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35,751 stories from The Guardian

Diversity in theatre: why is disability being left out? by Lyn Gardner

Gender and racial diversity is growing in UK theatres " but disabled creatives are being left behind. We have to shift away from patronising box-tickingOver the last few months, it has felt …

SOURCE: The Guardian at 8:15am on February 16, 2016

How we made Noises Off by Interviews By Andrew Dickson

Patricia Routledge: 'I kept bashing into doors and they kept bashing into me. I got through two bottles of arnica in rehearsals alone'The idea came to me in 1970. I'd written a series of sho…

SOURCE: The Guardian at 2:42am on February 16, 2016

Arcadia review " a flat production can't dampen Tom Stoppard's dazzling play by Guardian Staff

Drama theatre, Sydney Opera HouseStarring Ryan Corr and Georgia Flood for the Sydney Theatre Company, Stoppard's classic fails to deliver more than the sum of its partsA quick flick through …

SOURCE: The Guardian at 2:42am on February 16, 2016

TV stars Yael Stone and Dan Spielman on bringing their marriage to Belvoir's stage by Steve Dow

Exploring Australian political corruption in Australia, The Blind Giant is Dancing stars the Orange is the New Black actor opposite her husband. 'We just have to try and be careful,' Stone s…

SOURCE: The Guardian at 12:09am on February 16, 2016

Step-by-step guide to dance: Yvonne Rainer by Sanjoy Roy

Yvonne Rainer and her works are uncompromising, challenging and highly influential. But she won't be guesting on X FactorAn artist who is anti-art, an activist who is also an aesthete, Yvonn…

SOURCE: The Guardian at 3:42pm on February 15, 2016

Performing for the Camera review " pain, passport photos and genital panic by Adrian Searle

Tate Modern, London From a femmed-up Marcel Duchamp to Joseph Beuys in a fisherman's vest, there is plenty of humour in this survey show of artists acting up for the lens " but it's the thea…

SOURCE: The Guardian at 1:28pm on February 15, 2016

Beware of Pity review " world wars and refugee crises collide in blood-soaked horror by Andrew Haydon

Schaubühne, BerlinSimon McBurney's production, based on Stefan Zweig's 1938 novel, brings past and present together in a desperate vision of failed empire Related: Rereading: Beware of Pity…

SOURCE: The Guardian at 8:46am on February 15, 2016

Re:Home review " fitful insights in revisit of Leyton's failed estate by Lyn Gardner

The Yard, LondonCressida Brown's return to the venue of her 2006 verbatim piece, Home, is insightful, but has a whiff of cultural tourismTen years ago, Cressida Brown and Offstage Theatre ma…

SOURCE: The Guardian at 7:46am on February 15, 2016

Wheeldon triple bill review " vividly evokes 1880s Paris, without getting beneath the surface by Judith Mackrell

Royal Opera House, LondonThis Christopher Wheeldon programme includes the premiere of one-act ballet Strapless, whose scandalous heroine Madam X is all attitude and frocks Christopher Wheeld…

SOURCE: The Guardian at 7:46am on February 15, 2016

Sounds and sweet airs: The Tempest's seductive musical sorcery by Interview By Andrew Dickson

Composer Claire van Kampen on staging Shakespeare's late play with her husband Mark Rylance " and how music is his thumbprint as a playwrightThe first time I was involved with a production o…

SOURCE: The Guardian at 4:27am on February 15, 2016

Plan your week's theatre: top tickets by Lyn Gardner

Katie Mitchell directs Sarah Kane, Marianne Elliott's staging of Husbands and Sons arrives in Manchester, and Jamie Lloyd revives The MaidsTorben Betts's adaptation of the gangland classic G…

SOURCE: The Guardian at 3:01am on February 15, 2016

Two 2 review " high spirits and cracking karaoke at Bolton's last chance saloon by Alfred Hickling

Octagon, BoltonWith its parade of eccentrics, this is a riotous follow-up to Jim Cartwright's 1989 homage to the traditional northern boozerJim Cartwright's homage to a traditional northern …

SOURCE: The Guardian at 12:57pm on February 14, 2016

Female characters should be more than 'athletic but sexy, 28' by Lindy West

One Twitter feed lays bare the abysmal way women are described in film scripts. This relentless cultural messaging shapes female identityIt seems as if you can't swing a thinkpiece lately wi…

SOURCE: The Guardian at 10:34am on February 14, 2016

Uncle Vanya review " Dylan, doom and desire in a radical revision by Michael Billington

Almeida, London Its setting in rural England is problematic, but Robert Icke's modernised version of Chekhov's masterpiece is rich in psychological detailRobert Icke seems on a personal miss…

SOURCE: The Guardian at 8:22am on February 14, 2016

Monster Raving Loony review " slapstick fun with a serious side by Clare Brennan

Theatre Royal, PlymouthThe extraordinary life of Screaming Lord Sutch told through music, comedy and drama sketches is highly entertaining " though ultimately a little too fragmentedScreamin…

SOURCE: The Guardian at 4:09am on February 14, 2016

Bel/Millepied/Robbins review " parting shots by Luke Jennings

Palais Garnier, ParisWith the mood still raw after his resignation from Paris Opera Ballet, Benjamin Millepied presents a provocative triple billOpening the day after Benjamin Millepied's sh…

SOURCE: The Guardian at 4:09am on February 14, 2016

Battlefield review " thin fare, but well served by Kate Kellaway

Young Vic, LondonPlatitudes eclipse some fine performances in Peter Brook's postscript to his epic MahabharataBattlefield is unmistakably Peter Brook's work: as clear as a signature. It feel…

SOURCE: The Guardian at 4:09am on February 14, 2016

Rabbit Hole review " the mood is as beige as the decor by Kate Kellaway

Hampstead theatre, LondonA great cast fail to connect in Edward Hall's stagey production of a Pulitzer-winning study of griefIn 2010, Rabbit Hole was made into a slick but touching film, sta…

SOURCE: The Guardian at 4:09am on February 14, 2016

Iphigenia in Splott review " modern Welsh take on the Greek myth by Kate Kellaway

Temporary theatre at the National theatre, LondonSophie Melville is phenomenal as a struggling young woman who finds love… brieflyAt the National's Temporary theatre, a girl walks on to a …

SOURCE: The Guardian at 2:51am on February 14, 2016

Girl, uninterrupted: staging Eimear McBride's chaotic masterpiece by Sarah Crompton

With its claustrophobic style and dark subject matter, could the Baileys-winning smash A Girl Is a Half-formed Thing ever succeed as theatre? Sarah Crompton discovers a show that redefines '…

SOURCE: The Guardian at 6:03am on February 13, 2016

Q&A: Richard Dreyfuss, actor " 'I am the greatest kisser in the world' by Rosanna Greenstreet

My most treasured possession? Only my living relatives. I am not a person of thingsBorn in Brooklyn, New York, Dreyfuss, 68, became a film star in the 70s with American Graffiti, Jaws, …

SOURCE: The Guardian at 1:28am on February 13, 2016

Nell Gwynn review " Gemma Arterton sparkles in chaotic comedy by Michael Billington

Apollo, LondonJessica Swale's play about the orange-seller turned actor cannily mixes Carry On gags with an explicitly feminist messageIt is tricky to transfer a play from the noisily intera…

SOURCE: The Guardian at 6:07pm on February 12, 2016

The set's the thing: how the stage helped The Secret River come alive by Miriam Cosic

Set designer Stephen Curtis says the best of his work supports the actors and solves problems, but warns in a new essay on his work that it's also easy to be glib and rely on old tricks rath…

SOURCE: The Guardian at 5:01pm on February 12, 2016

Your own personal demon: Maria Aberg on her Doctor Faustus double act by Interview By Chris Wiegand

In her RSC version of Marlowe's satanic drama, Maria Aberg bins the jokes, channels Tom Waits and makes the leads strike matches to see who plays whoIn your version of Christopher Marlowe's …

SOURCE: The Guardian at 12:34pm on February 12, 2016

Sea Side Story: Laura Dockrill's salty Romeo and Juliet - video by Guardian Staff

Star Cross'd is the second in the British Council's series of films for Shakespeare Lives 2016, a global programme celebrating William Shakespeare on the 400th anniversary of his death. Poet…

SOURCE: The Guardian at 12:34pm on February 12, 2016
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