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4,024 stories from http://www.theaterscene.net

Midnight Street by Joel Benjamin

Cohen is clearly an intelligent, well-read man, familiar with the twists and turns of different periods and styles.  "Midnight Street" is chock full of ideas, poetic meanderings and some …

SOURCE: www.theaterscene.net at 1:22pm on June 10, 2019

Public Servant by Victor Gluck, Editor-in-chief

Bekah Brunstetter's new play, "Public Servant," has its heart in the right place. It shares with The Cake, seen earlier this year at Manhattan Theatre Club, the first part of a trilogy with …

SOURCE: www.theaterscene.net at 12:25am on June 7, 2019

In the Closet by Victor Gluck, Editor-in-chief

G. Austin Allen's set is a larger-than-life closet draped in purple cloth and which also includes a kitchen. To this room comes the older man in his mid-60's who has discovered that as his h…

SOURCE: www.theaterscene.net at 11:45pm on June 4, 2019

God of Marz by Evan Lambert

As for the show's humor, there were moments when Sheen should have played her emotions straight instead of going for laughs (a.k.a. the #1 rule of comedy acting) -- but there's time for her …

SOURCE: www.theaterscene.net at 9:47pm on June 3, 2019

Butterflies by Mark Dundas Wood

"Butterflies," which won the Mario Fratti Award at New York's "In Scena!" theater festival in 2016, has been translated by Carlotta Brentan and directed by Jay Stern in a production at Manha…

SOURCE: www.theaterscene.net at 12:20pm on June 3, 2019

Brief Chronicle, Books 6-8 by Darryl Reilly

"It's best when each performer is older, or younger, or of a different gender- expression, ethnicity, or ability than you might expect. This keeps the play vibrating in your imagination" are…

SOURCE: www.theaterscene.net at 11:18am on June 3, 2019

 Baby Jane Dexter Has Died and Everybody Hurts by John Hoglund

Baby Jane Dexter (Photo credit: Stephen Mosher) John Hoglund, Critic When it comes to the real thing, few artists have impacted audiences with such a raw honesty only to reveal a powerful vo…

SOURCE: www.theaterscene.net at 3:55pm on June 1, 2019

Límon Dance Company: Spring 2019 Season by Sheila Kogan

Having its world premiere, "Radical Beasts in the Forest of Possibilities" is a collaboration of choreographer Francesca Harper with iconic composer/performer Nona Hendryx and the dancers. H…

SOURCE: www.theaterscene.net at 11:46am on June 1, 2019

Madame Lynch by Darryl Reilly

Eliza Lynch (1833-1886) was an Irishwoman who grew up in France and became a courtesan. In 1854 she began a relationship with Francisco Solano López, the son of Paraguay's president. He l…

SOURCE: www.theaterscene.net at 11:38pm on May 31, 2019

Michael Mao Dance 2019 by Joel Benjamin

Michael Mao Dance is celebrating 26 years of presenting Mao's work and if his recent program at the Ailey Citigroup Theater is any evidence, there is reason to believe he will continue for a…

SOURCE: www.theaterscene.net at 11:54am on May 31, 2019

Mac Beth by Victor Gluck, Editor-in-chief

Schmidt's streamlined adaptation of Shakespeare's Scottish tragedy is played by a cast of seven schoolgirls who meet in an abandoned urban field after school without any set up other than th…

SOURCE: www.theaterscene.net at 8:40pm on May 29, 2019

Messiah by Darryl Reilly

Flashbacks, speechifying, conspiracy theories involving J. Edgar Hoover and the FBI, disco sequences, the scourge of crack cocaine, hip hop numbers, other-worldly fantasies and violence all …

SOURCE: www.theaterscene.net at 4:27pm on May 29, 2019

Octet by Joel Benjamin

Malloy, who wrote the book, music and lyrics, has taken a novel approach, staging Octet as if it were a 12-step program in which all the members of the group express their inner thoughts thr…

SOURCE: www.theaterscene.net at 11:58am on May 29, 2019

Luzia: A Waking Dream of Mexico (Cirque du Soleil) by Victor Gluck, Editor-in-chief

"Luzia: A Waking Dream of Mexico" is Cirque du Soleil's 38th original production and its 18th performed under The Big Top. The name is a combination of the Spanish word for light (luz) and t…

SOURCE: www.theaterscene.net at 11:17pm on May 28, 2019

Broadway by the Year: The Broadway Musicals of 1965 & 1978 by Joel Benjamin

Several songs were from flop shows and given new life by Streisand:  "He Touched Me" from "Drat! The Cat!" sung with infectious flirtatiousness by Lianne Marie Dobbs; "Why Did I Choose Yo…

SOURCE: www.theaterscene.net at 8:02pm on May 27, 2019

Enter Laughing the Musical by Victor Gluck, Editor-in-chief

As David, Chris Dwan does not make one forget the inimitable Grisetti who spun every moment into a comic turn. However, Dwan is charming as the undaunted hero who must deal with problems beh…

SOURCE: www.theaterscene.net at 5:11pm on May 27, 2019

Curse of the Starving Class by Joel Benjamin

The original production of "Curse of the Starving Class" in 1977 was a shocker even for a time when permissiveness prevailed.  Kinney seems to have decided that the play Shepard wrote isn…

SOURCE: www.theaterscene.net at 4:36pm on May 27, 2019

Proof of Love by Victor Gluck, Editor-in-chief

Never really losing her cool, Pressley always commands the stage even though scenic designer Alexis Distler has made it difficult by creating a huge private room, beautiful in its understate…

SOURCE: www.theaterscene.net at 9:34pm on May 24, 2019

Feral by Mark Dundas Wood

All of this is brought to life via digital camera, which captures the movement of the figures on a quickly assembled "set" that is, in effect, a whole miniature seaside town, with businesses…

SOURCE: www.theaterscene.net at 12:07pm on May 23, 2019

Beetlejuice by Victor Gluck, Editor-in-chief

Not all cult movies need to be made into musicals, particularly those that are dependent on special effects which the cinema does better than the stage. This is demonstrated by the new Broad…

SOURCE: www.theaterscene.net at 9:45pm on May 22, 2019

Posting Letters to the Moon by David Kaufman

The epistolary "Posting Letters to the Moon" may, on the face of it, make one think of A. R. Gurney's "Love Letters" or Helene Hanff's "84 Charing Cross Road. "But unlike those two memorable…

SOURCE: www.theaterscene.net at 11:40pm on May 21, 2019

BLKS by Victor Gluck, Editor-in-chief

Poet Aziza Barnes' first play, "BLKS," now at MCC Theater Space is raucous, vulgar, outrageous and contemporary in Robert O'Hara's hilarious, over-the-top production. Following the adventure…

SOURCE: www.theaterscene.net at 10:52pm on May 20, 2019

High Button Shoes by Joel Benjamin

But, fear not!  The Encores! creative team"director John Rando, music director, Rob Berman and choreographer Sarah O'Gleby"found a terrific cast led by Michael Urie in the Phil Silvers' r…

SOURCE: www.theaterscene.net at 12:49pm on May 20, 2019

Happy Talk by Darryl Reilly

Abrasive as a subpar episode of Maude and reaching a sour psychological thriller-style finale out of Craig's Wife, Happy Talk is playwright Jesse Eisenberg's muddled family drama.  It's t…

SOURCE: www.theaterscene.net at 9:53pm on May 19, 2019

Passage by Victor Gluck, Editor-in-chief

Christopher Chen's exquisite and mystical "Passage" being produced by the Soho Rep is inspired by E.M. Forster's "A Passage to India," borrowing its plot and character relationships. But whi…

SOURCE: www.theaterscene.net at 11:47pm on May 18, 2019
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