Whatever the merits of Griffiths and Radcliffe and company, the horses are the natural stars of the show.
This isn't one of those see it for the star revivals; thanks to Christopher Hampton's contemporary new text and Ian Rickson's astute and finely detailed direction, this is a splendidly integ…
A highly entertaining piece of work, but it is unlikely to move anyone to outrage or action.
It's all eye-poppingly lively but It's not until the backstage business segues into an actual Drag Ball that everything begins to make sense.
Looking for a play that is both credible and preposterous at the same time? Then this one is for you.
Norbert Leo Butz and Elizabeth Marvel are sheer dynamite as battling spouses who veer from loving to biting conversation, from tender to more violent embraces, from mutual admiration to hurt…
Adapting the much loved 1988 film for the stage is bound to lead to a fairly safe foundation of ticket sales. Adding an up and coming Hollywood star to this mix simply means the producers ha…
With the real Presidential election in the US imminent, Christopher Shinn's fine play could not be more topical.
To open the Donmar Warehouse's new West End's season, Artistic Director Michael Grandage has come up with a pretty failsafe formula: a dream team of writer and star producing a classic yet u…
Rupert Goold's production is novel, challenging and disturbing.
Georce C. Wolfe's sketch-propelled play had its world premiere at Crossroads where it is now having a revival in connection with Crossroad's 30 anniversary season.
Trav S.D's new show at Theater for the New City, is a delightful reminder of just how entertaining vaudeville was.
Andrew Upton's first original play about a rock band's reunion after twenty years.
Arden's Artistic director Terrence J. Nolen adopts a somewhat sober tone in John Caird's version of Voltaire's satire.
Actually, this is really two plays rolled into one: a very timely problem play about dealing with a beloved family member's rapidly escalating Alzheimer's, and a variation of the much done d…
Director-adapter Douglas Wager has remained true to Yvonne Latty's objective in writing her book: to give voice to the ordinary soldiers who are more often than not pre-empted from the news …
Korean show dances wordlessly into Union Square Theater.
It may seem a little ungracious of me to remark that while the score retains its ever-bright golden melodic haze, the corn-fed book seems just a little more vacant than what we have grown ac…
Robert Brustein slyly integrates Shakespeare's own words into the script, as well as his many winks and nods at future plays and plots and personalities. It all makes this irresistible theat…