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3,495 stories from The Arts Desk

10 Questions for actress Tracy-Ann Oberman: 'it's made me pretty fearless' by David Benedict

The TV and theatre star charts her route from 'EastEnders' and 'Toast of London' to 'Fiddler on the Roof'What do you call a woman who murdered Dirty Den, is the…

SOURCE: The Arts Desk at 5:18am on July 3, 2017

The Wind in the Willows, London Palladium review - an effortful slog by David Benedict

Kenneth Grahame-inspired musical starring Rufus Hound is at once overly perky and dramatically weightlessAn enormous amount rides on a musical's opening number. Without explicitly expressing…

SOURCE: The Arts Desk at 10:24pm on June 29, 2017

Mr Gillie, Finborough Theatre by Jenny Gilbert

Goodbye Mr Chips, hello theatrical buried treasureLabels have their uses but they can also be a blight. The works of the Scottish playwright James Bridie " with their regional accents and do…

SOURCE: The Arts Desk at 9:36pm on June 28, 2017

Lady Day at Emerson's Bar and Grill, Wyndham's Theatre review " searing stuff by Matt.wolf

Audra McDonald's long-awaited West End debut deserves to take the town Broadway so frequently fetes its visiting Brits that it's nice when the honour is repaid.

SOURCE: The Arts Desk at 9:06pm on June 27, 2017

10 Questions for George Stiles and Anthony Drewe: 'we are optimistic people' by Jasper.rees

The makers of quintessentially English musicals on heading back to the Edwardian era for The Wind in the Willows at the PalladiumGeorge Stiles and Anthony Drewe " Stiles and Drewe, as the so…

SOURCE: The Arts Desk at 9:06pm on June 27, 2017

Ink, Almeida Theatre review - Sun rises while show sinks by Aleks.sierz

Rupert Murdoch saga by 'This House' playwright is too detailed and overblownThe recent general election result proves that the power of rightwing press has diminished considerably in the dig…

SOURCE: The Arts Desk at 8:04pm on June 27, 2017

Gloria, Hampstead Theatre review " pretty glorious by Matt.wolf

Branden Jacobs-Jenkins's Off Broadway hit makes a vibrant crossing to London starring Colin MorganAs with life, so it is in art: in the same way that one can't predict the curve balls t…

SOURCE: The Arts Desk at 5:48am on June 23, 2017

Terror, Lyric Hammersmith, review " more gimmick than drama by Aleks.sierz

Audience participation cannot save a trial that suffocates in abstractionCan the theatre be a courtroom? A good public place to debate morality and to arrive at profound decisions. You could…

SOURCE: The Arts Desk at 6:33pm on June 22, 2017

Bat Out of Hell, Coliseum review - Jim Steinman's rockin' dystopia hits the stage by Adam.sweeting

It's opera, but not as we know itOpera-lovers coming to St Martins Lane may feel confused to be confronted by an unrecognisable Coliseum, which now has huge girder-like structures adorn…

SOURCE: The Arts Desk at 5:42am on June 21, 2017

Hir, Bush Theatre, review " transgender home is sub-prime by Aleks.sierz

New American satire about families only rarely hits the markDonald Trump's electoral success was, we have been told, fueled by the anger of the American working class. But how do you show th…

SOURCE: The Arts Desk at 6:12pm on June 20, 2017

Kiss Me, Trafalgar Studios review - Richard Bean two-hander is affecting if slight by Will Rathbone

Onetime National Theatre hit-maker offers a decided change-of-pace Hampstead Theatre Downstairs' habit of sending shows southward to Trafalgar Studios continues with Richard Bean's Kiss Me. …

SOURCE: The Arts Desk at 5:33am on June 20, 2017

Hamlet, Harold Pinter Theatre review - dislocatingly fresh makeover by Alexandra.coghlan

Robert Icke finds new truths in old words in this captivating productionMidway through Hamlet a troupe of actors arrives at Elsinore. Coaching them for his own ends, the prince turns directo…

SOURCE: The Arts Desk at 5:48am on June 17, 2017

Tristan & Yseult by Jenny Gilbert

Emma Rice bows out in riotous style " Shakespeare would have cheered herThis show feels like an end-of-the-exams party, and in a way that's exactly what it is. If the fruits of Emma Rice's s…

SOURCE: The Arts Desk at 4:18am on June 16, 2017

Anatomy of a Suicide, Royal Court review - devastatingly brilliant by Aleks.sierz

Katie Mitchell returns with a powerful account of depression and despairDorothy Parker's take on suicide is called "Resumé": it goes, "Razors pain you; Rivers are damp; Acids stain you; And…

SOURCE: The Arts Desk at 7:33pm on June 11, 2017

Barber Shop Chronicles, National Theatre, review - Inua Ellams's new play is foot-stompingly pleasurable by Aleks.sierz

New play about fatherhood and masculinity has an enjoyably global reachThe strapline for this joyful show is: "One day; six cities; a thousand stories". Allowing for hyperbole, this is just …

SOURCE: The Arts Desk at 7:18pm on June 7, 2017

Common, National Theatre review - Anne-Marie Duff fails to ignite by Aleks.sierz

Epic new play about the Enclosures gets bogged down in obscurityHistory is a tricky harlot. She is bought and sold, fought for and thrown over, seduced and betrayed " and always at the mercy…

SOURCE: The Arts Desk at 6:48pm on June 6, 2017

h.Club 100 Awards: Hope Mill Theatre, Manchester by The Arts Desk

Joseph Houston and William Whelton found a storage space on Gumtree and turned it into a musical theatre. Here's howThe Hope Mill Theatre in Manchester is an irresistible example of the…

SOURCE: The Arts Desk at 11:33am on June 6, 2017

Annie review - a 12-year-old star is born by Matt.wolf

A cautious Miranda Hart cedes centre-stage to an enchanting young newcomer Forty years after Annie swept on to Broadway, brimming with shining-faced optimism amidst wearying times, along com…

SOURCE: The Arts Desk at 4:42am on June 6, 2017

Sand in the Sandwiches, Theatre Royal, Haymarket review - delightful but sanitised by Matthew Wright

Hugh Whitemore's skillful highlights reel over-eggs a complex poet's charmBard of Metroland and scourge of Slough, John Betjeman is, alongside Philip Larkin on parenthood, still on…

SOURCE: The Arts Desk at 5:18am on June 1, 2017

La Strada, The Other Palace review - Fellini's tragicomedy becomes a noisy romp by David.nice

Lively song and movement, but the special pathos of the film is smotheredHitting the essence of a Fellini masterpiece in a different medium is no easy task. Try and reproduce his elusive bra…

SOURCE: The Arts Desk at 3:54am on June 1, 2017

On the Town review - triple threat Danny Mac and co are unmissable by David Benedict

Glorious reimagining of Broadway rarity at Regent's Park Open Air TheatreOn 8 April 1952, screenwriters Betty Comden and Adolph Green were chatting to Charlie Chaplin at a party when he…

SOURCE: The Arts Desk at 7:24pm on May 31, 2017

Killology, Royal Court review " both disturbing and life-affirming by Aleks.sierz

Three monologues brilliantly summon up a punchy world of pain and violenceThe monologue is a terrific theatre form. Using this narrative device, you can cover huge amounts of storytelling te…

SOURCE: The Arts Desk at 6:24pm on May 30, 2017

Jam review " obsession and resentment in the classroom by Jenny Gilbert

Debut play about teaching and the unteachable hits a nerveWhen TV drama tackles Britain's class divide, the go-to working-class type is the northerner: gritty, blunt of vowel and partial to …

SOURCE: The Arts Desk at 5:48am on May 29, 2017

An Octoroon review - slavery reprised as melodrama in a vibrantly theatrical show by Tom.birchenough

A major work of new American drama receives its European premiere at Richmond's Orange Tree TheatreMake no mistake about it, Branden Jacobs-Jenkins is a playwright to watch. London receives …

SOURCE: The Arts Desk at 4:36am on May 27, 2017

Deposit, Hampstead Theatre Downstairs review- capital's housing crisis lands centre-stage by Will Rathbone

Hampstead studio space downstairs unveils a quiet corker Matt Hartley's personal take on London's housing crisis returns to the Hampstead Theatre's studio space downstairs and is sure to hit…

SOURCE: The Arts Desk at 4:48am on May 26, 2017
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