3,986 stories from CurtainUp
A kooky but likeable musical from talented young writer Joe Iconis.
A sassy, sexy, satirical allegory.
Conor McPherson's play at Steppenwolf's downstairs Theater.
Dylan Thomas's Wales is a place where even the sea speaks Welsh.
Even if you swear you don't like 17th-century dramas, the Red Bull Theater Company's meticulous revival of Thomas Middleton's drama is worth seeing for its top-notch cast, its scrumptious co…
Everything about Shrek The Musical is in the grand old tradition - a splendid musical comedy (with a meaningful message) for the entire family.
Don't let its lack of holiday spirit keep you away from this rare chance to see the work of a playwright whose work hasn't received a full-blown New York production in years.
The music, with its clever and smooth blending of Tchaikovsky and Klezmer, is truly brilliant.
A fiendish musical, based on a number of fiendish improbabilities that all who are willing to make a concentrated effort and stretch their imagination will enjoy.
While the actors perform competently, they are stuck with characters in search of a play that has something really meaningful to say.
In case you're keeping a list of interesting smartly crafted and performed live theater offerings with tickets priced at a user-friendly $20, put this at the top of the list.
Craig Lucas takes on the suburban American family and the effect of the Vietnam and Iraq wars on their innate dysfunctional tendencies.
This is a welcome change from all the saccharine sentiment that's so prevalent this time of year.
Rome's most infamously despotic emperor, written as (and by) a French existentialist.
The Signature Theatre Company could not have picked a sweeter play to be part of its season-long celebration of the historic Negro Ensemble Company.
The intimacy of Trevor Nunn's production ensurs the clarity of every word of Sondheim's beautiful lyrics.
The 1945 Rogers and Hammersteinl musical returns to the London stage.
A chance to see Eugene O'Neill's last play for just a bit more than the price of a movie ticket is cause for celebration.
This is Tennessee Williams playing at being Pirandello, and NAATCO deserves credit for staging it.
You don't have to understand Yiddish or be Jewish to enjoy the Folksbiene's adaptation of Isaac Bashevis Singer's story.
The few spine-tingling moments in Billy Goda's new thriller can be credited mostly to its cast.
