844 stories from The Journal News
Joe Brancato likes producing new works at his charming Penguin Rep theater in Stony Point - so much so that he's willing to take an old play and have it rewritten to start his company's 31st…
Here's a personal little wish list for tomorrow's Tony Awards nominations - 10 things I'd like to see on the nominees' roster this year.
"Top Girls" is absolutely riveting, from the first scene to the last, which comes nearly three hours later.
If you want to laugh for roughly two hours and 35 minutes, hustle over to Broadway's Longacre Theatre to see a period farce called "Boeing-Boeing."
She created a character who's known by millions - the mischievous Eloise of the Plaza - but many people don't know Kay Thompson. Playwright and actress Ruth Williamson is out to change that …
Burton Lane was among the youngest of what were known as the Tin Pan Alley composers, songwriters who sold their wares mostly on one Manhattan block early in the last century.
If you don't worry too much about holding onto the plot through all its twists and turns, you may enjoy this bath of French decadence, as seen through British eyes.
Supreme Court Justice Thurgood Marshall has met his match in actor Laurence Fishburne, who brings him vibrantly to life in a one-man play titled "Thurgood."
The schtick is wearing thin.
This is the saddest show about a wedding that I ever saw.
And I can't imagine anybody who would want to see it.
What Flahive achieves in this sweet and subtle play is to give every one of these characters his or her due as a human being.
Frank Ferrante was in the lobby of a great old vaudeville palace in Easton, Pa., where he had just performed "An Evening with Groucho," for 1,200 people.
Four one-act plays by Paul Rudnick, who just may be the funniest playwright around, opened last night at the Mitzi E. Newhouse Theater at Lincoln Center.
John Gallagher Jr. knew he had to be careful with the follow-up to his Tony Award-winning performance in "Spring Awakening."
Patrick Stewart is starring in a new Macbeth on Broadway. It's a Macbeth on steroids. There are enough jolts and shocks in director Rupert Goold's flashy—and surprisingly long—transfer from the Brooklyn Academy of Music to make you feel as if your seat is directly connected to the theater's electrical system.
