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35,751 stories from The Guardian

Bright Star review " sweet, bluegrass-tinged story fails to hit high notes by Alexis Soloski

Cort Theatre, New YorkDespite its impressive cast and soundtrack, Steve Martin's tale of an editor in the American south who takes a young writer under her wing lacks Broadway lustreFinally,…

SOURCE: The Guardian at 11:42pm on March 24, 2016

All That Fall review " Beckett's best play brought to life for blindfolded audience by Michael Billington

Wilton's Music Hall, LondonBy keeping its audience's eyes covered, this vivid production heightens the wistful evocation and graveyard wit of Samuel Beckett's long-ignored piece Samuel Becke…

SOURCE: The Guardian at 7:31pm on March 24, 2016

Jackie the Musical review " prosecco-fuelled fun in the Mamma Mia! mould by Mark Lawson

The storyline is contrived around a string of pop hits in this homage to the photo-stories and problem pages of the classic teenage girls' magazine Aimed at a largely female audience with o…

SOURCE: The Guardian at 2:15pm on March 24, 2016

Jim Carrey takes aim at NRA " and Rowan Atkinson's brother isn't amused by Brian Logan

Elsewhere in comedy this week: John Cleese targets BBC comedy chiefs, Tina Fey resurrects her Sarah Palin impression and Peter Kay's new sitcom gears up for an iPlayer premiereReading this o…

SOURCE: The Guardian at 11:40am on March 24, 2016

The Royal Court at 60: look back in wonder by Chris Wiegand

London's powerhouse of new writing is celebrating its 60th birthday. Explore some of the Sloane Square theatre's key productions through extracts from the Guardian and Observer archive, alon…

SOURCE: The Guardian at 9:33am on March 24, 2016

Rupert Goold: American Psycho 'is absolutely as pertinent now' by Stuart Miller

The director, who has brought Bret Easton Ellis's novel to Broadway, explains why he's drawn to the dark stories of Patrick Bateman, Faustus and Macbeth"I am drawn to theatre as an art form …

SOURCE: The Guardian at 9:33am on March 24, 2016

Giselle review " Muntagirov and Nuñez display absolute mastery by Judith Mackrell

Royal Opera House, LondonThe acting is superb and the dancing has real authority in Peter Wright's production which opens up dramatic opportunities for the whole castLike every classic of th…

SOURCE: The Guardian at 8:33am on March 24, 2016

International Waters review " the elite become refugees in apocalyptic fable by Lyn Gardner

Tron, GlasgowA banker's wife, a journalist, a singer and a civil servant secure the last boat leaving the UK in a play that never plots a course through its political ideasThe waters are cho…

SOURCE: The Guardian at 7:29am on March 24, 2016

Indigenous director Rachael Maza on The Secret River: 'That's not the story I want to be telling my kids' by Monica Tan

Maza decries the Australian novel's stage adaptation for playing on a tired trope of 'the real Aboriginals died out' Indigenous Australian performer and director Rachael Maza has made a stro…

SOURCE: The Guardian at 10:06pm on March 23, 2016

John Cleese: Fawlty Towers-based show producers 'staggered by vitriol' by Elle Hunt

Australian theatre company responds to Cleese accusation it ripped off his television series with a dinner theatre show called Faulty TowersThe Australian theatre company accused by John Cle…

SOURCE: The Guardian at 8:56pm on March 23, 2016

Hip-hop theatre waxes lyrical about young lives in Liverpool and London by Keith Saha

In the 1980s, the Everyman youth theatre created work that reflected Merseyside's stories and struggles. It was fun, free and precious. Now, we're creating new forms of drama to help the nex…

SOURCE: The Guardian at 5:43pm on March 23, 2016

Arts organisations must reach out to all, minister says by Mark Brown Arts Correspondent

Main aim of first white paper on culture in more than 50 years is to improve access for people of all backgrounds, Ed Vaizey saysAny arts organisation that receives public money will have to…

SOURCE: The Guardian at 2:34pm on March 23, 2016

Made Visible review " scrutiny of white privilege is funny and frank by Lyn Gardner

The Yard, LondonDeborah Pearson's playful show is a serious examination of racism and the inadequacies of liberalismA theatre is a public space. So is a park. In Deborah Pearson's play about…

SOURCE: The Guardian at 1:27pm on March 23, 2016

Noel Fielding: back from The Mighty Boosh to take America's comedy scene by Melissa Locker

Fielding found mainstream fame in the UK as part of surrealist duo The Mighty Boosh, but didn't crack the US. Will he find a home with Tim and Eric fans?Noel Fielding is exhausted and he's o…

SOURCE: The Guardian at 12:26pm on March 23, 2016

Staging a revolution: can theatre be an effective form of activism? by Lyn Gardner

Secret shows, street protests, satire … performance has long been connected to political causes. But does it have mass impact beyond a grassroots level?How can the arts effect social chang…

SOURCE: The Guardian at 10:14am on March 23, 2016

Hamlet review " Paapa Essiedu is a graffiti prince in RSC's bright tragedy by Michael Billington

Royal Shakespeare theatre, Stratford-upon-Avon With this heartening production, director Simon Godwin and a largely black ensemble make you feel like you are seeing the play anewThere is som…

SOURCE: The Guardian at 9:16am on March 23, 2016

Scene change: the problems with relocating plays by Mark Lawson

Moving The Maids from France to the US adds a powerful racial subtext to Genet's original, while Anouilh's Welcome Home, Captain Fox! fares less well when set in America. Not all plays benef…

SOURCE: The Guardian at 8:10am on March 23, 2016

World Irish dancing championships in Glasgow " photo essay by Murdo Macleod and Matt Fidler

An Coimisiún le Rincí Gaelacha, the world's premier Irish dance organisation, hosts the 46th annual world Irish dancing championships at the Glasgow Royal concert hall. Guardian photoj…

SOURCE: The Guardian at 7:08am on March 23, 2016

Obituary: Peter Coke by Gavin Gaughan

Actor, playwright and shell artist famous as radio's Paul TempleThe actor Peter Coke, who has died aged 95, will be remembered for having brought his firm delivery and precise diction to the…

SOURCE: The Guardian at 2:53am on March 23, 2016

John Cleese may sue Australian theatre company over Fawlty Towers rip-off by Elle Hunt

Actor slams Interactive Theatre International's 'utterly shameless' stage show inspired by his TV series after learning of its 'astonishing financial success'John Cleese is considering pursu…

SOURCE: The Guardian at 1:55am on March 23, 2016

'I've seen Les Misérables 1,027 times' … superfans of Star Wars, Madonna, Harry Potter and more by Interviews By Homa Khaleeli

The Chewbacca obsessive who built a giant Millennium Falcon, the Harry Potter devotee who tattooed herself with a letter from JK Rowling, the Madonna fan who cherishes one of her Kabbalah wa…

SOURCE: The Guardian at 2:50pm on March 22, 2016

Hinterland review " alchemy of light and sound brings St Peter's back to life by Lyn Gardner

St Peter's Seminary, KilmahewThe artistic renewal of a derelict Scottish architectural gem starts with an otherwordly piece by NVA that delves into its graffiti-strewn cornersThe way the bui…

SOURCE: The Guardian at 12:40pm on March 22, 2016

Frida Kahlo's brush with ballet: Tamara Rojo dances the artist's life by Judith Mackrell

The great Mexican painter is the subject of one of three new works choreographed by women for She Said at Sadler's Wells. Its creators explain their impressionistic approach to the artist's …

SOURCE: The Guardian at 10:36am on March 22, 2016

Should comedians stand up for a political party? by Brian Logan

Politics is fertile ground for comics, but there are pitfalls to jumping on particular bandwagons " not least when it questions their loyalty to the punchlineNot that long ago, Donald Trump …

SOURCE: The Guardian at 5:14am on March 22, 2016

Sir Ian McKellen: 'No one regrets being honest about sexuality' " video interview by Owen Jones, Adam Sich, Mat Heywood

Actor Sir Ian McKellen, who has appeared as Gandalf in the Lord of the Rings and Magneto in the X-Men series, as well as taking numerous Shakespearean roles, talks to Owen Jones about his ga…

SOURCE: The Guardian at 5:14am on March 22, 2016
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