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2,260 stories from Chicago Theater Beat

Review: Objects in the Mirror (Goodman Theatre) by Catey Sullivan

As a piece of storytelling, Objects in the Mirror is riveting. Playwright Charles Smith's world premiere drama about a Liberian refugee is so fraught with tension that it makes you forget to…

SOURCE: Chicago Theater Beat at 10:42pm on May 17, 2017

Review: Jesus Christ Superstar (Paramount Theatre) by Catey Sullivan

It's tough to find words to describe the the vocal magnificence and dramatic intensity of Paramount Theatre's extraordinary production of Jesus Christ Superstar. Andrew Lloyd Webber (music) …

SOURCE: Chicago Theater Beat at 11:05pm on May 10, 2017

Review: La Havana Madrid (Teatro Vista) by Lauren Whalen

La Havana Madrid clearly is a labor of love for Sandra Delgado and Teatro Vista, but is never self-indulgent. Rather, it's a much-needed history lesson for some, a relatable reflection for o…

SOURCE: Chicago Theater Beat at 2:24am on May 8, 2017

Review: My Name Is Annie King (Underscore Theatre) by Lauren Whalen

If phenomenal songs and excellent performances were enough to save a show, Underscore Theatre's world premiere My Name Is Annie King would have a higher rating from me. Unfortunately, the cu…

SOURCE: Chicago Theater Beat at 11:36pm on May 7, 2017

Review: Force Continuum (Eclipse Theatre) by Lauren Whalen

Director Michael Pogue is clearly emotionally invested, but overwhelmed starting with Kia Corthron's heavy, meaningful play. It's unfortunate, because Eclipse Theatre's Force Continuum conta…

SOURCE: Chicago Theater Beat at 3:54am on May 7, 2017

Review: My Fair Lady (Lyric Opera of Chicago) by Catey Sullivan

There's no denying that My Fair Lady is a sonic masterpiece. For a gloriously full-throated, lushly orchestrated rendition of Alan Jay Lerner and Frederick Loewe's 1956 classic, the Lyric Op…

SOURCE: Chicago Theater Beat at 1:24am on May 4, 2017

Review: 3C (A Red Orchid Theatre) by Catey Sullivan

With 3C, David Adjmi deconstructs the inherent hatefulness of the 70's sitcom Three's Company. Watch the show today, and you'll cringe at how it dehumanizes gay men, turning them into nothi…

SOURCE: Chicago Theater Beat at 2:18am on May 2, 2017

Review: Aladdin (Broadway in Chicago) by Catey Sullivan

There's not a child in the land who wouldn't love Disney's Aladdin. The music is terrific, from the adventuresome romance of "Whole New World," to the splendor-on-steroids treasure cave glam…

SOURCE: Chicago Theater Beat at 12:24am on May 1, 2017

Review: The Most Happy Fella (Theo Ubique Cabaret Theatre) by Catey Sullivan

Frank Loesser's score has some fine moments, Adam Veness' vineyard set is impressive, and newcomer Molly Hernandez' powerful soprano and radiant stage presence is a huge new talent who seems…

SOURCE: Chicago Theater Beat at 7:31pm on April 28, 2017

Review: Queen (Victory Gardens Theater) by Catey Sullivan

Madhuri Shekar's Queen a is fascinating, provacative world premiere about the science and research surrounding bee ecology. The dialogue is witty and insightful that delves both the sense a…

SOURCE: Chicago Theater Beat at 2:02am on April 28, 2017

Review: Marry Me a Little (Porchlight Music Theatre) by Catey Sullivan

In Porchlight Music Theatre's 70-minutes two-hander romance of Stephen Sondheim out-takes, Austin Cook and Bethany Thomas deliver sonic wonders and emotional depth. The songs of Marry Me a L…

SOURCE: Chicago Theater Beat at 2:54am on April 26, 2017

Review: Linda Vista (Steppenwolf Theatre) by Catey Sullivan

Playwright Tracy Letts certainly knows how to deliver dialogue that's balanced on a razor-wire between edgy and Neil Simon. With Linda Vista, he's does this deftly, scoring numerous audience…

SOURCE: Chicago Theater Beat at 1:48am on April 24, 2017

Review: The Mystery of Love and Sex (Writers Theatre) by Catey Sullivan

Director Marti Lyons deploys a deft hand with Bathsheba Doran's The Mystery of Love and Sex. She keeps the pacing taut and elegantly navigates the thin line between humor and pathos. What sh…

SOURCE: Chicago Theater Beat at 10:42pm on April 23, 2017

Review: King of the Yees (Goodman Theatre) by Scotty Zacher

In making her persona the star of her world premiere drama King of the Yees, playwright Lauren Yee has created a meta-format to explore her relationship with her father. This genre-melding i…

SOURCE: Chicago Theater Beat at 4:06am on April 23, 2017

Review: Odysseo by Cavalia by Catey Sullivan

Make no mistake - Odysseo is breathtaking from start to finish. Starring 65 horses and 48 human aerialists, acrobats and riders, the tech-heavy production is a staggeringly beautiful and imp…

SOURCE: Chicago Theater Beat at 3:02am on April 23, 2017

Review: Born Yesterday (Remy Bumppo Theatre) by Catey Sullivan

After a rather uneventful first act, Born Yesterday picks up the steam of a runaway downhill freight train in the second act, powering through to a finale that feels downright prophetic. Pla…

SOURCE: Chicago Theater Beat at 8:36pm on April 15, 2017

Review: The Wiz (Kokandy Productions) by Catey Sullivan

Kokandy director Lili-Anne Brown takes a literal stance on The Wiz, billing it as an urbanization of L. Frank Baum's beloved tale, setting it in the amongst the graffiti-strewn Kansas Homes.…

SOURCE: Chicago Theater Beat at 8:24pm on April 14, 2017

Review: In to America (Griffin Theatre) by Lauren Whalen

In To America is a stark, complex and emotional reminder of what truly makes America great, with stories ranging from heartbreaking to funny and everything in between: scrappy street urchins…

SOURCE: Chicago Theater Beat at 10:24pm on April 9, 2017

Review: Beyond Caring (Lookingglass Theatre) by Catey Sullivan

It's been over a century since the publishing of Upton Sinclair's The Jungle, the seminal, muckraking expose of working conditions in Chicago's stockyards. Alexander Zeldin's Beyond Caring …

SOURCE: Chicago Theater Beat at 10:24pm on April 9, 2017

Review: Destiny of Desire (Goodman Theatre) by Catey Sullivan

With Goodman Theatre's Destiny of Desire, playwright Karen Zacarias might have invented a new theatrical genre. The unabashedly histrionic production is part Greek tragedy, part frantic sex …

SOURCE: Chicago Theater Beat at 9:06pm on April 8, 2017

Review: The Source (Route 66 Theatre) by Lauren Whalen

Over the course of 85 minutes, I was totally immersed in the action - when the characters jumped, I jumped. I gasped when a knock on the door signaled a turning point in their collective fat…

SOURCE: Chicago Theater Beat at 2:02am on April 2, 2017

Review: The Hard Problem (Court Theatre) by Catey Sullivan

Court Theatre's The Hard Problem, by Tom Stoppard, is sleek, smart and beguiling. Director Charles Newell's sharp and luminous cast keeps you engaged both intellectually and emotionally, eve…

SOURCE: Chicago Theater Beat at 8:31pm on April 1, 2017

Review: truth and reconciliation (Sideshow Theatre) by Lauren Whalen

Sideshow Theatre's truth and reconciliation isn't perfect, but it is incredibly ambitious. On the whole it succeeds, exploring the nuance and humanity behind conflicts small and large. With …

SOURCE: Chicago Theater Beat at 10:36pm on March 26, 2017

Review: Alvin Ailey American Dance Theater (Auditorium Theatre, 2017) by Lauren Whalen

Always teeming with enthusiastic and grateful fans, Alvin Ailey American Dance Theater is a belated Christmas gift to Chicago. Dancers who defy gravity, choreographers who make thoughtful an…

SOURCE: Chicago Theater Beat at 11:32pm on March 23, 2017

Review: Henry V (Babes With Blades Theatre) by Lauren Whalen

Shakespeare's Henry V is one of the more beloved history plays, and Babes With Blades seeks to give the script a modern twist with an all-female cast and realistic stage violence, as Directo…

SOURCE: Chicago Theater Beat at 1:36pm on March 23, 2017
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