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4,024 stories from http://www.theaterscene.net

Juno and the Paycock by Joseph Pisano

From this group of familiar faces, O'Reilly and Keating are particularly strong in their second go-around, finding notes in Jack and Joxer's codependent relationship that are both hilarious …

SOURCE: www.theaterscene.net at 1:20am on April 12, 2019

Sincerely, Oscar by Victor Gluck, Editor-in-chief

The show also uses the 3D holographic technology called IceMagic which attempts to bring us the late Oscar Hammerstein II as a hologram enacted and spoken by actor Bob Meenan. Aside from an …

SOURCE: www.theaterscene.net at 11:49pm on April 11, 2019

Miracle in Rwanda by Mark Dundas Wood

The one-woman show "Miracle in Rwanda""starring Malaika Uwamahoro and directed by George Drance"relates the true-life experiences of Immaculée Ilibagiza. As a young woman, she survived the …

SOURCE: www.theaterscene.net at 12:24pm on April 11, 2019

Charlie's Waiting by Joel Benjamin

Ludovica Villar-Hauser, the play's keen eyed and eared director (and artistic director of Parity Productions the company responsible for this presentation), paces the fine actors for the ult…

SOURCE: www.theaterscene.net at 11:37pm on April 10, 2019

The Lehman Trilogy by Victor Gluck, Editor-in-chief

A three and half hour play with only three actors spanning 163 years might not be your idea of entertainment, but the National Theatre's production of "The Lehman Trilogy" is one of the most…

SOURCE: www.theaterscene.net at 11:27pm on April 10, 2019

I Carry Your Heart by David Kaufman

Though playwright Kelly strives for poetry at times--in addition to that last quote, consider Josh's mother calling him a "terminal optimist" and also learning that the play's title is taken…

SOURCE: www.theaterscene.net at 5:58pm on April 10, 2019

No Exit by Darryl Reilly

Absent scenery, with a character excised and fiercely performed, this stripped down taut revival of Jean-Paul Sartre's "No Exit" is quite compelling and faithful to the spirit of the origina…

SOURCE: www.theaterscene.net at 9:12pm on April 8, 2019

Bathsheba's Psalms, Or a Woman of Unusual Beauty Taking a Bath by Mark Dundas Wood

Ranger spins the story for a 2019 audience mindful of and vigilant about sex and gender issues"especially those involving consent, privilege and toxic masculinity. The play transpires in a s…

SOURCE: www.theaterscene.net at 11:54am on April 8, 2019

Do You Feel Anger? by Victor Gluck, Editor-in-chief

In Mara Nelson-Greenberg's new play, "Do You Feel Anger?," which had its world premiere at the 2018 Humana Festival of New American Plays at Actors Theatre of Louisville, she has attempted t…

SOURCE: www.theaterscene.net at 10:13pm on April 7, 2019

June Is the First Fall by Darryl Reilly

The personable Alton Alburo as Don manages to make this underdeveloped character compelling with his charming presence. Playing his father David with easygoing humor and poignancy is the out…

SOURCE: www.theaterscene.net at 5:12pm on April 7, 2019

Natalia Osipova's Pure Dance with David Hallberg by Sheila Kogan

The evening consisted of a number of short dances in varying styles, but the final piece, "Valse Triste," was the most successful. Osipova wore a simple, off-the-shoulder, blue dress and Hal…

SOURCE: www.theaterscene.net at 4:01pm on April 7, 2019

The Cradle Will Rock by David Kaufman

Many of Blitzstein's melodic tunes are plunked out on the piano by several of the players at various points. But the fault is not only due to Doyle's direction: what's missing from Blitzstei…

SOURCE: www.theaterscene.net at 11:58pm on April 6, 2019

What the Constitution Means to Me by Mark Dundas Wood

The premise of the show (directed by Oliver Butler) is that the 2019 Schreck has decided to recreate one of the many presentations she participated in at American Legion halls around the cou…

SOURCE: www.theaterscene.net at 11:58pm on April 5, 2019

The White Devil by Victor Gluck, Editor-in-chief

Not seen in New York since 1965, John Webster's Jacobean revenge play, "The White Devil," has been given a juicy, vigorous modern dress production by Red Bull Theater which specializes in El…

SOURCE: www.theaterscene.net at 4:31pm on April 5, 2019

Lori Belilove and The Isadora Duncan Dance Company: "March Madness" by Joel Benjamin

Belilove, who has taught Sara Mearns of the New York City Ballet to perform some of these works, divided the concert into dances to Schubert, Chopin, Brahms and Scriabin, all original Duncan…

SOURCE: www.theaterscene.net at 11:58pm on April 3, 2019

The Tragedy of Julius Caesar by Victor Gluck, Editor-in-chief

Shakespeare's politically charged Roman tragedy, "Julius Caesar," has always been a touchstone for inflaming emotions. In earlier times, monarchs used to ban the play when uprisings were imm…

SOURCE: www.theaterscene.net at 10:35pm on April 3, 2019

Tilt by Joel Benjamin

The Experimental Theater Space at the Abrons, a not particularly large black box, was turned into a complex construction site by the "Tilt" creative staff, a truly unique interactive set.…

SOURCE: www.theaterscene.net at 12:42pm on April 3, 2019

Faust 2.0 by Darryl Reilly

Director Sharon Ann Fogarty's colossal staging weaves together the many disparate technical elements into a unified mini-epic event. Actors sit at a long rectangular table and their images a…

SOURCE: www.theaterscene.net at 12:03am on April 3, 2019

92Y's Lyrics & Lyricists Series: "Sondheim: Wordplay" by Darryl Reilly

Tony Award-winning choreographer Christopher Gattelli's direction melded the performers with expert physical placement sprinkled with occasional dance bits that made for lively presentation.…

SOURCE: www.theaterscene.net at 4:23pm on April 2, 2019

Perp by Christopher Caz

Alexandro and Ben-Victor as the soul-stained detectives are excellently cast, playing off each other without a single misstep. The gender-blind casting of Alexandro as Jack is especially fun…

SOURCE: www.theaterscene.net at 12:14pm on April 2, 2019

Southern Promises by Victor Gluck, Editor-in-chief

Playwright Thomas Bradshaw seems to have taken literally the dictum in theater to "Astonish!" His plays like "Burning," "Intimacy," "Job," and "Fulfillment," to name only a few seen in New Y…

SOURCE: www.theaterscene.net at 11:37pm on April 1, 2019

Shareholder Value by Mark Dundas Wood

Attea's point concerns business models that are overly focused on the needs of shareholders, rather than on those of management and employees. But the play is curiously bloodless. Strong pla…

SOURCE: www.theaterscene.net at 10:21pm on March 31, 2019

Nantucket Sleigh Ride by Victor Gluck, Editor-in-chief

John Guare's career as a playwright has had three stages. His early plays were examples of Theater of the Absurd with an American accent. Later his plays became more realistic, sometimes bas…

SOURCE: www.theaterscene.net at 9:50pm on March 31, 2019

Smart Blonde by Joel Benjamin

Using the premise of a 1964 recording session that stimulates her many memories, good and bad, the play serves as a moving tribute to Holliday even though it doesn't shy away from the darker…

SOURCE: www.theaterscene.net at 3:15pm on March 31, 2019

Women Behind Bars by Darryl Reilly

Referencing the 1950 women's prison drama "Caged" and synthesizing all of the conventions of that cinematic genre, the late playwright Tom Eyen crafted the 1975 camp classic "Women Behind Ba…

SOURCE: www.theaterscene.net at 11:30am on March 31, 2019
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