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35,752 stories from The Guardian

Alan Cumming shows some emotion on his Sappy Songs Australian tour by Van Badham

The performer returns to cabaret for a series of shows in Melbourne and Sydney. While they may be sappy, he tells Van Badham, they will also be funnyHe's won an Olivier award and a Tony, he'…

SOURCE: The Guardian at 6:42am on January 8, 2016

Belvoir's Jasper Jones proves the enduring appeal of coming-of-age stories by Brigid Delaney

Kate Mulvany's stage adaptation of Craig Silvey's best-selling book is packed with mystery, mortality and Australian memoriesThere's a line from Stand By Me that just kills me: "I never had …

SOURCE: The Guardian at 6:42am on January 8, 2016

Agony and ecstasy: the war veterans trying MDMA treatment by Jon Haynes

Psychedelic-assisted psychotherapy for PTSD is the subject of Give Me Your Love. Devising the show took our company Ridiculusmus on a journey of discovery " and left me inside a cardboard bo…

SOURCE: The Guardian at 6:42am on January 8, 2016

Bolshoi Babylon - video review by Xan Brooks, Peter Bradshaw, Benjamin Lee, Henry Barnes, Mat Heywood

Xan Brooks, Peter Bradshaw and Benjamin Lee review Bolshoi Babylon, the documentary about Russia's celebrated ballet company. Directed by Nick Read and Mark Franchetti, Bolshoi Babylon exami…

SOURCE: The Guardian at 12:51pm on January 7, 2016

Dick Whittington and His Meerkat review " York panto is brilliantly bizarre by Alfred Hickling

Signal Box theatre, YorkBerwick Kaler's 37th pantomime takes in the Costa Brava, the neolithic era and some novel wildlife, all from a trackside tent at the National Railway MuseumThe pantom…

SOURCE: The Guardian at 9:19am on January 7, 2016

Robin Hood review " the daftest panto in the land by Lyn Gardner

Theatre Royal Stratford East, London Robin ego-trips in front of a down-to-earth Maid Marion, while a deliciously evil King John is beset by a stupid sheriff in this outrageous, charming pan…

SOURCE: The Guardian at 9:19am on January 7, 2016

Ambassador Theatre Group founders break Stage 100 record by Mark Brown

Howard Panter and Rosemary Squire are named the most influential people in theatre for a seventh timeA husband and wife team who have built the largest commercial theatre company in the worl…

SOURCE: The Guardian at 9:19am on January 7, 2016

Kevin Spacey to lead Hollywood film studio Relativity by Andrew Pulver

Actor brought in to help once-powerful outfit out of bankruptcy, alongside Dana Brunetti, his partner in independent that produced House of CardsActor Kevin Spacey has been appointed chairma…

SOURCE: The Guardian at 8:03am on January 7, 2016

Dinosaur Park review " lo-fi Jurassic comedy with teeth by Lyn Gardner

St James, London A dysfunctional-family drama, seen through the prism of Spielberg's monsterpiece, takes sentiment and silliness beyond spoofAfter the death of their palaeontologist mum, tee…

SOURCE: The Guardian at 6:49am on January 7, 2016

Guys and Dolls review " expert revival plays its cards right by Michael Billington

Savoy theatre, LondonWith outstanding leads and fizzing choreography from Carlos Acosta, the classic gambling musical is staged with elanIt seems fitting that the Chichester production of Gu…

SOURCE: The Guardian at 6:49am on January 7, 2016

How a play changes through its run: 'you really learn a role after press night' by Matt Trueman

Seeing Linda at the Royal Court and Waste at the National, first during previews and then again three weeks later, revealed that both got better. But how?Can a piece of theatre ever be finis…

SOURCE: The Guardian at 5:36am on January 7, 2016

Laurie Anderson to direct 2016 Brighton festival by Mark Brown

Multidisciplinary American artist will showcase new works at 50th anniversary edition of eventLaurie Anderson is to be guest director in what will be the 50th year of Brighton festival.The p…

SOURCE: The Guardian at 7:15pm on January 6, 2016

How UK artists remixed Shakespeare's Twelfth Night " video by Guardian Staff

Go behind the scenes of a new music video in which Maverick Sabre, Mic Righteous and Eyez perform lyrics inspired by Shakespeare's comedy to explore how the playwright 'laid the foundations …

SOURCE: The Guardian at 7:52am on January 6, 2016

What you ill: UK artists rap Shakespeare's Twelfth Night " video by Guardian Staff

In the candlelit Sam Wanamaker Playhouse, the British recording artists Maverick Sabre, Mic Righteous and Eyez perform lyrics inspired by Shakespeare's romantic comedy. This video is part of…

SOURCE: The Guardian at 7:52am on January 6, 2016

National Theatre Wales names Kully Thiarai as new artistic director by Mark Brown Arts Correspondent

Thiarai, from Doncaster's Cast venue, is succeeding John McGrath, who has been appointed artistic director of Manchester international festival Kully Thiarai has been named artistic director…

SOURCE: The Guardian at 7:51am on January 6, 2016

With Kully Thiarai, National Theatre Wales will remain radical and relevant by Lyn Gardner

NTW has appointed the astute Thiarai to succeed John McGrath as artistic director. An era of engaged performers and audiences is sure to continueWe can be certain that Rufus Norris at the Na…

SOURCE: The Guardian at 7:51am on January 6, 2016

Beauty and the Beast review " fairytale gets a Baskervilles makeover by Lyn Gardner

Polka, LondonThis retelling is neatly done, with wonderful set design and acute observations of a timid sister transformed by misfortuneBelle is not brave. She's afraid of spiders, even litt…

SOURCE: The Guardian at 7:51am on January 6, 2016

National Theatre Wales names Kully Thiarai as new artistic director by Mark Brown Arts Correspondent

Thiarai, from Doncaster's Cast venue, is succeeding John McGrath, who has been appointed artistic director of Manchester international festival Kully Thiarai has been named artistic director…

SOURCE: The Guardian at 7:00am on January 6, 2016

African Gothic review " incest and madness in Afrikaaner horror story by Michael Billington

Park theatre, LondonTwo siblings in an isolated farmhouse role-play traumatic episodes from their childhood in this flesh-creeping metaphor for colonial declineThis play certainly delivers w…

SOURCE: The Guardian at 6:45am on January 6, 2016

Shakespeare 400: what to see and where to go by Lyn Gardner

Among the plethora of dull productions this year to celebrate the quadricentenary of his death, there are exciting shows that break the mould To mark the 400th anniversary of his death, this…

SOURCE: The Guardian at 4:34am on January 6, 2016

Crimea children's theatre forced to shut for 'promoting western propaganda' by Andrei Kolokoltsev For Rfe/rl, Part Of The New East Network

Popular drama school complains of harassment from local officials who accused them of championing Ukrainian nationalism. RFE/RL reportsA popular children's drama school that staged Ukrainian…

SOURCE: The Guardian at 2:04am on January 6, 2016

Adrian Lester on Ira Aldridge: 'He was a pioneer for black actors' by Kate Kellaway

A new era is dawning at London's Tricycle theatre under Indhu Rubasingham, its first new artistic director in three decades. Her inaugural play " starring Adrian Lester, and written by his w…

SOURCE: The Guardian at 4:25pm on January 5, 2016

In defence of Shakespeare's difficult bits | Tom Sutcliffe by Tom Sutcliffe

The Globe theatre's new head risks killing the bard's poetry if she smooths his language into pasteurised modernityOne of the most obliging things about the glorious dead is that you can alw…

SOURCE: The Guardian at 3:10pm on January 5, 2016

Peter Rice obituary by Michael Coveney

Stage designer whose work graced Opera Holland Park, the Royal Ballet, the Royal Opera House and many West End theatresEven in his last West End production, the stage designer Peter Rice, wh…

SOURCE: The Guardian at 1:51pm on January 5, 2016

Robert Stigwood by Garth Cartwright

One of the entertainment industry's most powerful tycoons, he produced Saturday Night Fever and turned the Bee Gees into international starsAt the height of his success, in the 1970s, Robert…

SOURCE: The Guardian at 1:51pm on January 5, 2016
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