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4,024 stories from http://www.theaterscene.net

Chick Flick the Musical by Darryl Reilly

Suzy Conn's zesty score is a fusion of her peppy music and well-crafted lyrics. "Quandary" is rhymed with "laundry" and among the 14 bright songs there's a comical ode to Meryl Streep. Ms. C…

SOURCE: www.theaterscene.net at 12:06pm on March 12, 2019

If Pretty Hurts Ugly Must Be a Muhfucka by Darryl Reilly

Dynamically presented and sensationally performed, "If Pretty Hurts Ugly Must Be a Muhfucka" is playwright Tori Sampson's maddeningly overblown adaptation of a fable with music. A surfeit…

SOURCE: www.theaterscene.net at 2:44pm on March 11, 2019

Actually, We're F**ked by Evan Lambert

In between scenes, the play's lighting (by Paul Miller) and sound (by M.L. Dogg) conspire to create a hallucinogenic, disorienting slideshow of animals and rotting metropolises " a reminder …

SOURCE: www.theaterscene.net at 10:14pm on March 9, 2019

Sea Wall/A Life by Victor Gluck, Editor-in-chief

Both plays deal with young husbands who are coping with new fatherhood as well as their new responsibilities and their relationships with the dominant male figures in their lives. In Stephen…

SOURCE: www.theaterscene.net at 11:27pm on March 8, 2019

Rameau, Maître à Danser (Les Arts Florissants) by Joel Benjamin

Unlike the company's 2016 luxuriously staged "Les Fêtes Vénitiennes," also at the Gilman, "Rameau" was purposely staged by Sophie Daneman as if in a village square, simply but effectivel…

SOURCE: www.theaterscene.net at 5:14pm on March 7, 2019

Imagining Madoff by Darryl Reilly

Employing his rumbling deep voice, his thinning hair slicked back and veering from snarling cheeriness to reflective introspection, Jeremiah Kissel swaggering in a power suit gleefully gi…

SOURCE: www.theaterscene.net at 4:22pm on March 7, 2019

Hurricane Diane by David Kaufman

Some plays are simply too complicated for their own good, defying comprehension. This is certainly the case with Madeleine George's "Hurricane Diane," in which the God Dionysus or Bacchus, f…

SOURCE: www.theaterscene.net at 1:56pm on March 7, 2019

Death of a Driver by Mark Dundas Wood

The play is carefully plotted, and the tragic action that Snider builds runs its course in a logical, plausible fashion. But something about "Death of a Driver" never quite catches fire. The…

SOURCE: www.theaterscene.net at 4:20pm on March 5, 2019

Recent Alien Abductions by Darryl Reilly

Devilishly enigmatic and culminating in an eerie denouement, playwright Jorge Ignacio Cortiñas' stylized warring brothers yarn "Recent Alien Abductions" confidentially veers tonally, s…

SOURCE: www.theaterscene.net at 12:45pm on March 5, 2019

Rocco, Chelsea, Adriana, Sean, Claudia, Gianna, Alex by Victor Gluck, Editor-in-chief

Being described as a "theatre event," the unwieldy titled "Rocco, Chelsea, Adriana, Sean, Claudia, Gianna, Alex" is a throwback to the happenings and performance art of the 1960's, without h…

SOURCE: www.theaterscene.net at 11:14pm on March 4, 2019

Alice By Heart by Victor Gluck, Editor-in-chief

Molly Gordon and Colton Ryan in a scene from MCC Theater's new musical "Alice By Heart" (Photo credit: Deen van Meer) Victor Gluck, Editor-in-Chief MCC Theater has opened its second and larg…

SOURCE: www.theaterscene.net at 5:44pm on March 4, 2019

Dying in Boulder by Darryl Reilly

Lanford Wilson's celebrated humanistic style and spirit are wonderfully evoked by playwright Linda Faigao-Hall in her moving family drama "Dying in Boulder." Its articulate characters con…

SOURCE: www.theaterscene.net at 1:05pm on March 4, 2019

Brooklyn United Live by Karen McHenry

Brooklyn United Live's Finale Piece Heart-pounding rhythms, precision choreography, a thought-provoking storyline, and a megadose of energy and enthusiasm. That's what audience members exper…

SOURCE: www.theaterscene.net at 11:21am on March 3, 2019

Interview with Marc Sinoway by Evan Lambert

Another " and perhaps unexpected " benefit of having Nathan around was that Sinoway had a built-in support system on set. Once, when Sinoway was feeling overwhelmed during a tech rehearsal o…

SOURCE: www.theaterscene.net at 9:47pm on March 2, 2019

The Price of Thomas Scott by Victor Gluck, Editor-in-chief

However, the play may not be to the taste of regular Mint theatergoers as it seems much more dated that the usual lost masterpieces rediscovered at this esteemed venue. Thomas Scott is so ri…

SOURCE: www.theaterscene.net at 5:34pm on March 1, 2019

Twelfth Night (Frog & Peach Theatre Company) by Christopher Caz

As directed by Benson, special mention goes to Primack, Quint, Payne, and Wexler for their strong and playful commitment to their characters, followed by the efforts of Mazzoccone, Porter an…

SOURCE: www.theaterscene.net at 1:24pm on March 1, 2019

State of the Union by Victor Gluck, Editor-in-chief

Howard Lindsay and Russel Crouse's 1946 Pulitzer Prize winning political play, "State of the Union," should be, by all accounts, dated in its depiction of the 1948 presidential political cam…

SOURCE: www.theaterscene.net at 2:24pm on February 28, 2019

Complexions Contemporary Ballet: Program A by Joel Benjamin

In "Star Dust," a 2016 ballet tribute to David Bowie, Rhoden displayed his mordantly campy side in a series of scenes, each devoted to a famous Bowie number, beginning with Brandon Gray lead…

SOURCE: www.theaterscene.net at 11:33am on February 28, 2019

Merrily We Roll Along by David Kaufman

Usually considered one of Sondheim's lesser musicals, albeit with one of his best scores--and needless to say, that's saying a lot--this production provides a heft and a story that are sorel…

SOURCE: www.theaterscene.net at 12:45pm on February 27, 2019

Lolita, My Love by Victor Gluck, Editor-in-chief

The York Theatre Company is to be applauded for taking the risk of staging this famously controversial musical in its New York premiere. It is also fulfilling its mission to bring to the sta…

SOURCE: www.theaterscene.net at 11:47pm on February 26, 2019

Good Friday by Darryl Reilly

A scorching and ingeniously plotted exploration of feminism versus rape culture in the contemporary United States is achieved in "Good Friday." Playwright Kristiana Rae Colón's audacious,…

SOURCE: www.theaterscene.net at 12:27am on February 26, 2019

BalletNext 2019 by Sheila Kogan

BalletNext is a company founded by Michele Wiles, former prima ballerina of American Ballet Theater. Wiles has developed a symbiotic relationship with the University of Utah where she trains…

SOURCE: www.theaterscene.net at 3:39pm on February 25, 2019

Eat the Devil by Darryl Reilly

In this madcap universe, passengers on a jet are caught in a space warp known as a "corn hole" that was caused by Amazon's tampering with the atmosphere to speed up delivery times, Amazon is…

SOURCE: www.theaterscene.net at 1:14pm on February 25, 2019

Fiddler on the Roof in Yiddish by Mark Dundas Wood

The property is now more than a half-century old. But this production makes it seem as though the 1964 iteration were merely an English-language version of a classic from even longer ago. Th…

SOURCE: www.theaterscene.net at 12:58am on February 23, 2019

Switzerland by Victor Gluck, Editor-in-chief

Mystery writer Patricia Highsmith ("Strangers on a Train," "Carol," "The Talented Mr. Ripley") was famously alcoholic, depressive, misogynistic and racist. She was unique as an international…

SOURCE: www.theaterscene.net at 11:02pm on February 22, 2019
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