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8,108 stories from DC Theatre Scene

Charlotte's Web: they're putting together the beloved children's story at Imagination Stage by Jon Jon Johnson

Hi Theatre Fam! Jon Jon here! I got a chance to correspond with some of the wonderful folks at Imagination Stage, who are gearing up to open E B White's classic Charlotte's Web. Even though …

SOURCE: DC Theatre Scene at 11:33am on October 31, 2017

National Theatre announces Mean Girls ticket lottery, $25 by Lorraine Treanor

The hottest ticket in town right now is Tina Fey’s bound-for-Broadway musical Mean Girls, at the National only through December 3. According to the National’s online box offic…

SOURCE: DC Theatre Scene at 9:12am on October 31, 2017

Illyria Review: a Scrappy Joe Papp and the Public Theater's Birth Pains by Jonathan Mandell

Before Hamilton, A Chorus Line, Hair, before Joseph Papp built the Public Theater into an institution, he was faced with a fight for survival of his newfound free Shakespeare in Central Park…

SOURCE: DC Theatre Scene at 8:05pm on October 30, 2017

True account of the dramatic "Trial of the Century" behind Inherit the Wind by Tim Treanor

Author’s note: The following is an account of the Scopes Monkey Trial, the real-life inspiration for Inherit the Wind. If you are unfamiliar with either the trial or the play,  I re…

SOURCE: DC Theatre Scene at 1:18pm on October 30, 2017

Inherit the Wind gets superb production at Compass Rose (review) by Tim Treanor

The real trial of the 20th century did not involve some imbecile driving a Bronco in a low-speed chase. Instead, it happened nearly a hundred years ago. In it, the greatest trial lawyer in A…

SOURCE: DC Theatre Scene at 1:18pm on October 30, 2017

Review: Brave Spirits' Doctor Faustus by Tim Treanor

A political rival once said of the famed French foreign minister, Talleyrand, that he “would sell his soul for money and he would be right, for he would be exchanging dung for gold.…

SOURCE: DC Theatre Scene at 12:12pm on October 30, 2017

Safe as Houses from Pinky Swear Productions by Marshall Bradshaw

Safe as Houses seizes a few opportunities to explore how unintentionally hurting loved ones does not make that hurt any less your responsibility. It gets bogged down, however, in handwringin…

SOURCE: DC Theatre Scene at 8:36am on October 30, 2017

Review: The Book of Mormon. If you're not into South Park, will BOM win you over? by Roy Maurer

  There was reason behind the fact that I had not yet seen The Book of Mormon. The show, a pop culture lodestone and the apex theatrical event until it ran up against the wave of adorat…

SOURCE: DC Theatre Scene at 8:36am on October 30, 2017

Why you should see Belarus Free Theatre tonight (review) by Christopher Henley

"It's almost as much a political event as an artistic one," Al Jirikowic (my companion at Thursday night's performance of Burning Doors from Belarus Free Theatre) said to me. He also s…

SOURCE: DC Theatre Scene at 1:18pm on October 27, 2017

Four views of Electra: 4615's producer, director, choreographer and cast by Jon Jon Johnson

From its roots in ancient Greek culture, the story of Electra has withstood the ravages of time.  Electra, herself, stands as a bloodstained woman, something of a patron saint of revenge.…

SOURCE: DC Theatre Scene at 6:36am on October 27, 2017

Paata Tsikurishvili on creating Synetic's Peter Pan by Keith Loria

When he was 12 years old, Paata Tsikurishvili was introduced to the story of Peter Pan on stage. "My dad took me and I just loved the story; the little conflicts with their parents, you want…

SOURCE: DC Theatre Scene at 6:36am on October 27, 2017

Mean Girls fan lands Damian role in pre-Broadway run of Tina Fey musical by Keith Loria

"Raise your hand if you have ever been personally victimized by Regina George?" If this line resonates with you, there's a good chance you are among the many anxiously awaiting the musical v…

SOURCE: DC Theatre Scene at 12:06pm on October 26, 2017

Speaking from the Heart: Playwright Christina Ham on Nina Simone: Four Women by Sarah Scafidi

A play with music, Nina Simone: Four Women meditates on songstress Nina Simone's transition from a singer to an activist, eventually writing songs that would underscore the Civil Rights Move…

SOURCE: DC Theatre Scene at 12:06pm on October 26, 2017

Deb Sivigny's Hello, My Name Is … (review) by Alan Katz

Memory is a home we can't help but live in. Wandering from room to partitioned room, we reflexively replay the moments that define us in our search of what they mean for who we are. Deb Sivi…

SOURCE: DC Theatre Scene at 11:48am on October 25, 2017

John de Lancie takes on Trump-inspired satire at Mosaic Theater by Keith Loria

John de Lancie is set to star in Mosaic Theater Company's production of Pulitzer Prize finalist Jon Robin Baitz' Vicuña & The American Epilogue as Kurt Seaman, a Donald Trump-inspi…

SOURCE: DC Theatre Scene at 6:33am on October 25, 2017

An Interview With a Revolutionary: Natalia Kaliada of Belarus Free Theatre by Alan Katz

There is still dictatorship in Europe. Protestors are beaten in the streets. Artists and activists are tortured in prison. An iron-fisted strong man rigs elections and crushes all opposition…

SOURCE: DC Theatre Scene at 6:33am on October 25, 2017

Transcendent production of Intimate Apparel at Everyman (review) by Jayne Blanchard

What wonderful serendipity in Baltimore this October. On one side of Fayette Street, the Hippodrome Theatre recently hosted the musical The Color Purple with heroine Miss Celie realizing …

SOURCE: DC Theatre Scene at 12:48pm on October 24, 2017

In Mystery School, Nora Achrati plays 5 people in crisis by Keith Loria

Nora Achrati considers herself "very much a character actor." "I was very intrigued by the premise of Mystery School and the opportunity to play these very different characters," she says, s…

SOURCE: DC Theatre Scene at 10:04am on October 24, 2017

Assassins at NextStop Theatre (review) by Kelly McCorkendale

In a time in American history where gun control, collusion, corporate taxes, labor issues, immigration, war, and threats of violence dominate the daily news, Assassins feels chillingly relev…

SOURCE: DC Theatre Scene at 8:12pm on October 23, 2017

Jesus Hopped The A Train Review: Killers Finding God by Jonathan Mandell

Two killers in adjoining prison cages face off about God in this killer revival of one of the earliest plays by Stephen Adly Guirgis, the streetwise New York playwright of such acclaimed rec…

SOURCE: DC Theatre Scene at 7:06pm on October 23, 2017

Synetic imagines The Adventures of Peter Pan (review) by Alexander C. Kafka

Peter Pan and Captain Hook should see a therapist together. How can they not realize by now that their commonalities are greater than their differences? Both are childish, boastful, and untr…

SOURCE: DC Theatre Scene at 1:04pm on October 23, 2017

A spare yet lyrical Electra from 4615 Theatre Company (review) by Brett Steven Abelman

"A lot with a little" encapsulates 4615 Theatre Company's jewel-box production of Sophocles' Electra. British dynamo Nick Payne's clean, contemporary translation of the classical revenge-and…

SOURCE: DC Theatre Scene at 1:04pm on October 23, 2017

Jon Jon Johnson reveals his secrets to performing Tarot III by Jon Jon Johnson

Jon Jon Johnson is getting ready for the closing performance of Tarot Reading III on October 22, created by The Tarot Reading and based on the ancient Tarot cards. It’s a unique exp…

SOURCE: DC Theatre Scene at 9:06am on October 20, 2017

Torch Song Review: Michael Urie in Harvey Fierstein's Groundbreaking Gay Play by Jonathan Mandell

“It's crazy”, says Michael Urie as Arnold, that "after all these years I'm still trying to justify my life." Arnold means his life as a gay man, and though he is talking specific…

SOURCE: DC Theatre Scene at 9:04pm on October 19, 2017

Creating the intimate Antony and Cleopatra for Folger Theatre by John Geoffrion

Prior to seeing Folger's production of Shakespeare's Antony and Cleopatra, I spoke with director Robert Richmond and set designer Tony Cisek about the dramatic transformation of the theatre …

SOURCE: DC Theatre Scene at 1:42pm on October 19, 2017
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