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35,751 stories from The Guardian

A Midsummer Night's Dream review " RSC's delightful 'play for the nation' by Lyn Gardner

Royal Shakespeare theatre, Stratford-upon-AvonAyesha Dharker, Chu Omambala and Lucy Ellinson shine in a 1940s-tinged production that is dusted with magic by director Erica WhymanPast and pre…

SOURCE: The Guardian at 6:08pm on February 24, 2016

Is Woyzeck the first modern drama? by Michael Billington

How the true story of a murderous barber inspired the first modern dramaWhich version of Woyzeck do you prefer? Play or opera? Büchner or Berg? A bleeding dramatic torso or a tightly struct…

SOURCE: The Guardian at 9:27am on February 24, 2016

Rhys James review " standup with a superiority complex by Brian Logan

Soho theatre, LondonThe 24-year-old comedian is charming and verbally virtuosic sending up his own white privilege, but can't bring himself to be profound"Nothing bad has ever happened to me…

SOURCE: The Guardian at 9:27am on February 24, 2016

Five people faint due to violence in National Theatre's Cleansed by Hannah Ellis-petersen

Graphic scenes in stage revival of Sarah Kane's play prove too much for viewers, with 40 leaving early in first six showsFive people have fainted watching the graphic scenes of torture, rape…

SOURCE: The Guardian at 8:21am on February 24, 2016

Farruquito & Farruco review " cockerel posturing and mesmerising music by Sanjoy Roy

Sadler's Wells, LondonFlamenco dancer Farruquito is from a formidable bloodline, but the music weaved a greater ancestral spell in the show Buen ArateFarruquito has flamenco in his blood: hi…

SOURCE: The Guardian at 8:21am on February 24, 2016

Cleansed review " Katie Mitchell plunges us into Sarah Kane's chamber of horrors by Michael Billington

Dorfman, LondonLove is tested to its limits in a series of cruel experiments, in which the cumulative effect is numbing rather than redemptiveEven by her own standards, Sarah Kane's 1998 pla…

SOURCE: The Guardian at 6:55am on February 24, 2016

The Maids " review by Mark Fisher

Tron, GlasgowIt is a particularly sour pair of ugly sisters who primp and preen around their mistress's boudoir in this all-male staging of the Jean Genet play for the Glasgay festival. Dere…

SOURCE: The Guardian at 4:50am on February 24, 2016

Posh " review by Michael Billington

Duke of York's, LondonWith even a Tory attacking the "arrogant, posh boys" who run her party, now seems a good time to revive Laura Wade's 2010 play.It has undergone a good deal of revision …

SOURCE: The Guardian at 3:52am on February 24, 2016

The Maids " review by Clare Brennan

Citizens, GlasgowDirector/designer Stewart Laing's production of The Maids is vividly theatrical (the stage curtain gets a round of applause). But its visual surprises and non-textual interv…

SOURCE: The Guardian at 3:52am on February 24, 2016

'They looked like such good girls': the mystery of Genet's murderous Maids by Lyn Gardner

Unwomanly monsters, revolutionaries or worms who turned? As Jean Genet's classic play is revived in London, the macabre story of the Papin sisters, who killed their employer's wife and daugh…

SOURCE: The Guardian at 3:52am on February 24, 2016

How The Romans in Britain changed theatrical and legal history by Guardian Staff

In October 1980 a daring new play opened at the National Theatre. News of its graphic violence and simulated male rape soon had Mary Whitehouse up in arms. No surprises there. But no one cou…

SOURCE: The Guardian at 2:34pm on February 23, 2016

Cyrano de Bergerac review " strutting Kathryn Hunter follows her nose by Michael Billington

Southwark Playhouse, LondonThe shape-shifting actor brings poetic wit to her swashbuckling hero, though this all-female staging of Glyn Maxwell's adaptation makes no sharp pointsReduced Edmo…

SOURCE: The Guardian at 9:19am on February 23, 2016

Betrayal review " Pinter's backward glance at deceitful hearts by Lyn Gardner

Northcott, Exeter Director Paul Jepson overplays the pauses but there are fine performances in this cleverly designed revival of the playwright's anatomy of egotism There are many different …

SOURCE: The Guardian at 9:19am on February 23, 2016

Jeramee, Hartleby and Oooglemore review " three words have a lot to say by Lyn Gardner

Unicorn, LondonThe dialogue in Tim Crouch and Gary Owen's show consists solely of the names of its heroes " the result is a smart and subtle take on family lifeJeramee, Hartleby and Oooglemo…

SOURCE: The Guardian at 9:19am on February 23, 2016

Jamie Lloyd: 'If you want a more diverse audience, that has to be reflected on the stage' by Interview By Nick Curtis

The director on Jean Genet's enduring relevance, working with TV stars " and why Kit Harington and Marlowe is a dream combinationJamie Lloyd, 35, is in the front rank of theatre directors. H…

SOURCE: The Guardian at 9:19am on February 23, 2016

One for the Uxbridge Road: how the Bush theatre embraced local life by Lyn Gardner

While the Bush in west London closes its doors for a refurbishment it will put on work in nearby pubs and laundrettes. Its new season will include a 'love letter' to the neighbourhood, says …

SOURCE: The Guardian at 6:08am on February 23, 2016

Plexus review " body morphs with sculpture in astonishing stage illusions by Jane Howard

Heath Ledger Theatre, Perth international arts festivalFrench theatre director Aurélien Bory manipulates light and space in this warping and at times overindulgent star vehicle for Japanese…

SOURCE: The Guardian at 1:24am on February 23, 2016

Everything happens in Adelaide in March " our picks of the festival by Emma Froggatt

From Adelaide fringe to a week of literary events and an art biennial, South Australia claims its title as the festival state this autumnEach March South Australia claims its title as "the f…

SOURCE: The Guardian at 12:24am on February 23, 2016

How Malthouse Theatre plans to bring Picnic at Hanging Rock to the stage by Van Badham

Artistic director Matthew Lutton won the coveted rights by promising to be faithful to Joan Lindsay's cult novel and its themes of white Australia in a mysterious landscapeWhen Matthew Lutto…

SOURCE: The Guardian at 8:52pm on February 22, 2016

Playwright Lynn Nottage: theatre is the last bastion of segregation by Hannah Ellis-petersen

Nottage, in London to receive the Susan Smith Blackburn prize for female playwrights, criticised the lack of racially diverse stories seen on stageAmerican playwright Lynn Nottage has critic…

SOURCE: The Guardian at 3:55pm on February 22, 2016

Twerking, waltzing and daggering " the dances that caused moral panic by Luke Holland

A Mississippi bounce concert was called off over concerns from the authorities about twerking " and it's not the first dance style that has caused alarm "You can't wear a thong. You must kee…

SOURCE: The Guardian at 3:55pm on February 22, 2016

The writer of NotMoses: I've been warned that my biblical comedy will offend everyone by Gary Sinyor

He made his name with the taboo-busting film Leon the Pig Farmer. Now he's putting on a comedy about Moses with a dim GodWe Jews can laugh at ourselves. It's a phrase that's bandied around a…

SOURCE: The Guardian at 1:42pm on February 22, 2016

Tiny Heroes review " heartfelt homage to everyday courage and caring by Lyn Gardner

Bike Shed, ExeterFrom sea rescues to horse rides for autistic children, Daniel Bye and Nadia Morgan's understated performance celebrates people who quietly get on with helping outThis latest…

SOURCE: The Guardian at 8:57am on February 22, 2016

David Hare imagines chancellor in crisis for West End political satire season by Mark Brown Arts Correspondent

Along with Hare on Osborne, Arts Theatre season includes Alistair Beaton play about a plot to oust Jeremy Corbyn A new play by David Hare imagining George Osborne having a crisis of confiden…

SOURCE: The Guardian at 7:54am on February 22, 2016

Eyewitness: Glasgow by Danny Lawson/press Association

Photographs from the Eyewitness series Continue reading...

SOURCE: The Guardian at 6:46am on February 22, 2016
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