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35,752 stories from The Guardian

The Amazing Vancetti Sisters " review by Lyn Gardner

Tristan Bates, LondonWhen Elisa and Jane were children, they were always on tour with their dad and his magic act. Big sister Elisa wanted to be the one to disappear, but it was Jane, his di…

SOURCE: The Guardian at 7:58am on January 27, 2016

The Mother review " Gina McKee stuns in poignant Freudian study by Michael Billington

Tricycle, LondonMcKee gives a first-rate performance in Florian Zeller's play about a woman floundering between hostility and gaiety as her family falls apartIt is important to remember that…

SOURCE: The Guardian at 7:58am on January 27, 2016

Look before you leap into theatre's mainstream by Lyn Gardner

The extra funding and opportunities it offers are enticing, but the mainstream isn't the place for everyone. Entering it often means diluting what made you radical or interesting in the firs…

SOURCE: The Guardian at 7:58am on January 27, 2016

Designs fit for Kanye and a future king " the stage worlds of Tom Scutt by Interview By David Jays

'Images and ideas land in the mind,' says theatre designer Tom Scutt. 'Sometimes an image is hard to shake, and the job is to work out why it's there.' Images like the myriad white balloons …

SOURCE: The Guardian at 6:51am on January 27, 2016

Kiki review " flamboyant and uplifting look at New York's ballroom scene by Lanre Bakare

This complex documentary explores a fascinating subculture and adds substance and depth to a world that could otherwise be patronisedAt last year's Sundance there was a screening of Paris is…

SOURCE: The Guardian at 5:52am on January 27, 2016

RP or OP? That is the question by Robert McCrum

There is a persistent language myth that you can find Elizabethan English alive and well and living in the Ozarks, USA. Actually, if you want to hear Shakespearean English today, all you hav…

SOURCE: The Guardian at 1:39pm on January 26, 2016

Denise Gough wins top theatre award after almost quitting acting by Mark Brown Arts Correspondent

Gough says she was broke before she got role as recovering addict in Duncan Macmillan's People, Places & Things that won her best actress awardIt was called "career-changing", "astonishi…

SOURCE: The Guardian at 9:25am on January 26, 2016

The Pianist of Willesden Lane review " tribute to a determined musical survivor by Michael Billington

St James, LondonMona Golabek's original solo show tells of her mother's steadfast desire to be a concert pianist, in spite of the Holocaust, evacuation and warThis solo show with music might…

SOURCE: The Guardian at 8:16am on January 26, 2016

Contained review " defiantly trashing the myths of disability by Lyn Gardner

Gulbenkian theatre, CanterburyMind the Gap theatre group joyously celebrate the triumphs of people who have rejected the stereotype of disabled livingEveryone has a story to tell, about a mo…

SOURCE: The Guardian at 8:16am on January 26, 2016

Yen review " moving account of poverty and love that subverts expectations by Michael Billington

Royal Court, LondonAnna Jordan's prize-winning play faultlessly captures the mix of violence and virtue at the edge of society with acting of absolute convictionThe good thing about this Bru…

SOURCE: The Guardian at 7:10am on January 26, 2016

The inclusive ballet school: 'It's the one place she can be herself' by Saba Salman

Five-year-old Sophie is one of many disabled, ill and non-disabled children who have learned to dance at the Flamingo Chicks schoolUntil Sophie, five, started dance classes, she had never be…

SOURCE: The Guardian at 5:02am on January 26, 2016

Teen ballet sensation Leroy Mokgatle: 'There is no plan B' by Interview By David Jays

When the 16-year-old South African was told he was too short to become a principal dancer, it motivated him to prove himself. He talks medals, 6am starts and two-minute napsBallet came to me…

SOURCE: The Guardian at 3:16am on January 26, 2016

Houdini's big secret: the sidekick who was more skilled than his master by Stephen Moss

When Houdini got lowered into water, who padlocked his trunks? A British carpenter and locksmith called Jim Collins. Now a magician has written a play about the forgotten hero of escapology'…

SOURCE: The Guardian at 3:16am on January 26, 2016

The show must go on: BroadwayCon lures young theatre fans despite blizzard by Jana Kasperkevic In New York

After the snow fell and New York mostly shut down, fans and musical theatre stars gathered in a warm festival of mutual appreciationA blizzard brought New York to a near standstill this week…

SOURCE: The Guardian at 4:26pm on January 25, 2016

Theatre review: Equus / Gielgud Theatre, London by Michael Billington

Gielgud Theatre, LondonForget all the prurient press speculation about Harry Potter's private parts. The revelation of this revival is that Daniel Radcliffe really can act, proving that his …

SOURCE: The Guardian at 3:18pm on January 25, 2016

40 years of the Oliviers: Maria Friedman picks her 10 favourite winners by Maria Friedman

Ahead of BBC Concert Orchestra's Olivier celebration directed by and starring Maria Friedman, the singer picks her favourite shows to have featured in the prestigious awards This year is the…

SOURCE: The Guardian at 12:57pm on January 25, 2016

Brian Bedford obituary by Michael Coveney

Yorkshire-born actor admired for his many leading Shakespearean roles and his fine interpretations of classical comedy on Broadway and at Stratford, OntarioBrian Bedford, who has died aged 8…

SOURCE: The Guardian at 11:54am on January 25, 2016

National Dance awards: Rosie Kay and Crystal Pite lead the charge by Judith Mackrell

Kay's 5 Soldiers and Pite's Polaris are among the shows recognised in a strong year for women at the NDAs, but the distinctly white winners' list doesn't accurately represent the British dan…

SOURCE: The Guardian at 10:45am on January 25, 2016

Nightwatchers review " secrets and shadows at the Tower of London by Lyn Gardner

Tower of LondonA solo headphones show draws subtle parallels between the dirty tricks of the Elizabethan secret service and our own paranoid surveillance stateIf you've ever wanted to get in…

SOURCE: The Guardian at 7:25am on January 25, 2016

Peppa Pig's Surprise review " a squirting, snorting, exhausting show by Chris Wiegand

Duke of York's theatre, LondonA puppet Peppa and her family have fun around the house in a touring stage version that stays close to the TV series and gets the kids singing and giggling"Excu…

SOURCE: The Guardian at 7:25am on January 25, 2016

Signing Shakespeare: his plays let us show the poetry of BSL by Interview By David Jays

For director Paula Garfield, translating Love's Labour's Lost into British Sign Language was a tall order, right down to the title. But her Globe production made magic from the metaphors of …

SOURCE: The Guardian at 3:36am on January 25, 2016

Plan your week's theatre: top tickets by Lyn Gardner

Ralph Fiennes arrives at the Old Vic, Bristol sees A Girl is a Half-Formed Thing, new plays will emerge from Waterloo's Vaults, and Manipulate festival brings physical theatre to AberdeenRal…

SOURCE: The Guardian at 2:40am on January 25, 2016

Anna Jordan on generation porn and a dog called Taliban by Alfred Hickling

Anna Jordan launched her own theatre company while holding down a day job licensing fruit machines. Now she's scored a huge hit with Yen, a tender play about two abandoned boys and their als…

SOURCE: The Guardian at 2:40am on January 25, 2016

Breaking the silence: Bangladesh students tackle harassment through theatre | Anna Leach by Anna Leach In Rajshahi

Seven, a travelling documentary play recounting the real-life ordeals of women who have encountered violence, rape and trafficking, has become a fulcrum for debate and action among students …

SOURCE: The Guardian at 12:34am on January 25, 2016

Five Finger Exercise review " family feud can't summon the savagery of Albee by Lyn Gardner

Print Room, LondonPeter Shaffer's shouty drama about a family on the edge has a terrific performance by Jason Merrells, but this production can't hide the flaws of the work itselfWritten two…

SOURCE: The Guardian at 10:15am on January 24, 2016
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