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3,495 stories from The Arts Desk

theartsdesk at The Hospital Club by The Arts Desk

Announcing a new partnership with the most creative club in LondonThe Arts Desk is delighted to announce a new partnership with The Hospital Club in Covent Garden. There are plenty of privat…

SOURCE: The Arts Desk at 9:12am on May 3, 2017

The Resistible Rise of Arturo Ui review - 'Lenny Henry covers Trump's greatest hits' by Marianka Swain

The Donmar Warehouse targets a modern monster via Brecht's Hitler satire It's a bigly Trump-fest over at the Donmar, with adaptor Bruce Norris determined to make Brecht great again " or…

SOURCE: The Arts Desk at 9:24pm on May 2, 2017

Sunday Book: Nicholas Hytner - Balancing Acts by Jasper.rees

The National Theatre's former boss is wonderfully insightful about everything but himselfAfter the first preview of Mike Leigh's play Two Thousand Years at the National Theatre, a young…

SOURCE: The Arts Desk at 10:06pm on April 29, 2017

'It was probably the most effective act of resistance in the history of the Third Reich' by Stephen Unwin

Stephen Unwin on 'All Our Children', his play for Jermyn Street Theatre about Nazi persecution of the disabled"I've got a terrible confession to make", I said to my long-suffering …

SOURCE: The Arts Desk at 8:54pm on April 29, 2017

The Treatment, Almeida Theatre, review - exhilarating Crimp never more relevant by Aleks.sierz

Colourful and vivid revival of Martin Crimp's 1993 tale of New YorkPlaywright Martin Crimp's 1993 satirical epic, The Treatment, is a fabulous work, but it's rarely revived. Although much of…

SOURCE: The Arts Desk at 3:12am on April 29, 2017

Romeo and Juliet, Shakespeare's Globe review - 'too much brouhaha' by Tom.birchenough

There's vigour and violence, comedy too, but Daniel Kramer's production disappoints"Everything in extremity". That announcement that the Capulet party is about to begin could just …

SOURCE: The Arts Desk at 10:24am on April 28, 2017

City of Glass, Lyric Hammersmith review - 'thrilling and enthralling Paul Auster adaptation' by Aleks.sierz

Masterpiece of 'New York Trilogy' is visually amazing and intellectually satisfying on stagePlaywright Duncan Macmillan has had a good couple of years. In 2015, his play People, Pl…

SOURCE: The Arts Desk at 4:03am on April 27, 2017

Obsession, Barbican review - Jude Law on serious form in Ivo van Hove's latest by Jenny Gilbert

Ivo van Hove's cultish staging of the Visconti film disappointsThere is a distinctive look, feel, even sound to a stage production directed by Ivo van Hove, which is becoming rather fam…

SOURCE: The Arts Desk at 5:24am on April 26, 2017

'What did you do?' Actors reveal their Shakespearean secrets by Julian Curry

On the 401st anniversary of the Bard's death, actor-author Julian Curry introduces his new book of interviews, Shakespeare On Stage Vol 2Much of the brilliance of Shakespeare lies in th…

SOURCE: The Arts Desk at 9:06pm on April 22, 2017

Nuclear War, Royal Court review - 'deeply felt and haunting' by Aleks.sierz

New play about loss offers an unusually experimental and immersive experienceText can sometimes be a prison. At its best, post-war British theatre is a writer's theatre, with the great pensm…

SOURCE: The Arts Desk at 4:24pm on April 21, 2017

The Philanthropist, Trafalgar Studios review - 'Simon Callow's direction is underpowered' by Veronica.lee

Revival of Christopher Hampton's academic satire Christopher Hampton's witty comedy, first performed in 1970, ingeniously inverts Molière's The Misanthrope, centring as it does on a ma…

SOURCE: The Arts Desk at 4:12am on April 21, 2017

Whisper House, The Other Palace by Jenny Gilbert

Scary? Not this ghost-story rock musical, sadlyIt used to be said that the devil had all the best music. But the devil seems to have lost his touch in this ghost-story rock musical from Dunc…

SOURCE: The Arts Desk at 3:54am on April 20, 2017

Guards at the Taj, Bush Theatre review - 'powerful but ethically troubling' by Aleks.sierz

New writing venue reopens with a play about another architectural marvelThe Bush is back! After a whole year of darkness, the West London new writing venue has reopened its doors following a…

SOURCE: The Arts Desk at 6:36pm on April 12, 2017

Carousel, London Coliseum review - 'Katherine Jenkins is game, Boe out-acted by wig' by David Benedict

Star power isn't the reason to catch ENO's Rodgers and Hammerstein pricey co-production "Then I'll kiss her so she'll know." At the sound of his ringing voice, the girls part to re…

SOURCE: The Arts Desk at 2:12am on April 12, 2017

The Winter's Tale, Barbican review - Cheek by Jowl's latest wavers in tone by Tom.birchenough

A clear, considered production, but the updated comedy's uncertain This is a well-travelled Winter's Tale. Declan Donnellan has long been a director who's as much at home abroad as he …

SOURCE: The Arts Desk at 10:02am on April 10, 2017

Fracked! Alistair Beaton on his anti-fracking satire by Alistair Beaton

The playwright explains the genesis of his fiery comedy starring Anne Reid and James BolamIf you'd asked me five years ago whether I might one day write a comedy about fracking, I'd have won…

SOURCE: The Arts Desk at 9:06pm on April 8, 2017

Tim Pigott-Smith: from The Jewel in the Crown to King Charles III by Jasper.rees

The actor played pillars of the establishment, but there was much more to him than that It is the fate of a certain type of well-spoken classically trained actor to wear the livery of the En…

SOURCE: The Arts Desk at 3:18am on April 8, 2017

Expensive Shit, Soho Theatre, review - 'strong but slender' by Aleks.sierz

A tale of two toilets: Edinburgh Fringe First winner comes to Soho TheatreIt's hot. Real hot. And you're dancing, just lost in music. You're at the legendary Shrine nightclub in Lagos, where…

SOURCE: The Arts Desk at 3:06am on April 6, 2017

The Goat, or Who Is Sylvia?, Theatre Royal Haymarket review - 'Damian Lewis devastates' by Heather Neill

Revival of Edward Albee's gripping late play echoes Greek tragedyAsked in an interview if there remained any taboos in the theatre, Albee answered, "Yes. I don't think you should be all…

SOURCE: The Arts Desk at 3:06am on April 6, 2017

Brighton Festival 2017: 12 Free Events by Thomas H.green

Brighton Festival CEO Andrew Comben's guide to this year's best free stuffThe Brighton Festival, which takes place every May, is renowned for its plethora of free events. The 2017 …

SOURCE: The Arts Desk at 7:24pm on April 5, 2017

42nd Street, Theatre Royal Drury Lane, review - 'sheer synchronised splendour' by Matt.wolf

Lavish revival delivers dazzle aplenty if not much depth Can London support two dance musicals, each one dazzling in a different way? We're about to find out, now that the mother of all toe-…

SOURCE: The Arts Desk at 9:32pm on April 4, 2017

Consent, National Theatre, review - 'thrilling revenge drama' by Aleks.sierz

Anna Maxwell Martin stars in Nina Raine's compelling play about rape and justiceRape is such a serious social issue that it's hardly surprising that several recent plays have tackled it…

SOURCE: The Arts Desk at 7:18pm on April 4, 2017

The Lottery of Love review - 'the fragile charm of artifice' by Tom.birchenough

Marivaux, via John Fowles, through the prism of Jane Austen The permutations of love are bewitchingly explored in the 90-minute stage traffic of Marivaux's The Lottery of Love, with Paul Mil…

SOURCE: The Arts Desk at 11:36am on April 4, 2017

There's more to Karen Blixen than Meryl Streep by Paul Tickell

A new play celebrates the Danish storyteller. Its adapter explores her unique appealKaren Blixen (1885-1962), the prolific Danish storyteller, is perhaps most immediately recognised for the …

SOURCE: The Arts Desk at 8:42pm on April 2, 2017

Don Juan in Soho, Wyndhams Theatre review - 'David Tennant is Marber-Molière playboy' by Aleks.sierz

David Tennant charms and excites in Patrick Marber's energetic rewrite of Molière Updating the classics is not without its pitfalls. How can a modern audience, which has a completely differ…

SOURCE: The Arts Desk at 3:06am on March 30, 2017
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