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35,751 stories from The Guardian

Hamlet comes to the Calais Jungle " in pictures by Guardian Staff

Shakespeare's Globe theatre company performed Hamlet to the refugees of the Calais Jungle as part of their Globe to Globe tour, which started in April 2014 Continue reading...

SOURCE: The Guardian at 7:40pm on February 3, 2016

Shakespeare's Globe actors perform Hamlet in Calais refugee camp " video by Guardian Staff

Shakespeare's Globe stages a performance of Hamlet in the so called Calais 'jungle' on Wednesday. The London-based theatre company took its world touring production for a one-off performance…

SOURCE: The Guardian at 12:48pm on February 3, 2016

National Theatre bill to feature gender-fluid Shakespeare by Hannah Ellis-petersen

New programme reaffirms commitment to diversity with colour-blind revival of Amadeus and four plays written by womenThe National Theatre has launched its new programme featuring a gender-flu…

SOURCE: The Guardian at 12:48pm on February 3, 2016

Sock it to Satan: the barman behind profane puppet drama Hand to God by Alexis Soloski

Robert Askins drew on his evangelical Texas upbringing to create a comedy about a teenager tormented by an evil puppet. As the play hits Britain, will he quit his day job mixing margaritas i…

SOURCE: The Guardian at 11:45am on February 3, 2016

Looking back at great theatrical disasters by Michael Billington

Way Upstream once flooded the National. As the play is revived, Michael Billington takes a look at great theatrical disastersTheatre is a disaster area: a world of precarious illusion in whi…

SOURCE: The Guardian at 9:19am on February 3, 2016

The Best Thing review " wordless drama speaks volumes about forced adoption by Lyn Gardner

Jacksons Lane, LondonThis touching piece by mask theatre company Vamos takes the long view in its investigation of the unhappy plight of unmarried teenage mothers in the1960sAmanda Whittingt…

SOURCE: The Guardian at 8:10am on February 3, 2016

Rufus Norris's National Theatre ushers in new generation of writers by Lyn Gardner

The artistic director's second NT season welcomes devised pieces, experimentation and co-productions, and includes new shows by Bryony Kimmings and Lucy Kirkwood " plus a transfer of the acc…

SOURCE: The Guardian at 8:10am on February 3, 2016

Nights of passion: Barcelona's intimate flamenco club by Michelle De La Rosa Lewis

At 23 Robadors young and old performers get together to jam long into the night. And if you get hungry, the tapas and pinxtos are only €1 apiece'Discover more great little places aroun…

SOURCE: The Guardian at 8:10am on February 3, 2016

Ma Rainey's Black Bottom review " August Wilson's blues still electrify by Michael Billington

Lyttelton theatre, LondonThis big, bold piece about 1920s race relations is a play of passion and power, starring a majestic Sharon D Clarke as the bisexual singerAugust Wilson's play has en…

SOURCE: The Guardian at 8:10am on February 3, 2016

Nick Thune review " a standup too cool for anything as hack as a punchline by Brian Logan

Soho theatre, LondonThe US comedian's anecdotes are unstructured, overlong and underpowered, but he has ragged charm and there's delight to be had in his throwaway asidesYou expect comedians…

SOURCE: The Guardian at 6:55am on February 3, 2016

James Corden to host 2016 Tony awards by Staff and Agencies

The actor and late night talkshow host will present the Broadway ceremony in June " meanwhile, he offers a preview of Carpool Karaoke with Chris Martin James Corden will be hosting the Tony …

SOURCE: The Guardian at 5:28pm on February 2, 2016

French-kiss Me Kate: Parisian theatre embraces Cole Porter by Kim Willsher

With its series of extravagant and sophisticated shows, the Châtelet in France is casting English actors in American musical classics. The latest aims to match the Hollywood glamour of th…

SOURCE: The Guardian at 11:04am on February 2, 2016

Broadway mélodies: Kiss Me Kate at the Châtelet in Paris " in pictures by Guardian Staff

Kiss Me Kate at the Châtelet theatre in Paris, directed by Yorkshireman Lee Blakeley, has an orchestra of 40 musicians, gorgeous costumes from two different eras, complex choreography and…

SOURCE: The Guardian at 11:04am on February 2, 2016

Red Velvet review " Adrian Lester gives us fire, fury and grandeur by Michael Billington

Garrick, LondonLester's magnificent acting makes you nostalgic for a vanished gestural style in this welcome revival of Lolita Chakrabarti's play about racial prejudicePlays about theatre do…

SOURCE: The Guardian at 8:39am on February 2, 2016

A Raisin in the Sun review " family drama still sings out loud, angry and true by Lyn Gardner

Sheffield Crucible StudioDawn Walton's touring revival matches the loving detail of Lorraine Hansberry's depiction of black family life in 1950s Chicago Almost 60 years since its original st…

SOURCE: The Guardian at 8:39am on February 2, 2016

Flamenco superstar Sara Baras: 'If you don't feel it, you can't do it' by Interview By David Jays

In the last of our dancers' diaries, the flamenco legend says the genre is not about technique but emotion " above all, it must come from the heartFor almost 20 years, I have maintained my o…

SOURCE: The Guardian at 3:13am on February 2, 2016

How we made Billy Elliot the Musical by Interviews By Andrew Dickson

Lee Hall: 'I'd fax Elton my lyrics " then he'd call me up and sing them down the phone'The moment we finished the film, we took it to the Cannes film festival. It was only a small screening …

SOURCE: The Guardian at 2:10am on February 2, 2016

Justin Peck and the National's Bryce Dessner create a Most Incredible ballet by Marina Harss In New York

The 28-year-old dancer and choreographer's latest work, inspired by a Hans Christian Andersen fairytale, marks an exciting return to narrative dance"Whosoever could do the most incredible th…

SOURCE: The Guardian at 3:44pm on February 1, 2016

Minotaur review " monstrous myth with meaty themes by Lyn Gardner

Unicorn, LondonCan a hero take the bull by the horns? What does it mean to be a good child? This production has no fear of meaty issuesHands shoot up when King Minos of Crete, played by Rupe…

SOURCE: The Guardian at 10:51am on February 1, 2016

Kite review " a girl, her gran and a miraculous grief-cure by Lyn Gardner

Soho theatre, LondonThis wordless show about bereavement has a debt to The Snowman and flips from sorrow to elation without taking us on a real emotional journeyIn Mary Poppins, Mr Banks rec…

SOURCE: The Guardian at 10:51am on February 1, 2016

2666 challenges: adapting Roberto Bolaño's novel for the stage by Robert Falls

Producing a theatrical version of Bolaño's 900-page novel, with its large cast and extreme variations in tone, was a terrifying prospect for director Robert Falls. One five-hour play late…

SOURCE: The Guardian at 10:51am on February 1, 2016

Shakespeare timeline: follow the plot of the playwright's life by Andrew Dickson

From his birth in Stratford-upon-Avon to family tragedy, friendship with the monarch and success at the Globe, explore the twists and turns in Shakespeare's own storyOn 26 April, Stratford-u…

SOURCE: The Guardian at 8:44am on February 1, 2016

Shakespeare Solos: watch the first six films by Guardian Staff

Leading actors perform key Shakespeare speeches in a set of videos that capture the romance, tragedy, villainy and magic of his plays Continue reading...

SOURCE: The Guardian at 8:44am on February 1, 2016

Frank Finlay: the no-nonsense star who moved like a dancer by Michael Billington

Whether playing charismatic leaders or acting as a fine foil to Olivier, Finlay brought a robust intelligence and grace to his stage rolesLike a lot of northern actors " think of Albert Finn…

SOURCE: The Guardian at 8:44am on February 1, 2016

Adrian Lester as Hamlet: 'To be or not to be' " video by Dan Susman, Jess Gormley, Pascal Wyse, Chris Wiegand, Emma Johnand Liese Spencer

To mark the 400th anniversary of Shakespeare's death, we asked leading actors to perform key speeches from his plays. Here, Adrian Lester speaks Hamlet's soliloquy from act III, scene 1, in …

SOURCE: The Guardian at 7:20am on February 1, 2016
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