DESKTOP
Contact
The Season
On Broadway
Login

Search BroadwayStars

Search:
Author:
Source:
Date Range: From: To:
Sort by: Most Recent   Most Relevant
35,751 stories from The Guardian

'At Thriller Live, there's a fight in the stalls' … my three-week journey into jukebox musicals by Michael Hann

Carole King, Michael Jackson, the Kinks and now Motown. Why are we so obsessed with jukebox musicals? We sent our music editor, Michael Hann, to join the non-stop singalong Related: Lazarus …

SOURCE: The Guardian at 2:42pm on March 15, 2016

Hamilton at the White House: why this moment means so much | Syreeta McFadden by Syreeta McFadden

The Obamas have taken art from the edges and placed it front and centre. Their legacy " now at risk " is to make all Americans feel visibleIn the early days of Obama's historic presidency, t…

SOURCE: The Guardian at 12:22pm on March 15, 2016

In theatre, amateur is not a dirty word by Lyn Gardner

In the RSC's A Midsummer Night's Dream: A Play for the Nation, amateur actors feature alongside their professional peers: innovative theatre often has community involvement at its heart "We …

SOURCE: The Guardian at 12:22pm on March 15, 2016

John Duncan obituary by Caroline Richmond

On Saturday nights in 1962 and 1963 Britain was unexpectedly quiet; people stayed at home to watch the BBC TV satire That Was the Week That Was, called TW3 for short; restaurants installed t…

SOURCE: The Guardian at 11:27am on March 15, 2016

Miss Atomic Bomb review " Catherine Tate musical is sweetly silly at best by Lyn Gardner

St James, LondonTate's accent goes walkabout in a wannabe screwball comedy set during America's desert nuclear testsThis mildly likable but lame new musical is that increasingly rare thing: …

SOURCE: The Guardian at 9:15am on March 15, 2016

Bartabas and Andrés Marín: Golgota review " a ceremony of flamenco horses by Judith Mackrell

Sadler's Wells, LondonThis beguiling new work by the equestrian-dance maverick is dense with religious imagery and finds a wordless connection between man and beastDuring Easter week in sout…

SOURCE: The Guardian at 9:15am on March 15, 2016

Fanny Ardant: 'I suffer profound despair " I see things noir' by Kim Willsher In Paris

Fresh from directing Gérard Depardieu in the role of Stalin, the French star is now staging Sondheim's Passion in Paris. She talks about the art of pretending, embarrassing her children and…

SOURCE: The Guardian at 5:03am on March 15, 2016

William Shakespeare's handwritten plea for refugees to go online by Mark Brown Arts Correspondent

Sir Thomas More script is only surviving copy of a play in the bard's hand and is one of 300 texts being digitised in run-up to British Library exhibitionThe last surviving play script handw…

SOURCE: The Guardian at 3:51am on March 15, 2016

Hamilton star freestyle raps with Obama at the White House - video by Guardian Staff

'You think that's going viral? Thats going viral', claims US president, clearly impressed with Lin-Manuel Miranda's performance in the Rose Garden. The video of Miranda, star and writer of t…

SOURCE: The Guardian at 11:31pm on March 14, 2016

Hold on to Me Darling review " troubles of a pampered country star by Alexis Soloski

Atlantic Theatre Company, New YorkKenneth Lonergan once again explores the hypocrisy of likable characters in a play starring Timothy Olypahant that veers between farce, comedy and dramaStri…

SOURCE: The Guardian at 10:26pm on March 14, 2016

Maria Friedman: 'We made Stephen Sondheim cry' by Rachel Cooke

The actor-turned-director on her career after cancer, coming from a broken home, and rolling into the West EndMaria Friedman is a three-time Olivier award-winning actor and singer, best know…

SOURCE: The Guardian at 8:21pm on March 14, 2016

Vitesse review " Australian Ballet serves ambitious contemporary triple bill by Jana Perkovic

State Theatre, Arts Centre MelbourneAnnual contemporary bill is a welcome respite from the Australian Ballet's conservative repertoire and elevated by the inclusion of a Jiří Kyliá…

SOURCE: The Guardian at 8:21pm on March 14, 2016

Let slip the dobermans of war: a fierce new Julius Caesar starring Mark Stanley " video by Guardian Staff

"Alas Caesar must bleed for it" … In a dystopian near-future, Brutus (Mark Stanley, Game of Thrones) and his conspirators plot Caesar's demise. Filmed in London at the Treasury and the For…

SOURCE: The Guardian at 8:21pm on March 14, 2016

Stephen Sondheim: British audiences 'listen' more than Americans by Ellen Brait In New York

Speaking in London, the composer also said stage musicals had become too homogenous and space for new and experimental work must be foundThe composer Stephen Sondheim has said he prefers Bri…

SOURCE: The Guardian at 6:16pm on March 14, 2016

Southern Comfort review " touching trans-themed bluegrass musical by Alexis Soloski

Public Theatre, New YorkThough the plot falters, this is an important show in its conviction that transgender people's social and romantic lives are as worthy of interest and empathy than an…

SOURCE: The Guardian at 12:16pm on March 14, 2016

After Miss Julie review " a hint of Pinter in Marber's Strindberg by Helen Meany

Project Arts Centre, DublinThere's venom and sexual frankness in this reworking, but little sense of why Northern Ireland should be the location Related: Patrick Marber interview: 'Your hear…

SOURCE: The Guardian at 9:52am on March 14, 2016

Canned Laughter review " 70s comedy trio's gleefully creaky cabaret by Mark Fisher

Adam Smith theatre, KirkcaldyAllan Stewart, Andy Gray and Grant Stott breeze through the kinds of routines that once graced the London PalladiumPlays about comedians always have a hurdle to …

SOURCE: The Guardian at 7:34am on March 14, 2016

Alexei Sayle webchat " post your questions now by Guardian Staff

The explosive comedian is joining us to answer your questions in a live webchat on Wednesday 16 March at 1pm GMT " post yours in the comments below 1.43pm GMT As master of ceremonies at the …

SOURCE: The Guardian at 6:35am on March 14, 2016

Dressed for excess: Russell Brand's louche look suited Measure for Measure by Interview By Andrew Dickson

Designer Jonathan Fensom explains why the costumes have to work overtime at the Globe " and asks how much Shakespeare himself thought about designWhen Dominic Dromgoole said that he wanted t…

SOURCE: The Guardian at 4:26am on March 14, 2016

Plan your week's theatre: top tickets by Lyn Gardner

Roald Dahl's The Witches hit Liverpool, Denise Gough reprises her role as a troubled actor at Wyndham's, and National Theatre Wales talks about democracyThe Solid Life of Sugar Water is fant…

SOURCE: The Guardian at 3:33am on March 14, 2016

The Bolshoi Ballet: Spartacus | Dance review by Judith Mackrell

Royal Opera House, LondonA bad performance can make Spartacus feel like the worst kind of choreography-by-numbers. Grigorovich's 1968 ballet delivers its monumental effects by repeating ever…

SOURCE: The Guardian at 1:15am on March 14, 2016

Golem review " tyranny of technology in a fantastically drab and dull Britain by Brigid Delaney

Dunstan Playhouse, Adelaide festival centreDark side of ubiquitous handheld devices revealed in part Beetlejuice, part Terry Gilliam-esque tale paired with breathtaking projectionsThese days…

SOURCE: The Guardian at 1:15am on March 14, 2016

Harold Wilson was no liberalising reformer | Letters by Letters

Anne Perkins paints a misleading picture of Harold Wilson when describing him as the PM who presided over great liberalising reforms that paved the way for modest decriminalisation of homose…

SOURCE: The Guardian at 4:22pm on March 13, 2016

Deborah Pearson: 'It's about using my privilege to amplify other voices' by Catherine Love

In her new show, Made Visible, Deborah Pearson questions racial and cultural stereotypes. Theatre's lack of diversity, she says, is an issue for everyone to tackle. Staying silent is not an …

SOURCE: The Guardian at 4:22pm on March 13, 2016

Luce review " Mel Giedroyc injects high anxiety into parenting by Michael Billington

Southwark Playhouse, LondonIs her adopted war orphan son a terrorist, or just a boy pushing boundaries? JC Lee's play makes tantalising capital out of guilty feelings and a climate of suspic…

SOURCE: The Guardian at 8:39am on March 13, 2016
« Previous 25   Page 736 of 1,431   Next 25 »