A flashy jukebox musical burning with more than two dozen mega-rock '80s classics by the likes of Journey, Twisted Sister and Styx, "Rock of Ages" is a loud, low-brow, surprisingly enjoyable…
'Body of Water' drifts a bit in its analysis of what is real
Coiro shuttles between East and West, stage and TV
Revitalizing the drama with striking staging and forceful acting, McBurney delivers an "All My Sons" that registers directly with today's concerns about the accountability of business execut…
Perhaps a better title for "A Laughing Matter" would be "A Grinning Matter." Even that may be too generous a title. How about "A Smiling Matter"?
Appropriate to a show with a World War II situation, the comedy bombs out.
Murky 'Rising Water' leaves audience high and dry
An intermission proves to be an unnecessary break in the 90-minute show, but that's only a minor misstep in an enjoyable visit with a guy you'll love to despise.
For all of its serious intentions, it's a difficult show to stomach.
Elisabeth Moss of "Mad Men" is liberated from retro girdles and bangs as she makes her Broadway debut in a revival of David Mamet's "Speed-the-Plow."
Langella is a blessing as the saint-scholar of 'Man for All Seasons'
Call it development hell: A play by a promising unknown is optioned by a theater.
Expect nothing fancy from "13" -- just a sincerely good time.