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199 stories from Culture Sauce

'Boop!' brings a forgotten Jazz Age cartoon to full and glorious life (Broadway review) by Thom Geier

Betty Boop, the baby-voiced Jazz Age flapper from black-and-white Max Fleischer cartoons of the 1930s, is not the most obvious piece of ancient IP to become the center of a new Broadway musi…

SOURCE: Culture Sauce at 9:00pm on April 7, 2025

Sarah Snook goes fully Wilde in 'The Picture of Dorian Gray' (Broadway review) by Thom Geier

Sarah Snook, the Australian actress best known for her Emmy-winning turn as Siobhan "Shiv" Roy on Succession, goes more than a little Wilde in the spellbindingly high-tech adaptation of Osca…

SOURCE: Culture Sauce at 1:00pm on April 7, 2025

Nick Jonas and Adrienne Warren star in a mismatched 'The Last Five Years' (Broadway review) by Thom Geier

Composer Jason Robert Brown was something of a wunderkind, winning a Tony Award before the age of 30 for his rapturous, symphonic score for the 1999 musical Parade. He followed that critical…

SOURCE: Culture Sauce at 11:00pm on April 6, 2025

Kieran Culkin mixes up the rat-a-tat rhythms of an uneven 'Glengarry Glen Ross' (Broadway review) by Thom Geier

The Chicago salesmen cursing and scheming in David Mamet's 1983 drama Glengarry Glen Ross are just as small (and petty) as ever, but to invert the words of Norma Desmond in Sunset Boulevard,…

SOURCE: Culture Sauce at 12:00pm on April 5, 2025

George Clooney leads a timely but unnecessary 'Good Night, and Good Luck' (Broadway review) by Thom Geier

Nearly two decades have passed since George Clooney directed and co-wrote Good Night, and Good Luck, a black-and-white drama depicting beloved CBS newsman Edward R. Murrow's challenge to Sen…

SOURCE: Culture Sauce at 11:59pm on April 3, 2025

Denzel Washington and Jake Gyllenhaal lead a brisk, befuddling 'Othello' (Broadway review) by Thom Geier

Star power can be a curious thing, especially when it's the driving force behind the revival of a problematic play like Othello. Shakespeare's drama famously centers on a Black antihero who …

SOURCE: Culture Sauce at 12:00pm on April 3, 2025

'Operation Mincemeat' sends up history with humor, harmony, and heart (Broadway review) by Thom Geier

It's been a decade since Hamilton exploded the possibilities of what musical theater could do with historical subject matter, jam-packing a lot of narrative and footnote-worthy tangents into…

SOURCE: Culture Sauce at 10:00pm on March 20, 2025

'Buena Vista Social Club' is a pulsing celebration of the Cuban soul (Broadway review) by Thom Geier

You don't have to be a fan of Cuban music, or even understand Spanish, to get caught up in the infectious, rhythmic joy that is Buena Vista Social Club, the new musical based on Wim Wenders'…

SOURCE: Culture Sauce at 10:00pm on March 19, 2025

'We Had a World' depicts the artist as a young man torn between two domineering women (Off Broadway review) by Thom Geier

Like many a gay man, playwright Joshua Harmon has been shaped at least in part by the dynamic of, dare-I-say-it, domineering women in his life. As he demonstrates in his remarkable but spare…

SOURCE: Culture Sauce at 9:00pm on March 19, 2025

Paul Mescal and Patsy Ferran heat up 'A Streetcar Named Desire' (Off Broadway review) by Thom Geier

The British director Rebecca Frecknall has unearthed new depths in Tennessee Williams's A Streetcar Named Desire, turning a classic that can be played as maudlin melodrama into a kinetic pri…

SOURCE: Culture Sauce at 10:00pm on March 11, 2025

'The Jonathan Larson Project': a well-sung revue for completists (Off Broadway review) by Thom Geier

In the three decades since the premiere of Rent and the sudden death of its 35-year-old creator, Jonathan Larson has become an almost mythic figure in the musical theater world. The admirati…

SOURCE: Culture Sauce at 10:00pm on March 10, 2025

Lily Rabe radiates in a disappointing 'Ghosts' (Off Broadway review) by Thom Geier

Lily Rabe, the gifted actress last seen on the New York stage in the 2015 Shakespeare in the Park production of Cymbeline, is a natural choice to play Helena Alving, the wealthy, long-suffer…

SOURCE: Culture Sauce at 10:00pm on March 10, 2025

'The Great Privation' digs up the bones of one family's history (Off Broadway review) by Thom Geier

Nia Akilah Robinson, a recent Juilliard grad now at the Yale School of Drama, stakes a claim as a major playwright to watch with her genre-bending drama The Great Privation, which premiered …

SOURCE: Culture Sauce at 9:00pm on March 10, 2025

'All Nighter' hilariously binges on the contradictions of college students (Off Broadway review) by Thom Geier

There are not many plays that truly capture the liminal period when young adults are in the thick of that awkward, exhilarating process of becoming. Natalie Margolin's one-act dramedy All Ni…

SOURCE: Culture Sauce at 10:30pm on March 9, 2025

Review:'Deep Blue Sound' updates 'Our Town' for the modern age of isolation @ the Public thru April 5th by Thom Geier

Date: March 6, 2025 Author: Thom Geier 1 Comment For nearly three decades, the theater company Clubbed Thumb has nurtured some of the finest new plays to hit the New York stage, from the …

SOURCE: Culture Sauce at 12:37pm on March 8, 2025

'Sumo' updates the sports drama with a hefty display of athleticism (Off Broadway review) by Thom Geier

There is much to admire in Lisa Sanaye Dring's Sumo, a deep dive into Japan's national sport by way of a conventional Karate Kid-style framework. We follow an orphaned teenage apprentice nam…

SOURCE: Culture Sauce at 10:00pm on March 5, 2025

Critic's picks: The best of Broadway and Off Broadway right now by Thom Geier

From 'Maybe Happy Ending' to 'Oh, Mary!' here are critic's picks of the best shows currently on the New York stage

SOURCE: Culture Sauce at 11:30am on March 2, 2025

Why Off Broadway is the final destination for many hit shows these days by Thom Geier

Adapted from my Broadway Bulletin column in the March issue of U.K.-based Musicals magazine. New York theatre doesn't just happen on Broadway. These days, there are plenty of commercial Off …

SOURCE: Culture Sauce at 11:30am on February 28, 2025

'Dakar 2000' is an absorbing story of spies and seduction (Off Broadway review) by Thom Geier

Is there a dark secret in the past of Rajiv Joseph, the playwright best known for his 2009 Iraq war parable Bengal Tiger at the Baghdad Zoo and the recent sports-themed dramedy King James (o…

SOURCE: Culture Sauce at 9:00pm on February 27, 2025

'On the Evolutionary Function of Shame' sets a trans origin story in the Garden of Eden (Off Broadway review) by Thom Geier

D.A. Mindell's On the Evolutionary Function of Shame is a timely, trenchant, and often funny new play that explores the issue of trans visibility. Mindell initially sets the scene in the bib…

SOURCE: Culture Sauce at 9:00pm on February 26, 2025

Christian Slater and Calista Flockhart stumble through 'Curse of the Starving Class' (Off Broadway review) by Thom Geier

It was only six years ago that Maggie Siff led a solid but workmanlike revival of Sam Shepard's 1978 drama Curse of the Starving Class. Now Calista Flockhart and Christian Slater are returni…

SOURCE: Culture Sauce at 7:00pm on February 25, 2025

'Grangeville' digs into the fallout of family trauma (Off Broadway review) by Thom Geier

Samuel D. Hunter follows his extraordinary 2022 two-hander A Case for the Existence of God with a another astonishing new drama for two actors. This time, two men must calibrate the spaces b…

SOURCE: Culture Sauce at 9:00pm on February 24, 2025

'Liberation' sets the memory play free with life-affirming power (Off Broadway review) by Thom Geier

Bess Wohl takes a big-hearted approach to her subject matter, and to her characters, in this powerful and life-affirming drama

SOURCE: Culture Sauce at 10:00pm on February 20, 2025

'Safe House' updates the memory play as a musical scrapbook (Off Broadway review) by Thom Geier

Kate Gilmore conveys the conflict in her character with a riveting command of the show's vocal and physical demands, but 'Safe House' remains too scattershot an exercise in style to move us …

SOURCE: Culture Sauce at 9:00pm on February 20, 2025
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