4,393 stories from Philly.com
Becoming Shakespeare: The Unlikely Afterlife That Turned a Provincial Playwright Into the Bard By Jack Lynch
Reviewed by Glenn C. Altschuler
Marin Mazzie, Jason Danieley, actor spouses: "I can't see being married outside the business," she says.
The Broadway revival of Grease could stand a lube job.
No one puts Sharpay in the corner.
What was a finely timed ensemble piece in its original staging is even richer and more lyrical at Primary Stages. Both Hollinger's play and Nolen's take on it have evolved: A new scene groun…
. . . the sound of a fourth generation of von Trapps, still singing. By Karen Heller
The high-glam projects are circling Michael Friedman like airliners in air-traffic-control gridlock.
No fair! Patti LuPone's getting the lioness' share of notice for Gypsy at New York's City Center - and what's the rest of the cast, chopped liver?
How the musical came about is an enchanting story in itself.
Anointed the screen's It Boy in the 1950s, dreamboat Farley Granger walked away - for the theater. He will be honored at Philadelphia's Gay & Lesbian Film Festival.
From stage to page, CD to ice rink, it's a show in a million guises, captivating tweens, opening here tonight.
It may not start a new fad for leg warmers, headbands and the thump-thump sounds of the Electric Light Orchestra, but the 90-minute show, which opened yesterday at Broadway's Helen Hayes The…
Sara Schmidt may not be a huge celebrity yet, but she's making a living and gaining more exposure.
The play itself is rounded, in the old-fashioned way, with everything coming to tidy fruition - a little breath of clear summer air on Broadway.
The Many Men of Martha Manning, set in Pepper Pickle, Pa., in 1957, is an old-fashioned, six-part serial - a podcast.
Let's just get this out of the way early. Yes, it's that Steve Burns playing Mozart in Pennsylvania Shakespeare Festival's production of Amadeus at DeSales University, Steve of the striped s…
In this "Romeo and Juliet" the bad blood waits as the hot-blooded lovers lust joyfully, obliviously.
The best can explore the ideas and still involve the audience dramatically.
