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8,108 stories from DC Theatre Scene

Cat-tress Sweet Bea debut night in The Collection with photo shares by Sweet Bea

Monday night was opening, and it all came together beautifully. I am deeply aware that I am representing cats everywhere and hope that people will consider that cats are not just lazy animal…

SOURCE: DC Theatre Scene at 2:24pm on October 4, 2017

Pinter's The Lover and The Collection review by Brett Steven Abelman

Spiraling in, and spiraling out: two opposing journeys are on offer in a pair of hour long Pinter plays, directed by Shakespeare Theatre's Artisic Director, Michael Kahn, in his second-to-la…

SOURCE: DC Theatre Scene at 10:42am on October 4, 2017

The Tarot Reading III at Evening Star Cafe review by Jill Kyle-keith

I’m no believer in astrology or the arcane arts. And a production that bills itself as part vaudeville, part carnival ride? The last thing I expected was to be moved to tears. But that…

SOURCE: DC Theatre Scene at 8:24am on October 4, 2017

Caryl Churchill's Love and Information review by Marshall Bradshaw

With a title like Love and Information, Forum Theatre's newest show grants itself a wide warrant, delivering quite a bit of the former and volley after volley of the latter. The show really …

SOURCE: DC Theatre Scene at 11:42am on October 3, 2017

Shaw's Widowers' Houses review, a sly gut-punch of a story by Brett Steven Abelman

Black People's Houses might be this play's title if it were a play written today and set in DC. That title would probably give a better sense of how provocative and satirical it is. Concerne…

SOURCE: DC Theatre Scene at 9:33am on October 3, 2017

The Cradle Will Rock review by Jayne Blanchard

You think you're in for a reenactment of a historical night of American theater, but then The Cradle Will Rock gets rolling and before long you're plunged into a musical production from Iron…

SOURCE: DC Theatre Scene at 7:48am on October 3, 2017

She Rode Horses Like the Stock Exchange review by Jill Kyle-keith

Rectangles of Astroturf. A leafless blue tree branch, a standing lamp. Four very, very good actors and a script by playwright Amelia Roper. That’s all Taffety Punk Theatre needs to sho…

SOURCE: DC Theatre Scene at 10:42am on October 2, 2017

Death of a Salesman review by Tim Treanor

There are hardly any travelling salesmen now, and yet we are almost all Willy Loman. We remember the home run we hit to win the big game in high school, when in fact we rode the bench at P.S…

SOURCE: DC Theatre Scene at 12:36pm on September 29, 2017

How Forum is solving the puzzle of Caryl Churchill's Love and Information by Jon Jon Johnson

“Every character in the Forum production was invented in rehearsal. We worked on how many characters should be in each scene (where not specified), who the characters are, what is thei…

SOURCE: DC Theatre Scene at 11:54am on September 28, 2017

Kwame Kwei-Armah accepts leadership of one of London's major theatres by Lorraine Treanor

Georgia Snow of The Stage broke the news that Kwame Kwei-Armah, once his tenure as Artistic Director of Baltimore Center Stage ends this June, will become Artistic Director of The Young Vic …

SOURCE: DC Theatre Scene at 10:48am on September 28, 2017

Insights from inside I KILLED MY MOTHER by Jon Jon Johnson

Hey, DC theatre fam, Jon Jon here, with an interview from some key players in I KILLED MY MOTHER by Andras Visky closing this weekend at Spooky Action Theater. I took some time to speak w…

SOURCE: DC Theatre Scene at 2:36pm on September 27, 2017

Michael Kahn directs Pinter one acts The Lover and The Collection by Christopher Henley

"We aren't playing it for comedy, but you don't actually play comedy for comedy anyway.” Michael Kahn (who is, as most readers will know, Artistic Director of Shakespeare Theatre Compa…

SOURCE: DC Theatre Scene at 12:18pm on September 27, 2017

How Michael Kahn plans to exit Shakespeare Theatre Company by Christopher Henley

We were in the closing moments of my talk with Michael Kahn, then in the midst of directing two Pinter one acts. Given his recent announcement that he will leave Shakespeare Theatre Company …

SOURCE: DC Theatre Scene at 12:18pm on September 27, 2017

Stones in His Pockets review, captivating serious comedy by John Bavoso

"Kids these days," or so I'm told, use “extra” as an adjective to denote that something is more than what is usual, expected, or necessary. As a noun, it means a person hired dai…

SOURCE: DC Theatre Scene at 11:12am on September 27, 2017

The Treasurer review: a family's final drama stars Deanna Dunagan and Peter Friedman by Jonathan Mandell

Max Posner's play is called The Treasurer because a grown man is forced to take responsibility for the finances of his aged, widowed mother. But the title also suggests that he will take sto…

SOURCE: DC Theatre Scene at 10:12pm on September 26, 2017

Load-in, tech and grooming. Cat-tress Sweet Bea gets ready for her Shakespeare Theatre debut by Sweet Bea

Thrilling whisker-tingling moment to be inside the Lansburgh Theatre at last. I was met at the door and escorted to my private dressing room.  There was my name on the door. It's spacious…

SOURCE: DC Theatre Scene at 5:12pm on September 26, 2017

How I Became a Pirate review. Adventure Theatre MTC's most excellent adventure by Christopher Henley

There came a point toward the end of How I Became a Pirate (which opened this weekend at Adventure Theatre MTC) when, during an ensemble musical number, my eyes were darting from one part of…

SOURCE: DC Theatre Scene at 1:04pm on September 26, 2017

Constellation's throwing a wild, wild Wild Party review by Tim Treanor

Nothing succeeds like excess, Oscar Wilde once wrote, and nowhere is that more true than in America. We are the land that invented competitive eating; when the Olympics finally welcomed prof…

SOURCE: DC Theatre Scene at 1:04pm on September 26, 2017

Ten Blocks on the Camino Real Review. Tennessee Williams as seen by National Theatre of Ghana by Christopher Henley

Adventurous DC theatre-goers, act now. You have but two more opportunities to see something unique and artistically gratifying: The National Theatre of Ghana performing its version of Tennes…

SOURCE: DC Theatre Scene at 11:36am on September 26, 2017

The Bridges of Madison County review by Jayne Blanchard

When the expressive Erin Granfield sings about Iowa, drawing out each letter and syllable, you learn everything you need to know about her character's quiet restlessness and pent-up longing.…

SOURCE: DC Theatre Scene at 11:36am on September 26, 2017

A Clockwork Orange Review: Off-Broadway homoerotic dance drama about crime and punishment by Jonathan Mandell

Alex, the sadistic, Beethoven-loving juvenile delinquent at the center of Anthony Burgess' 1962 dystopian novel and Stanley Kubrick's 1971 film, has returned, this time Off-Broadway, as sexy…

SOURCE: DC Theatre Scene at 8:42pm on September 25, 2017

Morisseau's Skeleton Crew brings actress Carolyn Stefanie Clay back home to DC. by Keith Loria

In theater circles, Dominique Morisseau is regarded as one of the most significant and talented African-American playwrights working today. Last year, she made the list of Top 20 Most Produc…

SOURCE: DC Theatre Scene at 1:33pm on September 25, 2017

Bernstein on Broadway Review: an exquisite evening by Steven McKnight

A year-long international celebration of the life of Leonard Bernstein called "Bernstein at 100" received its official launch at a memorable, one-night-only show Bernstein on Broadway in …

SOURCE: DC Theatre Scene at 11:54am on September 25, 2017

The Magic Flute review. In Series in a new venue by Alexander C. Kafka

Your mission: Venture to the land of Adams Morgan until you see a temple at 16th and Fuller. From Fuller turn right at Mozart Place, past the construction, into the auto-gated parking lot. T…

SOURCE: DC Theatre Scene at 11:54am on September 25, 2017

Rapture, Blister, Burn review by Brett Steven Abelman

Two plays in one: a well-observed drama about a woman's mid-life crisis, and an academic and occasionally comedic delve into the complexities of feminist theory. Peter's Alley Theatre Produc…

SOURCE: DC Theatre Scene at 10:36am on September 25, 2017
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