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3,495 stories from The Arts Desk

Thebes Land, Arcola Theatre - meta-theatre at its most thrilling by Will Rathbone

Off West End hit returns for a deserved encore Thebes Land returns to the Arcola Theatre as part of the wider CASA Latin American Theatre Festival, following a short 2016 run that resulted i…

SOURCE: The Arts Desk at 5:24am on September 18, 2017

Prism, Hampstead Theatre review - a life through the lens by Adam.sweeting

Playwright Terry Johnson gets inside the mind of cinematographer Jack CardiffJack Cardiff was one of the all-time greats of cinematography, the man who shot such Powell and Pressburger class…

SOURCE: The Arts Desk at 6:42am on September 15, 2017

Boudica, Shakespeare's Globe review - ancient history made compellingly contemporary by Tom.birchenough

A British queen brought back to life: Tristan Bernays's new play fits its venue perfectlyHistory comes to the stage of the Globe only rarely " at least if you compare the frequency of produc…

SOURCE: The Arts Desk at 8:54am on September 14, 2017

What Shadows, Royal Lyceum Theatre, Edinburgh review - compelling, urgent, unashamedly provocative by David Kettle

Enoch Powell's 'rivers of blood' speech re-examined in flawed but timely playYou've got to hand it to David Greig. The artistic director of Edinburgh's Lyceum Theatre has show…

SOURCE: The Arts Desk at 4:05am on September 14, 2017

'Making it new' - Blake Morrison on adaptation, and how his new play came to life by Blake Morrison

The writer on working with Northern Broadsides on 'For Love or Money'Is there anything more terrifying for a playwright than the first day of rehearsals? For months, even years, yo…

SOURCE: The Arts Desk at 3:33am on September 13, 2017

The March on Russia, Orange Tree Theatre review " vividly funny amid the bleakness by Ismene.brown

David Storey skilfully probes troubled relations inside a Yorkshire bungalowThe late David Storey spoke movingly, elsewhere on The Arts Desk, of his sense of overwhelming powerlessness at th…

SOURCE: The Arts Desk at 1:54am on September 13, 2017

The Blinding Light, Jermyn Street Theatre, review " Jasper Britton is fascinatingly febrile by Aleks.sierz

Playwright August Strindberg goes psychotic in Howard Brenton's latestAnyone who likes playing "Spot the weirdo" will find themselves instantly at home in Howard Brenton's new play, which ha…

SOURCE: The Arts Desk at 6:12pm on September 12, 2017

Peter Hall: A Reminiscence by Matt.wolf

The colossus who founded the RSC and took the National to the Southbank is fondly rememberedTheatre artist, political agitator, cultural advocate: Sir Peter Hall was all these and more in a …

SOURCE: The Arts Desk at 12:36pm on September 12, 2017

'No matter where our intersections lie, we are all fundamentally connected' by Tanya Moodie

Tanya Moodie on the inspiration of Alice Childress' 'Trouble in Mind', opening at the Print Room Trouble in Mind, written by Alice Childress, the black actress, playwright and…

SOURCE: The Arts Desk at 3:18am on September 12, 2017

We're Still Here: Rachel Trezise on her NTW play about Port Talbot steelworkers by Rachel Trezise

The novelist and playwright introduces her new verbatim play about the last industrial outpost in Wales I've always written alone. As a novelist, that's what you do. Sit around in your pyjam…

SOURCE: The Arts Desk at 2:42am on September 11, 2017

Peter Brook: Tip of the Tongue review - the wisdom of a great theatre-maker by Peter Brook

'Reflections on Language and Meaning' - on Shakespeare and the 'empty space', and thinking between English and FrenchA long time ago when I was very young, a voice hidden…

SOURCE: The Arts Desk at 3:36am on September 10, 2017

Aspiration, ecstasy, melancholy: 'The Tale' of Torbay by Philip Hoare

Three weekends of performance, sound and vision on the English RivieraA dark star explodes. I cannot remember the future. A figure appears on the beach. We're always reaching out. It's alway…

SOURCE: The Arts Desk at 7:48am on September 9, 2017

Follies, National Theatre review - Imelda Staunton equal first in stunning company by David.nice

Glitter and be sad as Sondheim''s former showgirls gather for a momentous reunionOf Sondheim's half-dozen masterpieces, Follies is the one which sets the bar impossibly high, both …

SOURCE: The Arts Desk at 4:48am on September 7, 2017

'The kaleidoscope of an entire lifetime of memories' by Maggie Bain

Maggie Bain on discovering the world of Manfred Karge's newly-revived 'Man to Man'When director Bruce Guthrie first gave me the script for Man to Man by Manfred Karge, I…

SOURCE: The Arts Desk at 3:33am on September 7, 2017

The 'self-experimenter': Howard Brenton on Strindberg in crisis by Howard Brenton

Brenton's new play 'The Blinding Light' tells the story of August Strindberg's Paris breakdownI wrote The Blinding Light to try to understand the mental and spiritual crisis t…

SOURCE: The Arts Desk at 2:33am on September 4, 2017

Richard III review - Temple Church venue is the star of the show by Veronica.lee

Magnificent setting for history playTemple Church gained worldwide fame when Dan Brown included a major plot point there in his mega-selling novel The Da Vinci Code in 2003, but it has been …

SOURCE: The Arts Desk at 7:04pm on August 30, 2017

Late Company, Trafalgar Studios review - visceral production of Jordan Tannahill's lean, pained drama by Tom.birchenough

Family trauma stripped back to the barest bonesCanadian playwright Jordan Tannahill wrote Late Company when he was only 23. It would be an impressive achievement at any age, but it seems all…

SOURCE: The Arts Desk at 10:36am on August 29, 2017

Loot, Park Theatre, review " dizzyingly enjoyable by Aleks.sierz

Anniversary revival of Joe Orton's farce is a delight from start to finishFifty years ago this month, playwright Joe Orton was murdered by his lover Kenneth Halliwell. His debut play, Entert…

SOURCE: The Arts Desk at 6:33pm on August 23, 2017

Knives in Hens, Donmar Warehouse, review " Yaël Farber not symbolic enough by Aleks.sierz

The star director's revival of a nineties classic is atmospheric but unconvincing Hark, is that the call of the earth I hear? In a frenetic urban world, the myth of rural simplicity exerts a…

SOURCE: The Arts Desk at 5:42pm on August 22, 2017

Against, Almeida Theatre review - Ben Whishaw is a modern-day Jesus by Aleks.sierz

New American drama about God and violence is baggy, but often brilliantLuke is a Silicon Valley billionaire, a high-tech wizard. And he's just had a message from God. And what does God say? …

SOURCE: The Arts Desk at 7:36pm on August 18, 2017

Edinburgh Festival 2017 reviews: Meet Me at Dawn / The Shape of the Pain / Wild Bore by David Kettle

Grief, loss, unending pain - and critics talking out of their backsides Meet Me at Dawn ★★★★★

SOURCE: The Arts Desk at 2:06am on August 18, 2017

King Lear, Shakespeare's Globe - Nancy Meckler's Globe debut is unusually subdued by Alexandra.coghlan

A tragedy so quiet it proves almost inaudible at timesEvery play is a Brexit play. This much we have learnt in the year since the referendum. But in Nancy Meckler's hands the Globe's new Kin…

SOURCE: The Arts Desk at 9:04pm on August 16, 2017

Edinburgh Fringe 2017 reviews: Pike St / Box Clever / Sugar Baby by David Kettle

Comedy, tragedy and a whole lot more at Paines Plough's pop-up RoundaboutPike St ★★★★

SOURCE: The Arts Desk at 5:18am on August 15, 2017

The Majority, National Theatre, review " a minority interest by Aleks.sierz

New play about democracy is entertaining, but a bit too tricksy A new plague is sweeping British theatre: audience participation. Instead of just sitting back and enjoying the show, your vis…

SOURCE: The Arts Desk at 5:18pm on August 14, 2017

Christopher Shinn: 'I did not know if I would be alive and someone wanted me to write a play' by Christopher Shinn

The playwright explains the gestation of Against, his new play for the Almeida Theatre starring Ben WhishawPlays do not usually come into being in isolation. When I search my gmail archive I…

SOURCE: The Arts Desk at 7:36am on August 14, 2017
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