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10,593 stories from A Younger Theatre

Feature: Deafinitely Theatre do Sarah Kane: "It has our own soul in it" by Josephine Balfour-oatts

Paula Garfield's hands make perfect sense. They move swiftly, phonology flying about our circle. As one of the founders of the award-winning company Deafintely Theatre, she has helped to cre…

SOURCE: A Younger Theatre at 7:32am on September 20, 2018

Review: The Prisoner, The National Theatre by Gabriel Wilding

"I am here to repair", calls out our lead, surrounded by the sun-drenched desert. His story is entrapped by its own ideas, aesthetically interesting, but thematically stunted. The Prisoner i…

SOURCE: A Younger Theatre at 5:18am on September 20, 2018

Review: Eastern Star, Tara Theatre by Charlotte Irwin

Eastern Star looks back to Burma's 1988 revolution, comparing the viewpoints of a British Journalist and a Burmese Human Rights lawyer who reveals himself as "an architect of the revolution"…

SOURCE: A Younger Theatre at 2:04pm on September 19, 2018

Review: The Village, Theatre Royal Stratford East by Anna Zanetti

Taking a cue from Lope de Vega's play Fuenteovejuna, The Village is a story of courage, love, politics and justice, and their respective nuances. From the Spanish Golden Age to contemporary …

SOURCE: A Younger Theatre at 12:54pm on September 19, 2018

Feature: Finding LBGTQ+ voices outside of London by Jamie Body

Following on from Camden People’s Theatre's brilliant Come As You Are festival last year, the event is set to replicate its success with a UK tour this Autumn and will once again be he…

SOURCE: A Younger Theatre at 2:54pm on September 18, 2018

Review: Foxfinder, Ambassadors Theatre by Saskia Coomber

Set in a post-war British dystopia, the West-End transfer of Dawn King's Foxfinder follows the events that come to pass when the government sends a 'Fox Finder' named William Bloor (Game of …

SOURCE: A Younger Theatre at 11:42am on September 18, 2018

Review: A Haunted Existence, The Island, Bristol by Phoebe Graham

A Haunted Experience fits into an abandoned police station turned multi-purpose arts centre (The Island). I freely enter an installation which presents research into local and national narra…

SOURCE: A Younger Theatre at 10:36am on September 18, 2018

Review: An Execution (By Invitation Only), Camden People's Theatre by Jessica Handscomb

Allegedly inspired by the writings of Vladimir Nabokov, Gemma Brockis' revisited play An Execution (By Invitation Only) is a surreal piece that explores the mortality and opacity in a human …

SOURCE: A Younger Theatre at 6:18am on September 18, 2018

Review: Heathers, The Theatre Royal Haymarket by Gabriel Wilding

Lip gloss and murder, a deadly concoction. One that Heathers brews up with camp, infections and gleeful enjoyment. The adaptation of the cult classic '80s film zips with wit, humour and some…

SOURCE: A Younger Theatre at 7:06am on September 17, 2018

Review: Fabric, Soho Theatre by Gabriel Wilding

A life dreamed of, yet built using sand that can be easily crumbled into the sea. With Fabric, we have an insight into a story far too familiar and a fate far too common. The issues discusse…

SOURCE: A Younger Theatre at 4:04pm on September 16, 2018

Review: Misty, Trafalgar Studios by Tricia Wey

Misty, originally staged at the Bush Theatre, has made its West End debut at Trafalgar Studios, and if you didn't get to see it its first-time round, you should absolutely try your utmost to…

SOURCE: A Younger Theatre at 4:04pm on September 16, 2018

Feature: Heathers: "That's what it was like when I was at school!" by Tricia Wey

Once upon a time, Daniel Waters and Michael Lehmann put their heads together and created one of cinema's darkest teen comedies and consequently a huge cult classic. Heathers is one of those …

SOURCE: A Younger Theatre at 1:48pm on September 16, 2018

Review: Wasted, Southwark Playhouse by Olivia Gibbs-fairley

As I sat down to watch the Southwark Playhouse's newest production I couldn't help but feel rather 'cool'. Normal theatre goers hang out in the West End, but here, just a stone’s throw…

SOURCE: A Younger Theatre at 8:12am on September 15, 2018

Review: The Woods, The Royal Court Theatre by Jessica Handscomb

We enter, treading on bark and wood chippings to take our seats, walking through a dark and damp wood, weaving past tall, spindling tree trunks. Naomi Dawson's set design is eerie and immers…

SOURCE: A Younger Theatre at 8:12am on September 15, 2018

Review: An Adventure, Bush Theatre by Alannah Jones

It's India in the 1940s and teenaged Jyoti is not permitted to choose whether or not she marries, only to whom, and even then, it's a miserly selection. As she rearranges the polaroid photog…

SOURCE: A Younger Theatre at 9:06am on September 14, 2018

Review: Boy Blue Blak Whyte Gray, Barbican by Saskia Coomber

The best fitting description of what I witness at the Barbican would be 'a night of inspiration'. The audience is given an insight into the mind of Creative Director and Concept Creator, Mic…

SOURCE: A Younger Theatre at 9:06am on September 14, 2018

Review: Holy Sh!t, Kiln Theatre by Lekhani Chirwa

With a play titled Holy Sh!t to open up the new season at the Kiln Theatre, we are not disappointed. Actor and writer Alexis Zegerman's new play is about the lengths that some parents will g…

SOURCE: A Younger Theatre at 1:18pm on September 13, 2018

Review: The Unspoken, Barons Court Theatre by Jess Watts

Theatre should be talked about; good theatre should be debated. The Unspoken by Jody Medland, ironically, leaves much to be said. Performed in the basement beneath a restaurant, it is play t…

SOURCE: A Younger Theatre at 1:18pm on September 13, 2018

Review: Dust, Trafalgar Studios by Gabriel Wilding

All singing (except without the singing), all dancing (except without the dancing), Dust is a show that has its hands tightly around your heart and won’t let go. Depending on your e…

SOURCE: A Younger Theatre at 6:42am on September 13, 2018

Feature: Bringing the Brontë Sisters to the Stage by Josephine Balfour-oatts

The legacy of the Brontë family is arguably one of rebellion. Spearheaded by the eldest, Charlotte, the three sisters are rooted firmly in British history. With their literary works cryst…

SOURCE: A Younger Theatre at 3:18pm on September 12, 2018

Review: The Humans, Hampstead Theatre by Sebastian Calver

A dysfunctional family sits down at the Thanksgiving table and treasures the precious time that they have left together. But their geographic locations, ages and past mistakes are threatenin…

SOURCE: A Younger Theatre at 6:33am on September 12, 2018

Review: Unexpected Joy, Southwark Playhouse by Sebastian Calver

Mamma Mia! meets Waiting for Godot; the glamour and pop soundtrack reminiscent of ABBA, intermingles with harmonies consisting of major thirds and combining with a script as anti-climactic a…

SOURCE: A Younger Theatre at 8:54am on September 11, 2018

Review: The Second Violinist, Barbican by Anna Zanetti

Sinister and lyrical, The Second Violinist begins with spectral lights illuminating, one after the other, all the spots of the incredible set design by Jamie Vartan. The overture foregrounds…

SOURCE: A Younger Theatre at 9:48am on September 10, 2018

Review: Hamilton (Lewis), King's Head Theatre by Tricia Wey

Remember back when Hamilton was new, and people didn't know, for certain, who or what it was about? If not: back before Hamilton was the smash hit we've all come to know and tweet about, the…

SOURCE: A Younger Theatre at 9:48am on September 10, 2018

Review: Scandale, Sadler's Wells by Hilary Webb

What was it that first made humans dance, was it music or movement? This is the predominant question asked in The post Review: Scandale, Sadler's Wells appeared first on A Younger Theatre.

SOURCE: A Younger Theatre at 2:42pm on September 7, 2018
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