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2,444 stories from chicagoreader.com

Riane Konc wants to help you Build Your Own Christmas Movie Romance by Matthew Sigur

The choose-your-own-adventure-style parody features all the best tropes and treats of made-for-TV holiday specials. 'Tis the season for cheesy, made-for-TV holid…

SOURCE: www.chicagoreader.com at 3:00pm on November 20, 2019

Turning life lessons into a Korporate Bidness by Tyra Nicole Triche

"As long as I got YouTube and the latest iPhone, I'm Gucci." When you were in high school, did you ever sneak into a girl's house after school? And did her dad h…

SOURCE: www.chicagoreader.com at 7:00am on November 20, 2019

Fur the record by Tony Peregrin

Furries aren't all fetishists"they're members of a supportive community who (sometimes) don costumes to feel more comfortable in their own skins. "It's not like …

SOURCE: www.chicagoreader.com at 7:00am on November 20, 2019

Why Torture Is Wrong, and the People Who Love Them is Christopher Durang at his darkest by Sheri Flanders

Eclipse Theatre's all-Durang seasons finishes strong with a brutal black comedy about post-9/11 paranoia. Christopher Durang's Why Torture Is Wrong, and the Peop…

SOURCE: www.chicagoreader.com at 7:23pm on November 19, 2019

Rutherford and Son is Succession without the sex, drugs, and rock 'n' roll by Marissa Oberlander

Githa Sowerby's long-neglected drama has a strong cast at TimeLine, but drags at times. For a mostly forgotten 1912 play, written by Githa Sowerby (but presented…

SOURCE: www.chicagoreader.com at 7:15pm on November 19, 2019

The Wickhams: Christmas at Pemberley cashes in on Jane Austen by Catey Sullivan

Sugarplums, sparkle, and a stellar cast can't quite overcome a treacly script. In commercializing Jane Austen's enduring appeal, playwrights Margot Melcon and La…

SOURCE: www.chicagoreader.com at 7:08pm on November 19, 2019

Oliver! earns its exclamation point at Marriott by Jack Helbig

The Dickensian melodrama-turned-musical features an outstanding ensemble. Lionel Bart's musical adaptation of Charles Dickens's 1839 novel Oliver Twist first pre…

SOURCE: www.chicagoreader.com at 6:55pm on November 19, 2019

Queen of Sock Pairing pushes boundaries by Josh Flanders

Red Tape Theatre's production traces a woman's empowerment through role-playing. With ambitious productions that push the boundaries of subject matter, Red Tape …

SOURCE: www.chicagoreader.com at 6:48pm on November 19, 2019

Oedipus Rex leaves nothing in the shadows by Max Maller

Sophocles's tragedy could use some emotional veils in Court Theatre's staging. Montaigne, quoting from ancient sources, describes a painting of the sacrifice of …

SOURCE: www.chicagoreader.com at 6:34pm on November 19, 2019

The Nutcracker retains its hold on the heart by Kerry Reid

The House Theatre's annual tradition remains one of Chicago's best seasonal offerings. It took me nine years to get out to the House Theatre's annual nonballetic…

SOURCE: www.chicagoreader.com at 6:29pm on November 19, 2019

Lindiwe is at its best when it lets the music do the talking by Kerry Reid

Steppenwolf's latest collaboration with Ladysmith Black Mambazo has too much story, not enough song. Steppenwolf's long association with Ladysmith Black Mambazo,…

SOURCE: www.chicagoreader.com at 6:20pm on November 19, 2019

Nothing happens (twice) in Waiting for Godot by Albert Williams

Dennis Začek's solid staging lets Samuel Beckett's existential comedy be. Written in the wake of World War II, with its carnage and cruelty committed by all s…

SOURCE: www.chicagoreader.com at 6:13pm on November 19, 2019

The Niceties raises the stakes for academic debate by Catey Sullivan

Generational and racial divides light the fuse at Writers Theatre. In 2015, Yale University was rocked by student activists demanding change within an organizati…

SOURCE: www.chicagoreader.com at 6:04pm on November 19, 2019

Bangarra Dance Theatre brings its distinctive language to Chicago by Irene Hsiao

Based in Australia, the company fuses contemporary dance with Aboriginal and Torres Strait Islander traditions. Bangarra Dance Theatre of Australia makes its Chi…

SOURCE: www.chicagoreader.com at 5:53pm on November 19, 2019

On a bountiful opera weekend, Chicago Opera Theater climbs a peak by Deanna Isaacs

Chicago Opera Theater's Everest is stunning contemporary opera. It was a great weekend for contemporary opera in Chicago. Lyric's not-to-be-missed Dead Man Walki…

SOURCE: www.chicagoreader.com at 1:38pm on November 19, 2019

Vihanga has arrived by Kerry Cardoza

The handmade clothing line offers ethical and sustainable fashion for all. Vihanga Sontam always wanted to start her own fashion label.…

SOURCE: www.chicagoreader.com at 7:00am on November 13, 2019

The Steadfast Tin Soldier remains delightful in its second year by Dmitry Samarov

Mary Zimmerman's adaptation of the Hans Christian Andersen fairy tale is moving and magical. Marionette-like figures in colorful, exaggerated costumes dance on a…

SOURCE: www.chicagoreader.com at 6:15pm on November 12, 2019

The music entices, but the story is corny in Sombras Tango Cabaret by Irene Hsiao

Tango 21 Dance Theater's cabaret show lacks narrative sophistication. Originating on the streets of Argentina, filtered through European high society, blending A…

SOURCE: www.chicagoreader.com at 6:05pm on November 12, 2019

Romeo and Juliet is only halfway there at Chicago Shakes by Kerry Reid

The central characters feel like an afterthought in Barbara Gaines's contemporized version. Setting Romeo and Juliet in a contemporary urban setting inevitably d…

SOURCE: www.chicagoreader.com at 6:00pm on November 12, 2019

Packing follows one gay man's journey to confront his midwestern ghosts by Dan Jakes

Scott Bradley's solo show for About Face creates an important document of queer life. Living out and proud in a coastal queer mecca full of historic gayborhoods,…

SOURCE: www.chicagoreader.com at 5:50pm on November 12, 2019

A heart transplant reveals old heartaches in Exquisita Agonía by Kerry Reid

Aguijón Theater's production of Nilo Cruz's drama is searing and sharp. Nilo Cruz's plays often center on people suffering displacement and trying to find dis…

SOURCE: www.chicagoreader.com at 5:40pm on November 12, 2019

Do You Believe in Madness? is more befuddled than angry by Kerry Reid

In its 108th main-stage revue, Second City tries to get a handle on our crazy times. A year ago, Second City unveiled Algorithm Nation or the Static Quo, a grim …

SOURCE: www.chicagoreader.com at 5:32pm on November 12, 2019

P.Y.G. or the Mis-Edumacation of Dorian Belle cuts with double-edged satire by Kerry Reid

A white Canadian pop star and two Black hip-hop artists share a reality-TV crib. There are two specific places in Tearrance Arvelle Chisholm's P.Y.G. or the Mis-…

SOURCE: www.chicagoreader.com at 5:20pm on November 12, 2019

Rink Life takes us on a circular journey through collaboration by Irene Hsiao

Lucky Plush's new ensemble piece uses the roller rink as a metaphor for community. Ah, the roller rink"a community center where everyone keeps moving in circles,…

SOURCE: www.chicagoreader.com at 4:45pm on November 12, 2019

Ladylike lets women be as gross as they please by Brianna Wellen

The live show and podcast aim to shake the shame from our most disgusting moments. Bodies are gross. It's true of all bodies, but while men are often encouraged …

SOURCE: www.chicagoreader.com at 4:30pm on November 12, 2019
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