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35,752 stories from The Guardian

Wolf Meat review " granny crime caper stretches for the gags by Lyn Gardner

Pleasance, LondonThis comedy thriller's pleasingly surreal edge is dulled by underdeveloped characters and slack plottingComedy theatre has never gone away, but it appears to be enjoying a r…

SOURCE: The Guardian at 11:09am on January 13, 2016

Until the Lions review " Akram Khan's cosmic dance of destiny and revenge by Judith Mackrell

Roundhouse, LondonWith this arresting take on an episode from the Mahabharata, Khan creates an epic theatrical space and a battlegroundThe Mahabharata has been a kind of artistic home to Akr…

SOURCE: The Guardian at 8:09am on January 13, 2016

Tipping Point review " a seesaw ride testing gravity and nerve by Lyn Gardner

Platform, LondonOckham's Razor push themselves to the limit in a terrific show that wields lethal-looking poles to blend circus acrobatics, playground games and trust exercisesBritish circus…

SOURCE: The Guardian at 6:59am on January 13, 2016

Peter Brook to rekindle the magic of the Mahabharata by Michael Billington

In his latest production, Battlefield, the 90-year-old theatre director focuses on a single episode from the great Indian epic that lies at the heart of his careerI'm lucky. I've twice spent…

SOURCE: The Guardian at 3:22am on January 13, 2016

Colour-blind casting: how far have we really come? by Lyn Gardner

A black Hamlet and a black King Lear will appear on main stages this year, but new research reveals black and Asian actors are still limited to minor rolesWhen Paapa Essiedu " a much admired…

SOURCE: The Guardian at 3:22am on January 13, 2016

'It's no Samson and Delilah': Stephen Page on the film adaptation of Spear by Luke Buckmaster

Debut feature from artistic director of Bangarra Dance Theatre is an entrancing, enigmatic work that deals with what it means to be an Indigenous AustralianIn a dimly lit underground train s…

SOURCE: The Guardian at 2:20am on January 13, 2016

Aaron Pedersen and Hunter Page-Lochard star in Stephen Page's Spear " video by Guardian Staff

Footage from Spear, the 2015 film adaptation of a Bangarra Dance Theatre production, directed by the Indigenous Australian choreographer Stephen Page. The film tells the story of a young man…

SOURCE: The Guardian at 1:14am on January 13, 2016

Short shrift for curbs on Labour donations | Letters by Letters

Government moves to reduce Short money and to make it harder for trade union members to give subscriptions to the Labour party are blatant gerrymandering (Labour fears £6m funding cris…

SOURCE: The Guardian at 3:02pm on January 12, 2016

David Bowie's Blackstar sales soar as tribute shows announced by Hannah Ellis-petersen

Sales of singer's last album, released two days before his death, reach 43,000 in the UK with top 40 chart dominated by his back catalogueSales of David Bowie's final album, Blackstar, have …

SOURCE: The Guardian at 1:38pm on January 12, 2016

Resolution review " jazzy jumps and froggy squats in dance showcase by Sanjoy Roy

The Place, LondonCrystal Zillwood saved the uneven opening night of this six-week festival for new dance with an exploration of the overlaps between human and animal lifeEvery January, the R…

SOURCE: The Guardian at 12:35pm on January 12, 2016

Lindsay Kemp on directing David Bowie: 'God knows, he was a chameleon' by Interview By Chris Wiegand

Bowie's dance teacher recalls their first meeting, their early collaborations, and their marriage of theatre and rock'n'roll in the Ziggy Stardust stage showWe first met in 1966, probably la…

SOURCE: The Guardian at 10:26am on January 12, 2016

It's a Wonderful Life review " Capra classic becomes a play for today by Lyn Gardner

Village Memorial Hall, BetchworthThis stage version of the James Stewart film, now touring 45 rural communities, has a raggedy, unforced charmFrank Capra's 1946 movie about George Bailey, th…

SOURCE: The Guardian at 9:24am on January 12, 2016

Top tips for young theatre producers by Tim Johanson

From team management to critics, Tim Johanson, currently producing The Wasp at Trafalgar Studios, offers some advice to aspiring producersIt's a cliche, but it's true " the play really is th…

SOURCE: The Guardian at 7:56am on January 12, 2016

Pay to play: the problem with theatres auctioning background roles by Michael Billington

The cast of King Charles III recently held an Equity meeting about whether to share the stage with an auction winner. Are such sales all in a good cause, or do they set a worrying precedent?…

SOURCE: The Guardian at 7:56am on January 12, 2016

BBC Young Dancer finalist Vidya Patel: 'Your feet are almost a musical instrument' by Interview By David Jays

The rising dance star on the exchange of ideas in her collaboration with Richard Alston, kathak's rhythm and grace, and meditating before rehearsalReaching the final of the BBC Young Dancer …

SOURCE: The Guardian at 3:12am on January 12, 2016

Moves from the Mahabharata: Akram Khan's Until the Lions " in pictures by Tristram Kenton

With his new dance spectacular, Akram Khan has returned to the story of an unsung heroine from the Mahabharata. Take a closer look at the show, which has its world premiere at London's Round…

SOURCE: The Guardian at 3:12am on January 12, 2016

Musical puts spotlight on forgotten star Anthony Newley by Vanessa Thorpe, Arts and Media Correspondent

London show aims to revive the faded reputation of the versatile Cockney performer Anthony NewleyA musical about the life of singer Anthony Newley is to be made in an attempt to revive his r…

SOURCE: The Guardian at 8:12pm on January 11, 2016

Fear and Misery of the Third Reich review " Brecht's chilling vision of nazism by Michael Billington

Union theatre, LondonBertolt Brecht is often thought to be preachy and simplistic, but these plays prove otherwise, offering a complex montage of life in Nazi Germany Brecht wrote this colle…

SOURCE: The Guardian at 1:19pm on January 11, 2016

Is 2016 the year of the female playwright? by Mark Lawson

From new writing at the Royal Court to revivals at the NT, theatre schedules suggest that plays by women are finally getting better representation " but there's still cause for concern On 13…

SOURCE: The Guardian at 12:10pm on January 11, 2016

Richard III review " woe for England, and Shakespeare too by Lyn Gardner

New Diorama, LondonDespite Christopher York's intriguing approach to the would-be king, this show is scuppered by inconsistent acting and giggle-inducing sound effectsAt a time when cast siz…

SOURCE: The Guardian at 7:31am on January 11, 2016

Elizabeth review " Will Tuckett rules with Tudor queen's tightrope dance by Judith Mackrell

Linbury Studio, LondonZenaida Yanowsky rises to the title role and Carlos Acosta brings wit to his last classical role at the Royal Opera House in a tapestry of dance, music and textAs a cho…

SOURCE: The Guardian at 6:15am on January 11, 2016

Tamara Rojo on Romeo and Juliet: 'You know the ending but hope against hope' by Interview By Lyndsey Winship

In our series to mark the 400th anniversary of Shakespeare's death, actors, directors, designers and others offer their own guides to his plays. Here, the ballet superstar explains the power…

SOURCE: The Guardian at 3:55am on January 11, 2016

A newspaper moment in Aidan Gillen's reading of The Dead by Roy Greenslade

How James Joyce used the Daily Express to illustrate Ireland's coming clash There is much to appreciate about the story that concludes James Joyce's Dubliners. After all, The Dead is regarde…

SOURCE: The Guardian at 3:55am on January 11, 2016

Plan your week's theatre: top tickets by Lyn Gardner

The wonderful Third Angel consider the moment of birth in Sheffield, the Push festival begins at Home in Manchester and the London International Mime festival is full of promiseThere are lot…

SOURCE: The Guardian at 2:46am on January 11, 2016

Dancewear leaps out of the studio: fashion archive, 11 Jan 1988 by Sara Mitchell

11 January 1988: Inspired by TV shows like Fame, British teenagers have been rushing out to buy leotards and leg-warmersTradional dancewear is now being worn for its fashion value. Though th…

SOURCE: The Guardian at 12:39am on January 11, 2016
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