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1,714 stories from Culture Bot

In ANGEL VISITS Worship and Communion Traverse The Divine by Emma King

If we are to honestly appraise the people's history (those we refer to when we shout "power to the people!"), we must acknowledge the unceasing, if ever-evolving, presence of violence. A sen…

SOURCE: Culture Bot at 1:24pm on March 7, 2025

In Conversation with I'M REPEATING MYSELF Playwright Chad Kaydo by Kallan Dana

Kaydo knows that theatre is the perfect medium to reflect impermanence, and the specter of death is inside every breath of this play"but Kaydo has a light touch. He lets us listen and find t…

SOURCE: Culture Bot at 7:42pm on March 5, 2025

In GOD ARE YOU THERE? MAYBE IT'S ME. The Black Performer Becomes Sisyphus by Immanuel J

My performance practice has been affectionately described by a mentor as sisyphean"cyclical, futile, pointless and yet entirely necessary.  Necessary for what-and-whom? I ask.  As puni…

SOURCE: Culture Bot at 3:24pm on March 5, 2025

Thank You, Steve. by Brendan McCall

"There he is."  Nicky Paraiso is sitting next to me and wants me to look at something on his phone. Ostensibly, we´re here at St. Mark's Church-in-the-Bowery to see a show, the first o…

SOURCE: Culture Bot at 11:18am on March 4, 2025

THE BARBARIANS: When Language Vexes, Declarations of Love and War are Futile, and Cigarette Butts Have a Life of Their Own by Jeff Careyva

Language: as much as it lets us express ourselves, also lets us express how trapped we are in the prison of others' buzzwords, binding decrees, and unforgiving commands. We don't give babies…

SOURCE: Culture Bot at 6:54pm on March 3, 2025

When a Body in Motion Becomes Self Destruction, "IO//ODIO" at SoHo PlayHouse: An Abrasive Encounter with 21st Century Body Fascist by Mark Woznicki

Earlier this month hours before 'curtain' on a Friday night show at SoHo Playhouse, I chose to brave the 'last chance' lines and attend the Edges of Ailey at The Whitney. What I saw was comp…

SOURCE: Culture Bot at 11:02am on February 22, 2025

Why Wait? The Fire Burns Now: The Sixteenth Anniversary of "The Fire This Time Festival" by Catherine Sawoski

In 2011, during the second year of the annual Fire This Time Festival, organizers produced the work of an up-and-coming playwright named Dominique Morriseau. The writer, now known as a MacAr…

SOURCE: Culture Bot at 11:02am on February 21, 2025

The Following Evening, A Year Later by Andy Horwitz

In 2024, Talking Band and 600 Highwaymen presented "The Following Evening" at PACNYC. Here are some thoughts after a year's reflection.

SOURCE: Culture Bot at 3:12am on February 19, 2025

"hope organ" takes on politicizing shame and dance synesthesia  by Emma King

Which I think says something meaningful about fantasy; materials become less messy and people become more one-dimensional and places become infinitely reachable and the perfect temperature i…

SOURCE: Culture Bot at 5:54pm on February 13, 2025

Ghost Porn by Brendan Drake by Miya Shaffer

Like fear, desire can be excessive, often humorous, and represents a valuable state in itself " a totality of the sensation in which personal and social histories persist, and new insight…

SOURCE: Culture Bot at 5:54pm on February 13, 2025

"There's nothing like a fertile misremembrance": A Conversation with Jerry Lieblich and Paul Lazar on The Barbarians at La MaMa by Eve Bromberg

When I scheduled my interview with Jerry Lieblich and Paul Lazar"in preparation for the latest run of The Barbarians, Jerry Lieblich's unfurling meditation on rhetoric and power (and the pow…

SOURCE: Culture Bot at 6:32pm on January 27, 2025

Arriving at The Place Where Healing Can Happen: Stuart B Meyers & Blaze Ferrer in Out-FRONT! Fest. by Hannah Liberman

"Have you been here before?" I heard someone behind me ask, as we climbed the back staircase at Judson Memorial Church. We paused on nearly each stair as the line progressed.  "No, I have…

SOURCE: Culture Bot at 7:42pm on January 26, 2025

When The Story Lies Between The Steps: Moment to Moment in "The Suite" by Julia Antinozzi by Sophia Parker

The Suite is by Julia Antinozzi and co-presented by Live Artery | New York Live Arts and Triskelion Arts.  Throughout The Suite, a story of requited yet restrained love unfolds between th…

SOURCE: Culture Bot at 6:42pm on January 24, 2025

A Very Serious Unserious Dance and Some Rigorous Instructions for (Queer) Joy? by Theo Armstrong

Theo Armstrong describes some cool moves and asks Noa Rui-Piin Weiss and Miranda Brown some silly yet probing questions after seeing !!simon says~~!:));)$$ Presented as part of the Out-FRONT…

SOURCE: Culture Bot at 4:48pm on January 21, 2025

Reckoning without Redress, jill /thinkdance, Re-Seeding (Encounter #4: The Seamstress) in East Pioneer Collective's Out-FRONT Fest by Juliana Devaan

In a moment characterized by decay, destruction, and despair, it feels peculiar to find oneself in a place characterized by warmth, communion, and creativity. Out-FRONT! Fest., a week-long p…

SOURCE: Culture Bot at 11:18am on January 20, 2025

On Failing Better: Object Collection's "Suppose Beautiful Madeline Harvey, an Embodied Homage to Richard Foreman by Harry Brook

  "Suppose beautiful Madeline Harvey" This single phrase, sometimes a question, always invocation, is repeated by three characters. In altering shapes, the words capture the essence of Ob…

SOURCE: Culture Bot at 5:12pm on January 16, 2025

Jade Manns + Glenn Potter-Takata: A Shared Evening by Miya Shaffer

A palm resting against each balloon surface, this was a gesture of care, of protection.

SOURCE: Culture Bot at 5:12pm on January 16, 2025

"The Light and The Dark: The Life and Times of Artemisia Gentileschi" at 59E59 Theatres by Lyla Arazi

For Kate Hamill, the stage is more than a space for spectacle; it's a platform for rewriting history, reclaiming agency, and redefining how we see women in both art and life.

SOURCE: Culture Bot at 2:03pm on January 16, 2025

Learning to See Los Angeles by Andy Horwitz

Learning to see Los Angeles through the hype and imagining a new civic dramaturgy.

SOURCE: Culture Bot at 8:24pm on January 7, 2025

Matthew Gasda's "Dimes Square [manhattan edition]" is the Party You Maybe Want to Attend by Lindsey Walko

Dimes Square, technically a microneighborhood of Manhattan between Chinatown and the Lower East Side, is renowned for its particular cultural attributes: an overpopulation of twenty-one-year…

SOURCE: Culture Bot at 5:25pm on December 24, 2024

The Hearth's "RACECAR RACECAR RACECAR" : Where Words Sooth, Erode, and Attempt to Remedy by Lee Folpe

Windows down. Music blasting. The wind in your hair. Exit signs, strange billboards, a succession of identical-looking sleepy little Midwestern towns. A clutch of empty 40s and tequila bottl…

SOURCE: Culture Bot at 5:24pm on December 24, 2024

Rafika Chawishe: The Body as a Theatrical, Political Instrument by Nathan Ko

While there is a great intensity that comes with Chaiwshe, there is almost a child-like wonder that dictates her practice.

SOURCE: Culture Bot at 9:06pm on December 12, 2024

Elevator Repair Service's GATZ returns to The Public by Keala Henry

In one night, you are allowed to experience the character's thoughts and emotions in real time, and truly imitate the feeling of working an entire 9-5 shift.

SOURCE: Culture Bot at 9:06pm on December 12, 2024

What happens in the pause? PAGEANT Presents: Cavity by Amelia Heintzelman with Dorothy Carlos by Sophia Parker

Last November, after dancing together in Alexa West's Occasion, occasion, occasion at the 2023 Performa Biennial, Amelia Hientzelman asked me if I'd like to do some dramaturgy for her. We sa…

SOURCE: Culture Bot at 4:18pm on December 7, 2024

After The Connelly's Closure: A Conversation with Julia Greer on The Hearth's Displaced Commission RACECAR RACECAR RACECAR by Eve Bromberg

"It couldn't happen here" was the reaction most theater-goers had to the news of the closing of the East Village's The Connelly Theater by the building's landlord: The Roman Catholic Archdio…

SOURCE: Culture Bot at 1:18pm on December 7, 2024
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