'Sublet' producers experiment with apartments as theater venues
Tom Kitt's Top 5 Reasons why Long Islanders should see "High Fidelity"
Port Washington-raised songwriter Tom Kitt finds his groove with the new musical 'High Fidelity'
Great talents can't save a family and political drama in which Moore is less
John Doyle, who radically reinvented Sondheim's "Sweeney Todd" last season, has triumphed again - more gently this time, and with less at stake.
One third into "The Coast of Utopia" and we are hooked.
For the players in this Broadway revival about matchmaking and marriage, there's romance on stage and off.
One of the smartest new plays of the season crept in under the radar this week, when "The American Pilot" opened Tuesday without fanfare at Manhattan Theatre Club's tiny second stage.
This stylish, stirring special is like a wonderful banquet from the heyday of Ed Sullivan, Dean Martin and Andy Williams.
For all its pleasures, including a precision-master performance by George Grizzard, the play is all dressed up without anywhere deep to go.
"Mary Poppins," the show for which "The Lion King" got kicked to the Minskoff Theatre, is a quaint, muddled, beautiful-looking musical with plenty of spectacle but even more emotional distan…
Almost everyone thinks Bean's satire about closeted-gay Hollywood is cutting-edge funny. Wish I could, too.
Of all the love affairs between audiences and musicals, however, the adoration of "Les Miz" remains, to me, the most baffling. I respect it, but I never did get it.
Hard to imagine New Yorkers and tourists clamoring to see this broadway musical version of the Dr. Seuss classic.
This gibberish of a musical, which had its New York premiere at the 2004 Fringe Festival and opened last night at the New World Stages, is an earnest, amateurish effort that stumbles two ste…