6,907 stories from Washington Post
Signature Theatre revives a hit Gershwin "revisical" from the '90s.
Comedian Felonius Munk comes clean at Woolly Mammoth.
"Annie" is running at Olney and "Twelfth Night" is at Shakespeare Theatre, among others.
Dan Hoyle's solo show, now in D.C., has channeled U.S. frictions since 2010.
We Happy Few bring Lope de Vega's 17th-century comedy to the stage.
The strange case of the thwarted Tony nominator.
Get to know a younger breed of actors who are helping to define a vibrant theater town.
An evocative show based on an Israeli movie opens as a irresistible entertainment
The holiday slate fattens up.
The fit's amiss, even with a cast featuring Broadway vet Donna McKechnie.
In 'Nothing to Lose (but Our Chains),' standup comic Felonious Munk gives voice to some of his victims.
At last, the Trump era, courtesy of Jon Robin Baitz, yields a truly fine play.
Fantasy gets real as the 1982 play distills a millennium of discontent.
The British monologuist comes to D.C. for the first time, with a new show.
Days before opening, the cult favorite's first U.S. project outside New York remained a mystery.
Playwright Ayad Akhtar explores Wall Street in the greedy '80s.
'Mean Girls' primps during previews; 'Annie' & 'Crazy for You' begin holiday stands.
Christina Ham's fantasy, opening at Arena Stage, depicts the activist "trying to tell a truth."
A landmark play gets a Broadway run at last
A simply mesmerizing hour of history in music.
"Isn't high school funny, once you're out of it?"
Fritzie Fritzshall knows she is running out of time.
Trump claimed Moore's one-man show, which ran for 12 weeks, was 'forced to close.'
It's now in Baltimore, and the big surprise is . . . just kidding, no surprises.
The musical version of a cult TV sitcom of the 1950s is a dull affair.
