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3,495 stories from The Arts Desk

A Woman of No Importance, Vaudeville - Eve Best is superb as a woman scorned by Veronica.lee

Dominic Dromgoole's Oscar Wilde seasons opens with a winnerIn a rather clever wheeze, Dominic Dromgoole, former artistic director of Shakespeare's Globe " who therefore knows a thing or…

SOURCE: The Arts Desk at 8:12pm on October 16, 2017

David Oakes: 'I haven't done anything as bad as my characters' by Jasper.rees

The actor stars opposite Natalie Dormer in Venus in Fur. Why is he always exploring the dark side?"He has something of Dillane about him." Thus Patrick Marber on David Oakes. "I rate him ver…

SOURCE: The Arts Desk at 6:04am on October 16, 2017

Beginning, National Theatre review - assured, intimate, but short of surprises by Sam Marlowe

David Eldridge's wry-warm two-hander on the unsexy side of singledom Loneliness: in the age of the digital hook-up and the flaunting narcissism of social media, it's become a strange so…

SOURCE: The Arts Desk at 3:24am on October 14, 2017

The Seagull, Lyric Hammersmith review " is Lesley Sharp's Irina a sex addict? by Ismene.brown

Chekhov's classic bird updates entertainingly, even if lopsidedly, as a play for todayThe awful mother, the celebrity-obsessed teenager, the mediocre old writer who wants some young sex…

SOURCE: The Arts Desk at 2:33pm on October 13, 2017

The Busy World Is Hushed, Finborough Theatre review - new play puts the G-word centre stage by Jenny Gilbert

Religious faith, family tragedy and gay love make an unholy trinity in this European premiereGod makes few appearances at the modern playhouse " so few that the Finborough Theatre saw fit to…

SOURCE: The Arts Desk at 5:54am on October 13, 2017

Young Frankenstein review - Mel Brooks musical is blissfully bonkers by Matt.wolf

Broadway misfire finds chuckles aplenty, and a heart, at the Garrick TheatreWhat a difference an ocean and a change of scale can make. When I saw the Mel Brooks musical Young Frankenstein on…

SOURCE: The Arts Desk at 5:33am on October 12, 2017

Saint George and the Dragon, National Theatre review " a modern folk tale in the Olivier by Heather Neill

England's patron saint travels through time to demonstrate changing views of heroismBold and fearless are adjectives that might describe playwright Rory Mullarkey as accurately as any chival…

SOURCE: The Arts Desk at 10:48pm on October 11, 2017

'I come from there': how the Royal Court brought home plays from Ukraine, Chile and Syria by Elyse Dodgson

The Court's international director explores the roots of this autumn's international seasonThe autumn season of plays at the Royal Court leads with international work. B by Guiller…

SOURCE: The Arts Desk at 6:33am on October 11, 2017

Nikki Amuka-Bird interview: 'There's huge enthusiasm among actors of colour' by Heather Neill

Ibsen hits the Caribbean in The Lady from the Sea at the Donmar. Its star explainsNikki Amuka-Bird spent the summer in Antigua, swimming and scuba diving and could have claimed to be working…

SOURCE: The Arts Desk at 4:33am on October 10, 2017

Victory Condition, Royal Court review - Ballardian vision of the contemporary by Aleks.sierz

New two-hander is a stylized account of a nihilistic realityWhat does it mean to feel contemporary? Feel. Contemporary. According to theatre-maker Chris Thorpe, whose new play Victory Condit…

SOURCE: The Arts Desk at 8:33pm on October 9, 2017

Heisenberg: The Uncertainty Principle, Wyndham's Theatre, review " paradoxically predictable by Aleks.sierz

Anne-Marie Duff and Kenneth Cranham in unconvincing rom-comPlaywright Simon Stephens and director Marianne Elliott are hyped as a winning partnership. Their previous collaborations include T…

SOURCE: The Arts Desk at 5:54pm on October 9, 2017

The Lie, Menier Chocolate Factory review - fake news, real feeling by Marianka Swain

The war on facts takes marital form in Florian Zeller's comedyA year after premiering acclaimed French playwright Florian Zeller's The Truth, London's Menier Chocolate Factory now hosts…

SOURCE: The Arts Desk at 7:48pm on October 8, 2017

h.Club 100 Awards 2017: The Winners by The Arts Desk

News from The Hospital Club's annual awards for the creative industries, plus theartsdesk's Young Reviewer of the Year At a festive ceremony on Tuesday night at The Hospital Club i…

SOURCE: The Arts Desk at 5:18am on October 4, 2017

Labour of Love, Noël Coward Theatre, review " Martin Freeman and Tamsin Greig labour in vain by Aleks.sierz

Comedy about Labour Party history is starry, but tediously overblownProlific playwright James Graham aspires to be nothing if not timely. His latest, a play about the Labour Party, was origi…

SOURCE: The Arts Desk at 7:42pm on October 3, 2017

B, Royal Court review - intriguing, ironical, but flawed by Aleks.sierz

New Chilean play about terrorism is satirical, but ends up non-committalIn the 1960s, we had the theatre of commitment; today we have an attitude of non-committal. Once, political playwright…

SOURCE: The Arts Desk at 8:24pm on October 2, 2017

'First read-throughs have magic': Simon Stephens on Heisenberg: The Uncertainty Principle by Simon Stephens

The playwright describes the first day of rehearsal of a new play produced by a new companyAll theatre workers have a day that they dread. For actors there is a particular terror about a fir…

SOURCE: The Arts Desk at 5:24am on October 1, 2017

'I'd never written a play as a single action before': David Eldridge on Beginning by David Eldridge

The playwright explores the gestation of his new play for the National TheatreMy friend, the playwright Robert Holman, says that the writing of a play is always "the product of a moment". Of…

SOURCE: The Arts Desk at 5:18am on September 30, 2017

After the Rehearsal/Persona, Toneelgroep Amsterdam, Barbican - van Hove reconfigures Bergman by David.nice

Two dramas about acting and being, illusion and reality, form an inseparable wholeThree tall orders must be met in any successful transfer of an Ingmar Bergman text from screen to stage. Fir…

SOURCE: The Arts Desk at 5:18am on September 30, 2017

Young Reviewer of the Year Award: the four finalists are... by The Arts Desk

Announcing the shortlist of our critics' competition, with extracts from each entryIn July we launched a competition in association with The Hospital Club to unearth talented young crit…

SOURCE: The Arts Desk at 4:04am on September 29, 2017

Jane Eyre, National Theatre " a dynamic treatment that just misses by Jenny Gilbert

Athletic adaptation of Charlotte Brontë's novel doesn't quite flySometimes you go to the theatre and in the first 10 minutes are convinced that the production is going to smash …

SOURCE: The Arts Desk at 9:18pm on September 28, 2017

Wings, Young Vic review - Juliet Stevenson goes high and low by David.nice

Arthur Kopit's poetic drama about post-stroke aphasia and facing up to death astoundsNow look here, Giles Coren: immersion in a great play well acted can send you out of the theatre fee…

SOURCE: The Arts Desk at 3:42am on September 23, 2017

Ramona Tells Jim, Bush Theatre, review " kooky, teenage heartbreak by Aleks.sierz

Heartwarming new play about young love is good fun, if a bit slenderLocation, location, location. Jim thinks he lives in the "shittiest" small town in Scotland. It's Mallaig, on the west coa…

SOURCE: The Arts Desk at 6:48pm on September 22, 2017

Trouble in Mind, The Print Room review - Tanya Moodie is a treat to watch by Tom.birchenough

Alice Childress's groundbreaking 1955 drama played with panache Truth is pursued in different ways in Alice Childress's groundbreaking 1955 Trouble in Mind, and its play-within-a-play story…

SOURCE: The Arts Desk at 12:42pm on September 22, 2017

We're Still Here, National Theatre Wales review - powerful protest and heartfelt theatre-making by Dylan Moore

Port Talbot steelworkers take a stand against the ravages of global capitalismPort Talbot (population 38,000) is a town on the south Wales coast famous for two things: steel and actors. The …

SOURCE: The Arts Desk at 5:12am on September 20, 2017

Oslo, National Theatre review - informative, gripping and moving by Aleks.sierz

Award-heavy American play about the Oslo Accords is highly entertainingDocumentary theatre has a poor reputation. It's boring in form, boring to look at (all those middle-aged men in suits),…

SOURCE: The Arts Desk at 8:18pm on September 18, 2017
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