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35,751 stories from The Guardian

The French dancers for whom age is no barrier by Rosita Boisseau

Passing the age of 40 once meant it was time to quit, but many performers now continue to dance well into later lifeCarolyn Carlson can't stay put, repeatedly sitting down then standing up a…

SOURCE: The Guardian at 5:45am on February 27, 2016

On the pulse: a chef, a football manager and a TV star track their heart rates by Martha Hayes

What does a stressful job do to you? We asked Sam Allardyce, Kirsty Wark, Angela Hartnett and others to wear a heart rate monitor for a day to find outSam Allardyce, 61, is a former football…

SOURCE: The Guardian at 4:37am on February 27, 2016

Why do plays about sex and violence written by women still shock? by Laura Barton

As audience members are escorted from the latest revival of Sarah Kane's play Cleansed in London this week after fainting in the aisles, is there more at play than just weak stomachs?There i…

SOURCE: The Guardian at 3:15am on February 27, 2016

Pause and effect: tradition of multiple intervals gets a revival by Mark Lawson

Between them, two current stagings of Ibsen and Chekhov classics offer audiences five intermissions. While some see an art form reasserting itself, the move comes with a number of hitchesA r…

SOURCE: The Guardian at 2:18am on February 27, 2016

Music hall and mannequins: fashion turns in London, 27 February 1923 by I.h.b.

27 February 1923: Designers bring a fashion parade to the stage at the London Palladium, with the occasional song and dance thrown inFew women have the effrontery to walk into the most exclu…

SOURCE: The Guardian at 12:58am on February 27, 2016

Comedy festival season 2016: 10 Australian acts not to be missed by Emma Froggatt

A puppeteer, Triple J breakfast host and spaghetti lover walk into a bar ... or so the joke goes as a talented new line-up of comedians hit the road this seasonWhen you pay to see a comedian…

SOURCE: The Guardian at 6:42pm on February 26, 2016

Letters: Derek Sugden obituary by Iain Mackintosh and Paul Strang

Iain Mackintosh writes: Diana Rowntree tells us Derek Sugden believed that meetings of more than seven people were a poor means of communication. The creation of theatres usually involves la…

SOURCE: The Guardian at 1:33pm on February 26, 2016

Pericles review " a fabulous fairytale production by Alexis Soloski

Polonsky Shakespeare Center, New YorkTrevor Nunn turns one of Shakespeare's least-loved plays into something sumptuous and spectacular " though the seafaring plot remains ridiculousPericles …

SOURCE: The Guardian at 11:08am on February 26, 2016

I Am Thomas review " singalong-a-blasphemy in Simon Armitage show by Alfred Hickling

Liverpool PlayhouseWith lyrics from Armitage and showstopping arrangements by Iain Johnstone, Told By An Idiot fashion an irreverent musical about a 17th-century atheistTold By An Idiot's sh…

SOURCE: The Guardian at 11:08am on February 26, 2016

The 10 best things to do this week by The Guide

Caitlin Moran's sitcom Raised By Wolves returns, Macbeth is a cheesegrater at the Barbican and Sacha Baron Cohen's gallingly un-PC Grimsby hits cinemasTV Raised By Wolves Continue reading...

SOURCE: The Guardian at 9:56am on February 26, 2016

This week's best new comedy by James Kettle

Dane Baptiste | Russell Howard | Omid DjaliliOver in the States, talking about the supposed differences between white and black people is such a staple of stand-up that it's become a cliche.…

SOURCE: The Guardian at 8:52am on February 26, 2016

This week's new theatre by Lyn Gardner & Mark Cook

Breakfast At Tiffany's | Kiss Me Quickstep | Così Fan Tutte & Cosi | Up Down Man | Table Top Shakespeare | Opus 7Pixie Lott plays Holly Golightly in Nikolai Foster's revival of Truman…

SOURCE: The Guardian at 8:52am on February 26, 2016

This week's new dance by Judith Mackrell

Akram Khan | Immortal TangoIt was back in 2002 that dancer and choreographer Akram Khan presented his first full-length work, Kaash, with designs by Anish Kapoor and a score by Nitin Sawhney…

SOURCE: The Guardian at 8:52am on February 26, 2016

A night at Secret Cinema: forced fun gives way to immersive extravaganza by Paul Macinnes

The company's latest production can feel costly, couply and a tad contrived " but its playful pageantry ensured that even a sceptical visitor was lost in a world of communist conspiracies Re…

SOURCE: The Guardian at 8:52am on February 26, 2016

Hubert Essakow: Terra review " new Ben Okri poem accompanies earthy dance by Sanjoy Roy

Print Room at the Coronet, LondonDancers' limbs twist and thread in this highly atmospheric conclusion to an elemental trilogy that veers between the airy and the groundedThe tiny Print Room…

SOURCE: The Guardian at 8:52am on February 26, 2016

Will Self meets Stewart Lee: 'Are you really, ultimately embittered, or not?' by Will Self

As his TV series returns to our screens, comedian Stewart Lee talks to Will Self about his prickly stage persona, how social media is changing comedy and why you won't see him on Mock the We…

SOURCE: The Guardian at 7:26am on February 26, 2016

Noma Dumezweni on playing Hermione in Harry Potter: 'we all aspire to be her' by Matt Trueman

She was a last-minute lead in the three-hour Linda and will play JK Rowling's grown-up Hermione Granger in the West End. Now Noma Dumezweni is making her directorial debut with a South Afric…

SOURCE: The Guardian at 3:13am on February 26, 2016

Hollywood has a diversity problem, but Broadway may be at a tipping point by Julie Schwietert Collazo

The Great White Way is no longer quite so white, and the sudden visibility of black actors on Broadway will have important effects on the future of theaterWhen Cynthia Erivo learned Joseph F…

SOURCE: The Guardian at 2:42pm on February 25, 2016

Get Carter review " bloodthirsty gangland tale gets bold stage adaptation by Alfred Hickling

Northern Stage, NewcastleKevin Wathen's gimlet-eyed enforcer returns home to avenge his brother's death in a production that brings in period music and a Hamlet-style ghostIn normal circumst…

SOURCE: The Guardian at 10:45am on February 25, 2016

Charlotte Church in contemporary reboot of The Little Mermaid by Mark Brown

Singer conceives The Last Mermaid, commissioned by Festival of Voice in Cardiff, to tackle challenging world issuesCharlotte Church has created a new musical version of Hans Christian Anders…

SOURCE: The Guardian at 10:45am on February 25, 2016

Hughie review " Forest Whitaker plays for low stakes in slight O'Neill play by Alexis Soloski

Booth Theater, New YorkThe actor does not entirely inhabit the part of Erie, a melancholy gambler, in this lavish Michael Grandage production of a minor Eugene O'Neill workWhat small bliss t…

SOURCE: The Guardian at 9:42am on February 25, 2016

Romesh Ranganathan review " irresistible gags with stink-bomb impact by Brian Logan

Haymarket, BasingstokeOn his third solo tour, the standup retains his cynicism but there's now light amid the shade and warmth underlying the weariness Related: Romesh Ranganathan and Seann …

SOURCE: The Guardian at 8:22am on February 25, 2016

The Tempest review " Dromgoole's farewell lets language work its magic by Michael Billington

Sam Wanamaker Playhouse, LondonThe outgoing Globe director's moving and intelligent take on Shakespeare's play has an excellent Prospero in Tim McMullanIt may be a myth that this is Shakespe…

SOURCE: The Guardian at 7:21am on February 25, 2016

Access all areas: the plays that took captioning and signing to their hearts by Catherine Love

Jack Thorne's The Solid Life of Sugar Water and a revival of Gogol's The Government Inspector are among new accessible productions enriching the experience for audiences through design and c…

SOURCE: The Guardian at 3:57am on February 25, 2016

Little Shop of Horrors review " black comedy triumph thrusts cult classic into contemporary Australia by Cassie Tongue

Hayes theatre, SydneyWith their thrilling and creative revival, Dean Bryant and his team continue to make American musicals devastatingly relevant to local audiencesAlmost all of the musical…

SOURCE: The Guardian at 9:37pm on February 24, 2016
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