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35,751 stories from The Guardian

Poppy + George review " cross-dressing postwar drama shows we are what we wear by Michael Billington

Watford Palace theatreDiane Samuels' play, set in an East End tailor's, about four characters in search of an identity, produces some fascinating arguments around feminismDiane Samuels, famo…

SOURCE: The Guardian at 8:46am on February 19, 2016

This week's new live comedy by James Kettle

Russell Kane: Right Man, Wrong Age | Sarah Kendall: A Day In October | Ed Aczel: The Random Flapping Of A Butterfly's WingsAgeing can feel like a curse to many of us, but it must be especial…

SOURCE: The Guardian at 8:46am on February 19, 2016

This week's new theatre by Mark Cook & Lyn Gardner

The Maids | A Midsummer Night's Dream: A Play For The Nation | The Destroyed Room | Beyond The Fence | Chip Shop Chips | Right NowThree women who have made a big impact on TV line up for the…

SOURCE: The Guardian at 8:46am on February 19, 2016

This week's new dance by Judith Mackrell

De Nada Dance Theatre: Ham & Passion | TerraAfter setting up DeNada Dance Theatre in 2012, Spanish choreographer Carlos Pons Guerra fast-forwarded his way to a National Dance awards nomi…

SOURCE: The Guardian at 8:46am on February 19, 2016

Chwalfa review " Welsh-language industrial drama has a universal power by Alfred Hickling

Pontio, BangorThis epic adaptation of T Rowland Hughes's tale of the Penrhyn Quarry strike shows that the fight against oppression speaks with a common tongueThe University of Bangor owes it…

SOURCE: The Guardian at 7:34am on February 19, 2016

The Humans review " Thanksgiving tensions give rise to great drama by Alexis Soloski

Helen Hayes Theater, New YorkThe pressures of family, work and keeping a roof over one's head simmer slowly in this superbly acted play about a beleagered family meeting in a tumbledown apar…

SOURCE: The Guardian at 10:31pm on February 18, 2016

Peter Wood obituary by Michael Coveney

Director who worked with Tom Stoppard and was associate to Peter Hall at the National TheatreIn a long and illustrious career, the stage director Peter Wood, who has died aged 90, etched his…

SOURCE: The Guardian at 12:20pm on February 18, 2016

Scottish Dance Theatre review " menace and eroticism in inventive double bill by Alice Bain

Traverse, EdinburghFrom Anton Lachky's cartoonish Dreamers to Sharon Eyal and Gai Behar's sensual Process Day, this talented company puts on a powerful performance Chalking up 30 years, this…

SOURCE: The Guardian at 10:01am on February 18, 2016

Cyprus Avenue review " complex study of sectarian paranoia by Helen Meany

Abbey, DublinStephen Rea is riveting as a troubled Ulster loyalist whose hatred of 'the Fenians' drives him to breakdown in this compelling Irish playThe therapist in David Ireland's latest …

SOURCE: The Guardian at 7:46am on February 18, 2016

In the Calais Jungle, art gives refugees a voice. Now we must listen by Christopher Haydon

After helping to put on performances in the Jungle refugee camp, I've seen how theatre can become a shelter, literal and emotional. With the camp now under threat, British and French authori…

SOURCE: The Guardian at 7:46am on February 18, 2016

The War of the Worlds review " a holographic Liam Neeson delivers apocalyptic news by Mark Lawson

HG Wells' prose is the hero of Jeff Wayne's full-blown musical revival, which has enough bombast to drown out any ringtones in the audienceThere was always an overlap between the concept dou…

SOURCE: The Guardian at 6:32am on February 18, 2016

The War of the Worlds " review by Ian Gittins

O2, LondonWhen Jeff Wayne released his The War of the Worlds album in 1978, the winds of fashion were not behind him. In a musical era defined by post-punk's minimalism and deconstructionism…

SOURCE: The Guardian at 4:26am on February 18, 2016

The Wondercrump World of Roald Dahl review " stuffy history gives way to whoopee-cushion delight by Miriam Gillinson

From Going Solo's deserts, through the Fantastical forests of Mr Fox to Matilda's magic library, this walk through the author's worlds comes to life with a stutterBefore we enter The Wonderc…

SOURCE: The Guardian at 4:26am on February 18, 2016

Australian student given scholarship to become first hijab-wearing ballerina " video by Guardian Staff

Australian schoolgirl Stephanie Kurlow's vision to become the world's first hijab-wearing ballerina receives a boost from the former Swedish tennis player Björn Borg as her online crowd-fun…

SOURCE: The Guardian at 2:03am on February 18, 2016

Anne Reid and James Bolam to play anti-fracking campaigners by Mark Brown Arts Correspondent

Fracked! Or: Please Don't Use the F-Word, by Alistair Beaton, to debut as part of final season at Chichester Festival theatreAnne Reid and James Bolam are to star as unlikely anti-fracking c…

SOURCE: The Guardian at 8:00pm on February 17, 2016

Gallows humour " Simon Armitage on his comedy about the last man hanged for blasphemy by Peter Ross

How does the fate of a student executed in 1697 fuel the freedom of speech debate today? Simon Armitage and Told By An Idiot talk about their new drama exploring the life and death of Thomas…

SOURCE: The Guardian at 2:03pm on February 17, 2016

Lynn Nottage: 'Nostalgia is a disease many white Americans have' by David Smith In Washington

Taken from interviews with residents of America's poorest city, the Pulitzer-winning playwright's Sweat has new resonance in the era of Trump and SandersWhen playwright Lynn Nottage began wo…

SOURCE: The Guardian at 11:37am on February 17, 2016

The Herbal Bed review " sex, lies and Shakespeare's daughter by Lyn Gardner

Royal and Derngate, NorthamptonPeter Whelan's compassionate, filigree drama tells the story of the Bard's scion Susanna, seeking life's poetry in puritan England, only to be accused of adult…

SOURCE: The Guardian at 10:27am on February 17, 2016

Voces, Suite Flamenca review " Baras's virtuosity is trapped in the past by Judith Mackrell

Some thrilling footwork and extraordinary singing in Sara Baras's flamenco homage isn't enough to lift this bland production from its classic formatSo much of Sara Baras's dancing is all abo…

SOURCE: The Guardian at 8:15am on February 17, 2016

The Encounter review " Simon McBurney's head trip up the Amazon by Michael Billington

Barbican, LondonInspired by US photographer Loren McIntyre's experiences with Brazilian rainforest tribes, this transporting Complicite show is a triumph of sound designSimon McBurney is an …

SOURCE: The Guardian at 7:01am on February 17, 2016

The five stages of British gags: silliness, repression, anger, innuendo, fear by James Graham

Are you Fawlty, Edina, Partridge or Brent? In his new play Monster Raving Loony, James Graham examines what 70 years of comedy reveal about ourselves " through the story of Screaming Lord Su…

SOURCE: The Guardian at 6:02am on February 17, 2016

Archive theatre review: Elizabethan carnage nearly credible by Philip Hope-wallace

Titus Andronicus, the least known but the most notorious play in the Shakespearean canon, was given performance to-night for the first time in Stratford-on-Avon's history. It Is a magnificen…

SOURCE: The Guardian at 11:52pm on February 16, 2016

Emma Rice wows by casting Meow Meow in first Globe production by Mark Brown Arts Correspondent

Former cabaret star will play Titania in A Midsummer Night's Dream at Shakespeare's GlobeEmma Rice's appointment at Shakespeare's Globe was always going to shake things up so her first piece…

SOURCE: The Guardian at 2:56pm on February 16, 2016

The James Plays review " triumphant trilogy holds a mirror to Scottish history by Mark Fisher

Edinburgh Festival theatreRona Munro's day-long reimagining of 15th-century royal Scotland shows a nation determined to do things on its own terms Related: The lost kings of Scotland There's…

SOURCE: The Guardian at 9:32am on February 16, 2016

Hand to God review " satanic sock-puppet satire gives in to temptation by Michael Billington

Vaudeville, LondonRobert Askins's Broadway hit about a Bible belt teenager in thrall to a foul-mouthed puppet is merely crudeAmerican religious fervour inevitably breeds a reaction. Although…

SOURCE: The Guardian at 8:15am on February 16, 2016
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