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35,755 stories from The Guardian

Goosebumps stories adapted into 'spine-tingling' immersive performance by Alison Flood

RL Stine's bestselling children's horror stories will be presented in abandoned railway tunnels beneath Waterloo station in LondonFeaturing everything from the deadly camera of Say Cheese an…

SOURCE: The Guardian at 11:50am on November 23, 2015

Flowering Cherry review " a good play overshadowed by a great one by Michael Billington

Finborough, LondonRobert Bolt's 1957 play highlights the domestic tensions of a man at loggerheads with his family " and the echoes of Death of a Salesman are deafening Robert Bolt wrote man…

SOURCE: The Guardian at 9:41am on November 23, 2015

Middle class people dominate arts, survey finds by Hannah Ellis-petersen

Findings also reveal extent to which gender and ethnicity influence prospects of entering and gaining fair deal in industryThe UK's creative industries are dominated by middle class people, …

SOURCE: The Guardian at 9:41am on November 23, 2015

Lost William Faulkner play published for first time by Alison Flood

Twixt Cup and Lip, an early work by the future Nobel prizewinner unseen until now, appears in the Strand magazineAn early play by a young William Faulkner, in which an author better known fo…

SOURCE: The Guardian at 9:41am on November 23, 2015

Aakash Odedra review " reflections on dyslexia in a shimmering mix of dance and digital effects by Sanjoy Roy

The Place, LondonA high-tech exploration of Odedra's own struggles with learning difficulty creates some hit-and-miss imagesAakash Odedra's solo is called Murmur 2.0, and those digits in the…

SOURCE: The Guardian at 9:41am on November 23, 2015

Electric review " cinema flickers into life in immersive drama by Andrew Dickson

Rio cinema, LondonA young cast bring verve to the history of a century-old filmhouse " but the plot gets lost in the dark"No point looking sheepish, darling," says the usherette, fixing you …

SOURCE: The Guardian at 9:41am on November 23, 2015

Andrew Bailey: 'People have violent arguments about whether I'm funny or not' by Rhik Samadder

Rhik Samadder meets the Comedy Store misfit and forgotten pioneer of British alternative comedyAn open-mic night below a Stoke Newington pub. A man in a black cowl, looking unnervingly simil…

SOURCE: The Guardian at 5:04am on November 23, 2015

Plan your week's theatre: top tickets by Lyn Gardner

A hip-hop history, a dance-theatre Macbeth and the start of the festive programme … here are the shows to look out for this weekThe Damon Albarn and Moira Buffini musical wonder.land, insp…

SOURCE: The Guardian at 2:54am on November 23, 2015

'Where will we live?' " new play explores London's gentrification crisis by Elisabeth Winkler

Based on interviews with tenants affected by regeneration, the production tells the human stories behind the capital's housing bubble"If I'm being moved outside of London, how do I get to wo…

SOURCE: The Guardian at 2:54am on November 23, 2015

Geoffrey Rush on playing King Lear: 'What's to like? His parenting skills are appalling!' by Interview By Nancy Groves

The actor tells how, after years making a mixed bag of films, he and director Neil Armfield brought 'the greatest play in the English language' to Sydney My career turned a sudden corner in …

SOURCE: The Guardian at 7:22pm on November 22, 2015

The Master and Margarita: fiends reunited by Viv Groskop

The Master and Margarita, a novel about the devil and his cat wreaking havoc in Moscow, is said to be impossible to adapt. Can Simon McBurney succeed where Fellini and Polanski failed?Simon …

SOURCE: The Guardian at 6:19pm on November 22, 2015

Nicole Kidman wins best actress award for role in Photograph 51 by Mark Brown Arts Correspondent

Portrayal of the overlooked DNA scientist Rosalind Franklin wins best actress prize at London Evening Standard theatre awardsNicole Kidman's triumphant return to the West End stage for the f…

SOURCE: The Guardian at 6:19pm on November 22, 2015

Evening Standard theatre awards arrivals " in pictures by Guardian Staff

The 61st London Evening Standard theatre awards, in partnership with The Ivy at The Old Vic Theatre, saw scores of theatre and television figures converge to honour this year's work Continue…

SOURCE: The Guardian at 5:07pm on November 22, 2015

Scottish Ensemble review " euphoric club moves to the tune of Bach by Alfred Hickling

Dance City, NewcastleThe Scottish Ensemble and Andersson Dance team up for an infectious, sonorous dance interpretation of the Goldberg VariationsThe composition of Bach's Goldberg Variation…

SOURCE: The Guardian at 10:33am on November 22, 2015

The Body review " a seat-shaking, soul-searching techno-futurist experience by Catherine Love

The Pit at the Barbican, LondonNigel Barrett and Louise Mari ask what really makes us human in an age of artificial intelligence with a show that engages of your sensesTheatre rarely engages…

SOURCE: The Guardian at 9:15am on November 22, 2015

Wallace Shawn: 'I don't know what I am. A highbrow wannabe?' by Liz Hoggard

While cagey about his new play at the National, the actor and writer is quite happy to ponder the clash between his intellectual tendencies and more populist stints as the voice of Rex in To…

SOURCE: The Guardian at 6:15am on November 22, 2015

Lindesay Irvine talks to Ian McDiarmid by Lindesay Irvine

Although his career in theatre spans three decades, Ian McDiarmid is best known for his role as the Evil Emperor in the Star Wars films. He talks to Lindesay Irvine about running London's Al…

SOURCE: The Guardian at 4:53am on November 22, 2015

My People review " violence and slander in a village chapel by Clare Brennan

Theatr Clwyd, MoldA cast of six work wonders in this clever adaptation of Caradoc Evans's caustic tales of life in rural Wales"The most hated man in Wales"; "the Welsh James Joyce". Opinions…

SOURCE: The Guardian at 3:12am on November 22, 2015

I Want My Hat Back review " inspired, homespun magic by Susannah Clapp

Temporary theatre, National Theatre, London Jon Klassen's children's story takes to the stage with just a touch of gore and much joyful audience participationI am not sure what my best bit w…

SOURCE: The Guardian at 3:12am on November 22, 2015

The Illusionists review " be very amazed by Susannah Clapp

Shaftesbury, London This garish sleight-of-hand variety show would work better on the tellyOh, the difference there can be between magical and magic. The Illusionists is a sleight-of-hand va…

SOURCE: The Guardian at 3:12am on November 22, 2015

Henry V review " robust and clear by Susannah Clapp

Barbican, LondonOliver Ford Davies as Chorus outshines Alex Hassell's restrained Henry in Gregory Doran's measured productionThere is a kind of conjuring in Gregory Doran's production of Hen…

SOURCE: The Guardian at 3:12am on November 22, 2015

Monotones I and II/ The Two Pigeons review " Nuñez steals the show by Luke Jennings

Royal Opera House, LondonThe Royal Ballet's Ashton double bill finds Cuthbertson and Muntagirov struggling to take offThe Two Pigeons was choreographed by Frederick Ashton and first performe…

SOURCE: The Guardian at 3:12am on November 22, 2015

Meet Britain's new generation of fearless young female playwrights by Vanessa Thorpe arts and Media Correspondent

Katherine Soper, winner of the Bruntwood prize, is at the head of a promising group bidding to break down barriersFor any British teenage girl hoping to become a playwright, the chances are …

SOURCE: The Guardian at 8:02pm on November 21, 2015

Barry Reckord obituary by Margaret Busby

Playwright whose work captured the conflicts of class and race in 1960s BritainBarry Reckord, who has died aged 85, was a pioneering playwright from the Caribbean with an under-explored lega…

SOURCE: The Guardian at 6:40am on November 21, 2015

Duckie " 20 years of Britain's strangest, greatest club night by Joe Muggs

On Saturday, the London club night Duckie celebrates 20 years of drag artists, classic rock, and all-round messiness. What's the secret of its success?The clubbing world is fickle. Of course…

SOURCE: The Guardian at 6:40am on November 21, 2015
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