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8,108 stories from DC Theatre Scene

Ayad Akhtar's Disgraced at NextStop Theatre (review) by Alan Katz

Imagine the worst dinner party you could attend. Not the worst for company (everyone here is erudite and cosmopolitan), nor the worst for purpose (a celebration of achievement), nor the wors…

SOURCE: DC Theatre Scene at 12:54pm on September 12, 2017

A sizzling Don Juan Tenorio opens GALA's season (review) by Susan Galbraith

A legendary Spanish character, that has inspired work by luminaries including Moliere, Goldoni, and Mozart, has leapt onto the stage at GALA Hispanic Theatre in a sizzling new adaptation, Do…

SOURCE: DC Theatre Scene at 12:36pm on September 11, 2017

Aida at Washington National Opera (review) by Susan Galbraith

Aida opened Washington National Opera's season, and the production is stunning grand opera. From the remarkable singing to the stage pictures filled with RETNA's startling, rich iconography,…

SOURCE: DC Theatre Scene at 12:36pm on September 11, 2017

Astronomy and witches . Aglaonike's Tiger at Venus Theater (review) by Debbie Minter Jackson

Perfectly timed since the region is still enthralled from the excitement of the near total solar eclipse, Aglaonike's Tiger is a stylistic rendering of one of the earliest female astronomers…

SOURCE: DC Theatre Scene at 11:12am on September 11, 2017

theatreWeek's free season kickoff party, September 16 at Woolly Mammoth Theatre by Keith Loria

The summer is winding down and families are seeing their schedules filling up with soccer games, school events and other commitments, but theatreWashington has planned a day that allows peop…

SOURCE: DC Theatre Scene at 12:33pm on September 8, 2017

How to land a role at Shakespeare Theatre by Dante's Beatrice by Guest Writer

Having lived my life in relative obscurity, I now find myself on the brink of celebrity. My early kittenhood was full of sadness, even tragedy. I was found stuffed in a downspout. My fur had…

SOURCE: DC Theatre Scene at 11:42am on September 8, 2017

Considering Talkbacks: the art of after-show discussion and its takeaways by Susan Galbraith

Everyone is doing them, doing them, doing them. Well, actually no. Some artists say they hate them, notably David Mamet who recently threatened to fine theaters the hefty sum of $25,000 if t…

SOURCE: DC Theatre Scene at 11:42am on September 7, 2017

Spectacle key to Rorschach's repeat Neverwhere (review) by Alan Katz

This DC theater season, several mid-sized theaters are delving into a trend recently popular among the bigger houses: remounting popular productions of previous years. Usually these shows sp…

SOURCE: DC Theatre Scene at 11:42am on September 7, 2017

Scena's Julius Caesar, a bit of a muddle (review) by Marshall Bradshaw

It's very easy to wheel out Shakespeare for yet another production. It's effortless to claim that your production is Important because it speaks to the current political climate. But without…

SOURCE: DC Theatre Scene at 4:18pm on September 5, 2017

Gems found at Kennedy Center's Page-to-Stage 2017 by Debbie Minter Jackson

Debbie Minter Jackson sends back this report from her visit to the Saturday, September 2, opening day of this year’s Page-to-Stage festival at the Kennedy Center and brings back some s…

SOURCE: DC Theatre Scene at 11:54am on September 5, 2017

Noah: Apocalypse from LiveArtDC (review) by John Bavoso

While sitting in DC Reynolds on Georgia Avenue on a Sunday afternoon, I learned a new drinking game. While this in and of itself might not be remarkable for a neighborhood bar during a holid…

SOURCE: DC Theatre Scene at 11:54am on September 5, 2017

Hurricane Harvey's impact on Houston's theatres and how you can help by Guest Writer

While theatre communities across the nation were enjoying their dark Monday, Houston, Texas’ theatre community was in the middle of a natural disaster. As Hurricane Harvey continued to…

SOURCE: DC Theatre Scene at 7:42am on September 1, 2017

The Devil's Music: The Life and Blues of Bessie Smith (review) by Steven McKnight

Miche Braden is the biggest force of nature this side of Hurricane Harvey.  She personifies the "Empress of the Blues" Bessie Smith with a powerful voice, enormous talent, a powerful stag…

SOURCE: DC Theatre Scene at 10:06am on August 31, 2017

Howard Shalwitz on why the time is right for Woolly to produce The Arsonists by Susan Galbraith

Susan Galbraith and Howard Shalwitz, longtime friends and colleagues, talk about Howard’s return to the stage for The Arsonists as he prepares to depart from the company he co-founded …

SOURCE: DC Theatre Scene at 2:24pm on August 30, 2017

Signature's A Little Night Music " sophisticated, stylish and sexy (review) by Jeffrey Walker

Signature Theatre's stunning production of this Sondheim gem is nothing short of a masterpiece. A Little Night Music is one of my personal favorites from the Stephen Sondheim canon. Set in S…

SOURCE: DC Theatre Scene at 12:06pm on August 30, 2017

Quotidian Theatre announces its new season by Tim Treanor

The Quotidian Theatre way-back machine will be in full operation this season, as the company’s four-play season starts in the present (or near-present) and catapults us back in time, l…

SOURCE: DC Theatre Scene at 12:18pm on August 29, 2017

Fan of Prince of Broadway answers its critics by Steven McKnight

How do you begin to assemble a show based upon all of the Broadway musical productions connected to Hal Prince over a legendary career spanning nearly seven decades?  How do you choose fr…

SOURCE: DC Theatre Scene at 12:18pm on August 29, 2017

Review: Prince of Broadway, a highlights reel of a show by Jonathan Mandell

In his new memoir Sense of Occasion, Hal Prince explains that Prince of Broadway, the new Broadway revue celebrating and sampling Prince's extraordinary 70-year career in the theater, "was e…

SOURCE: DC Theatre Scene at 8:48pm on August 26, 2017

Deep Cuts: a Lesson from Whipping's Beer Man by Alan Katz

In the past few days, as I've let Kathleen Akerley’s play Whipping, or The Football Hamlet (and this review) settle in my mind, I realize that my review perhaps comes off more harshly …

SOURCE: DC Theatre Scene at 12:18pm on August 22, 2017

The Wizard of Hip (Or When in Doubt, Slam Dunk) at MetroStage (review) by Debbie Minter Jackson

Thomas W. Jones II is older and grayer than when I saw his show 25 years ago but The Wizard of Hip is just as poignant and entertaining as he struts his stuff and delivers bucket loads of…

SOURCE: DC Theatre Scene at 12:18pm on August 22, 2017

Shakespeare Theatre's Free for All, an Othello for these times (review) by Tim Treanor

Shakespeare is our North Star because every time we do one of his great plays, it is an opportunity to rethink our assumptions, as they define our present selves. I first saw Othello in 1969…

SOURCE: DC Theatre Scene at 12:42pm on August 18, 2017

Creative Cauldron's new season by Tim Treanor

It will be time for the Women’s Voices Festival next January, but at Falls Church’s Creative Cauldron, every play in its 2017-2018 season will be an examination of the experience…

SOURCE: DC Theatre Scene at 12:36pm on August 15, 2017

Whipping, or The Football Hamlet (review) by Alan Katz

Whipping, or the Football Hamlet has rushed into CUA's Callan Theater with Kathleen Akerley calling this play as writer and director as she does most every humid DC August. As a theatergoer,…

SOURCE: DC Theatre Scene at 12:36pm on August 15, 2017

Review: Big Fish at Keegan Theatre by Jill Kyle-keith

In my family, my father was the Big Fish: a teller of tall tales and elaborate shaggy dog stories. Most families have someone like him: someone for whom life must be larger, greater, more co…

SOURCE: DC Theatre Scene at 2:04pm on August 12, 2017

Review: Tom Teasely underscoring The Cabinet of Dr Caligari closes this weekend by Jill Kyle-keith

Looking for something a little… weird? Have I got a show for you. A Zombie. A Mad Doctor. A Carnival. An Insane Asylum. Live Music. Yes, a garden of delights awaits you, courtesy of Co…

SOURCE: DC Theatre Scene at 12:54pm on August 12, 2017
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