Like It plays pastoral Prince George's parks by Alan Katz

Everyone has an idea of how Shakespeare "should" be performed: from the gorgeous flashiness of Shakespeare Theatre Company to the original practice imitations of American Shakespeare Center …

SOURCE: DC Theatre Scene at 1:09pm on July 21, 2017

The Originalist returns to Arena Stage (review) by Jeffrey Walker

All rise! Not so much for an associate Supreme Court Justice, but for Edward Gero, the man currently embodying the late Antonin Scalia in the remounted and revised production of The Original…

SOURCE: DC Theatre Scene at 1:09pm on July 21, 2017

Portraits of Grrrls (Capital Fringe review) by Kelly Whealan George

Break out your pink pussy hats! Wonder if Gloria Steinam and Florynce Kennedy started this way? The production of Portraits of Grrrls felt like I walked into a high school guidance counselor…

SOURCE: DC Theatre Scene at 11:42am on July 21, 2017

FRINGE FRIENDS: Making Friends at Capital Fringe by Guest Writer

Some people find the Fringe festival to be an intimidating environment. Sure there's a ton of great art and stuff going on, but how can one truly connect with the people behind the art and f…

SOURCE: DC Theatre Scene at 12:12pm on July 20, 2017

The Kinsey Sicks in Things You Shouldn't Say (review) by Christopher Henley

I've just spent a most unexpectedly engaging evening at the theatre, seeing the "dragapella beautyshop quartet" known as The Kinsey Sicks in their return to Theater J, whereat they've been i…

SOURCE: DC Theatre Scene at 12:12pm on July 20, 2017

"Women doing Shakespeare knackered." Titus Andronicus is lewd, bloody and free! by Jon Jon Johnson

Jon Johnson here, managing to score an interview with the director of Shakespeare in the Pub's "Fringe" offering – Titus Andronicus, as well as the head honcho of the company itself. I…

SOURCE: DC Theatre Scene at 12:12pm on July 20, 2017

Wildhorne's Bonnie and Clyde musical (review) by Susan Galbraith

Times is hard in Bonnie and Clyde. Some would say not so different from now. Climate shifting, turning the land into a dustbowl. Whole businesses destroyed. Banks going under.  People out…

SOURCE: DC Theatre Scene at 10:54am on July 20, 2017

Director Tracey Erbacher on Abortion Road Trip protests at Capital Fringe by Sarah Scafidi

By nature of being a Fringe festival, DC's Capital Fringe often sees provocative or pioneering work that pushes the envelope.  This year, one unsuspecting play in particular has struck a …

SOURCE: DC Theatre Scene at 2:42pm on July 19, 2017

Roundabout Theatre's tour of Cabaret (review) by Roy Maurer

Fifty years since Cabaret debuted on Broadway and almost as long since the 1972 film adaptation emblazoned its haunting imagery and seductive score across our collective consciousness, the j…

SOURCE: DC Theatre Scene at 12:54pm on July 19, 2017

BON VOYAGE! A Happenstance Escapade (review) by Susan Galbraith

BON VOYAGE! A Happenstance Escapade is a soupçon, a patisserie, a confection, and, in its smellier moments, a big fromage! But most of all it is Mark Jaster's love letter to Paris. And th…

SOURCE: DC Theatre Scene at 11:33am on July 19, 2017

A Streetcar Named Disappointment, a Capital Fringe diary by John Morogiello

Lorraine to John's idea of writing a piece about getting to Fringe: "Yes!  Public transportation!  Very funny!" 4:15 p.m. It's pouring rain and I need to be at Atlas by 6:30 for a Hexa…

SOURCE: DC Theatre Scene at 7:48am on July 19, 2017

Lady Day at Emerson's Bar and Grill (review) by Steven McKnight

Billie Holliday experienced extreme poverty, racism, sexual abuse, a drug addiction, and prison, yet still had a legendary career as one of the great jazz singers of the 20th century.  If…

SOURCE: DC Theatre Scene at 8:54am on July 18, 2017

Wig Out! at Studio Theatre " sexually charged, fun and flashy (review) by Kelly McCorkendale

Wig Out! is beautiful, raw, and real. And magically human, bonding me to the sadness, joy, and fear of wonderfully deep characters. To be candid, this is a world"the underground Ball Culture…

SOURCE: DC Theatre Scene at 8:54am on July 18, 2017

Horton Foote's Night Seasons (review) by Tim Treanor

Night Seasons is forty years in the history of the unpleasant Weems family, reduced to two hours, more or less. Notwithstanding this compression, the two hours traffic of our stage seems lon…

SOURCE: DC Theatre Scene at 7:36am on July 18, 2017

Lakeboat (Capital Fringe review) by Brett Steven Abelman

Lakeboat was thought controversial when it debuted 40 years ago, but now it seems almost quaint, verging on classy. The very first script by David Mamet, it features many of the hallmarks…

SOURCE: DC Theatre Scene at 9:12pm on July 17, 2017

Fringe performer David Kessler's worst cell phone moment. by David Kessler

It's a sold out house, the second performance of Numesthesia, my third Capital Fringe Festival show. The audience is great. I'm feeling their energy; the musicians and I are riding a synergi…

SOURCE: DC Theatre Scene at 5:36pm on July 17, 2017

P.I.C. : The Prison Industrial Complex (Capital Fringe review) by Marshall Bradshaw

With P.I.C. : The Prison Industrial Complex, the Conciliation Project hits the cruelty of the American criminal justice system hard with just about everything they can throw at it: Scores of…

SOURCE: DC Theatre Scene at 3:24pm on July 17, 2017

Lancer and Lace (Capital Fringe review) by Ben Demers

What would have happened if Lee Harvey Oswald’s assassination had failed " but the danger wasn't over? Lancer and Lace pulls on this historical thread and weaves an interesting yet …

SOURCE: DC Theatre Scene at 2:12pm on July 17, 2017

Oblivion, an unexpected pleasure (review) by Tim Treanor

When we are young we do not hide our naked souls from the Godlike scrutiny of our parents, so we do not lie about our thinking. We lie only about our acts. Since we are all sinners, our acts…

SOURCE: DC Theatre Scene at 11:33am on July 17, 2017

Trey Parker's Cannibal! The Musical (Capital Fringe review) by Alan Katz

A man wanders onstage, a mad look above his riotous beard.  Another man comes on, petrified with fear, not seeing the disturbing maniac. With lightning speed, the bearded man pounces and …

SOURCE: DC Theatre Scene at 8:06am on July 17, 2017

Think Before You Holla (Capital Fringe review) by Guest Writer

Ally Theatre Company's second-ever production is radically different from the first, Miz Martha Washington, a darkly comedic historical play. Conceived and directed by Taylor Reynolds from a…

SOURCE: DC Theatre Scene at 6:54am on July 17, 2017

My Lack of a Social Life (Capital Fringe review) by Guest Writer

Douglas Stafford is a very talented juggler. If that is an interest of yours, if you like juggling, and you've got an hour, then you may like this show. Stafford is pretty good as a magician…

SOURCE: DC Theatre Scene at 9:04pm on July 16, 2017

Numesthesia (Capital Fringe review) by John Bavoso

"Torture numbers," author Gregg Easterbrook once wrote, "and they'll confess to anything." David S. Kessler, a masterful storyteller aided by onstage musicians and projections in his new sho…

SOURCE: DC Theatre Scene at 7:54pm on July 16, 2017

King John (review) by Tim Treanor

Four hundred years ago, William Shakespeare wrote a play about a King four hundred years before him, and thus in King John we are thrust into a barely imaginable past, before the invention o…

SOURCE: DC Theatre Scene at 12:12pm on July 16, 2017

There Ain't No More (Capital Fringe review) by Guest Writer

Willie Carlisle is an astonishing performer, and if I were only reviewing his performance of mountain folk music, I'd recommend this show with the entirety of my full heart. Guitar, banjo, s…

SOURCE: DC Theatre Scene at 9:48am on July 16, 2017
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