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8,108 stories from DC Theatre Scene

Emilie"La Marquise du Chatelet Defends Her Life Tonight (review) by Jayne Blanchard

Emilie is like a perfectly icy glass of champagne laced with bitters. Avant Bard's scintillating production of Lauren Gunderson's play about Enlightenment-era scientific genius and mistress …

SOURCE: DC Theatre Scene at 12:36pm on October 19, 2017

Mariinsky Ballet's La Bayadère: stunning and thrilling (review) by Alexander C. Kafka

Love is tragic and sumptuous in the Mariinsky Ballet's La Bayadère. At the Kennedy Center this week, under director Valery Gergiev and acting ballet director Yuri Fateev, the production " i…

SOURCE: DC Theatre Scene at 11:12am on October 19, 2017

Wilderness explores Utah teen therapy program (review) by Marshall Bradshaw

This past weekend, En Garde Arts brought a new multimedia documentary theatre piece to the Kennedy Center. True to the best of its genre, Wilderness strikes right at the core with devastatin…

SOURCE: DC Theatre Scene at 12:48pm on October 18, 2017

Hal Linden in The Price (review) by Marshall Bradshaw

There's something noble in sticking with your family no matter what, but there's also something noble in finally cutting ties with a toxic parent. The Price grinds that contradiction against…

SOURCE: DC Theatre Scene at 12:48pm on October 18, 2017

Antony and Cleopatra's romance is the central focus at Folger (review) by John Geoffrion

Folger Theatre is transformed dramatically for their production of Antony and Cleopatra, and that dramatic transformation also applies to the play itself. Thus is one of Shakespeare's denser…

SOURCE: DC Theatre Scene at 12:06pm on October 17, 2017

New opera: Shining Brow, Frank Lloyd Wright in love (review) by Susan Galbraith

One doesn't go to Urban Arias expecting masterpieces. The whole adventure is about sharing in Founder and Artistic Director Robert Wood's risk-taking in mounting new or almost new operatic w…

SOURCE: DC Theatre Scene at 10:54am on October 17, 2017

An Act of God at Signature (review) by Jill Kyle-keith

You know how it is with celebrities: you don’t hear from them for awhile, you assume they’re dead. Until they put out a bestseller that refutes/justifies/excuses everything they&…

SOURCE: DC Theatre Scene at 11:18am on October 16, 2017

The Siege Review: Bethlehem Standoff from the Palestinian Point of View by Jonathan Mandell

The Siege, a play dramatizing the 2002 siege by armed Palestinians of the Church of the Nativity in Bethlehem, is in several ways the exact opposite of Oslo, the last drama about the Palesti…

SOURCE: DC Theatre Scene at 7:33am on October 16, 2017

The Effect at Studio Theatre (review) by Kelly McCorkendale

The Effect is a beautiful rumination on what love is"a combination of naturally occurring chemicals with which the brain floods the body. Or something altogether different. Something control…

SOURCE: DC Theatre Scene at 8:24am on October 14, 2017

The Smartest Girl in the World by Brett Steven Abelman

The best thing about The Smartest Girl in the World is that it is not actually about how smart the titular girl is, but about how much she learns from her brother, and how much her brother l…

SOURCE: DC Theatre Scene at 10:42am on October 13, 2017

Tom Story plays God in Signature Theatre's An Act of God by Keith Loria

It isn't every day that you're asked to play God, so when 7-time Helen Hayes-nominated actor Tom Story was offered the chance to take on the titular role in Signature Theatre's production of…

SOURCE: DC Theatre Scene at 12:42pm on October 12, 2017

Matthew Bourne's The Red Shoes (review) by Susan Galbraith

Experiencing a Matthew Bourne ballet is like indulging in a whole box of Christmas crackers from Harrods " stuffed with surprises. It also reminds me of reading something by the late writer …

SOURCE: DC Theatre Scene at 11:33am on October 12, 2017

I'll Get You Back Again review by Steven McKnight

I'll Get You Back Again uses a band’s reunion as the basis for a combined comedy, drama, memory play, and meditation on the meaning of life. While the Round House Theatre world premier…

SOURCE: DC Theatre Scene at 8:06am on October 12, 2017

Review: Nilo Cruz's Sotto Voce by Tim Treanor

In 1939, the S.S. St. Louis set sail from Hamburg for Cuba with 937 passenger, most of them German Jews hoping to begin new lives away from the Nazis. Their hopes were based on a Cuban law w…

SOURCE: DC Theatre Scene at 8:06am on October 12, 2017

Musical The Mistress Cycle debuts at Creative Cauldron (review) by Debbie Minter Jackson

What is it about the idea of a mistress?  Throughout history the "other woman" has been called all kind of names under the sun, shunned, cast-out, run out of town, off the land " or behea…

SOURCE: DC Theatre Scene at 10:33am on October 11, 2017

Assassins from Pallas Theatre Collective (review) by Alan Katz

In the wake of an historically deadly mass shooting and a historically unpopular president comes a musical comedy of sorts about guns, presidents, and their tragic interplay from Lincoln to …

SOURCE: DC Theatre Scene at 9:24am on October 11, 2017

Olney's Our Town is everyone's town (review) by John Geoffrion

It took Olney Theatre, surprisingly, 80 seasons to get around to Thornton Wilder's iconic Our Town, and with acclaimed director Aaron Posner at the helm, they tackle the challenge of what th…

SOURCE: DC Theatre Scene at 12:06pm on October 10, 2017

Are you now, or have you ever been… review. Shameful Congressional hearing by Debbie Minter Jackson

A writer's life is peculiarly isolated and the opening sequence of Are you now, or have you ever been… makes that abundantly clear.  A typewriter sits on a table with a stack of papers …

SOURCE: DC Theatre Scene at 12:06pm on October 10, 2017

Review: Blancaflor. At GALA, the wizard is a girl by Christopher Henley

Another top-notch offering for young audiences began this past weekend: Blancaflor, the latest in the GALita series of theatre for children. GAlita is the arm of GALA Hispanic Theatre that c…

SOURCE: DC Theatre Scene at 10:54am on October 10, 2017

Night Train 57: A Sensory-Friendly Folk Opera review by Kelly McCorkendale

Caravanning to the stars and beyond"to a planet of flowers somewhere at the edge of the universe"is a nice coda to a long week. Even if it is a journey designed for kids. Music, after all, i…

SOURCE: DC Theatre Scene at 1:36pm on October 7, 2017

The Washington Ballet's Russian Masters review by Alexander C. Kafka

America may be in a new cold war with Putin, but the Washington Ballet this week takes Russia into a white-hot embrace. In her first season last year as artistic director, former American Ba…

SOURCE: DC Theatre Scene at 12:24pm on October 6, 2017

Directing Constellation's Wild Party. Creating safe space for intimate and violent scenes by Jon Jon Johnson

"…It may strike you more like a high mass to low instincts … the characters are all id; desperately (and fueled by cocaine and bathtub gin) hoping to express their secret selves, and…

SOURCE: DC Theatre Scene at 12:24pm on October 6, 2017

Langston Hughes, Joseph McCarthy hearings. Why Are You Now … is a timely play by Keith Loria

Langston Hughes was a noted poet, social activist, novelist, playwright and one of the earliest innovators of jazz poetry. It's no wonder that the literary giant got a "shout out" in Rent's …

SOURCE: DC Theatre Scene at 11:18am on October 6, 2017

WAPAVA's Richard Bauer Award honors Rick Foucheux and Amber Paige McGinnis by Keith Loria

On Tuesday, Oct. 10, the DC theater community is invited to the Washington Area Performing Arts Video Archive's (WAPAVA) Richard Bauer Award celebration at the Woolly Mammoth Theater, in an …

SOURCE: DC Theatre Scene at 10:06am on October 6, 2017

Two visions of Sondheim's Assassins opens as the country recoils from mass shootings by Lorraine Treanor

As the country grieves over yet another mass shooting and grapples with the question of what could drive anyone to contemplate such a hideous act, two productions of the Stephen Sondheim/…

SOURCE: DC Theatre Scene at 2:24pm on October 4, 2017
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