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10,593 stories from A Younger Theatre

Review: Maydays, The Other Place, Stratford-Upon-Avon by Max Thomas

Maydays blitzes through more than 30 years of political revolutions, turmoil, demonstrations and dissent. Moving from the Fall of Berlin in the spring of 1945 to Callaghan's 1978-9 so-called…

SOURCE: A Younger Theatre at 10:42am on October 5, 2018

Review: Mrs Dalloway, Arcola Theatre by Gus Mitchell

Review: Mrs Dalloway, Arcola Theatre4.0StarsVirginia Woolf's Mrs Dalloway is, like much of her work, more interested in the complexities of the human individual than in the intricacies of pl…

SOURCE: A Younger Theatre at 4:12pm on October 4, 2018

Opinion: Young people having say in running of Almeida Theatre by Simeon Blake Hall

My journey to the Almeida's Youth Advisory Board began when I was part of the theatre's Young Company. I’ve been involved with the Almeida since last year after joining them on their p…

SOURCE: A Younger Theatre at 1:06pm on October 3, 2018

Review: Dennis of Penge, Ovalhouse by Dovydas Laurinaitis

Dionysus descends from Olympia to manage a chicken shop in Penge. Here, as Dennis (Jorell Coiffic-Kamall), he faces Wendy (Annie Siddons) across the counter. Childhood friends, adult saviour…

SOURCE: A Younger Theatre at 1:06pm on October 3, 2018

Review: Pack of Lies, Menier Chocolate Factory Theatre by Gabriel Wilding

Doilies and deception, surveillance in the 60's, and more cups of tea than the Great British Bake Off. Pack of Lies is a moving play based on a true story, focusing on the way political turm…

SOURCE: A Younger Theatre at 8:48am on October 3, 2018

Review: Love Is A Work In Progress, The Space by Hilary Webb

"Welcome to my heart," Tara Rankine greets you as you arrive at The Space for her one-woman cabaret show Love Is A Work In Progress. At first, it's a very chilled environment; cookies are gi…

SOURCE: A Younger Theatre at 8:48am on October 3, 2018

Review: Timeless, Theatre N16 by Jessica Handscomb

I don't think any of us particularly enjoy the dentist, but the situation mostly plays out like this: we dread it for a little while, we attend our appointment, we're uncomfortable for a bit…

SOURCE: A Younger Theatre at 4:33am on October 3, 2018

Review: POT, Stratford Circus Arts Centre by Charlotte Irwin

As you wait for POT to begin, a mist hangs in the air and around the brown-tinged set. This flat has patched up floors, a faded sofa, a grimy radiator and clutter in the form of crushed beer…

SOURCE: A Younger Theatre at 7:42pm on October 2, 2018

Review: Pinter Two: The Lover and The Collection, Harold Pinter Theatre by Alannah Jones

A confession: I am not sure whether I actually like Pinter. The last production I saw – Ian Rickson's star-studded staging of The Birthday Party earlier this year " left me cold, thoug…

SOURCE: A Younger Theatre at 10:24am on October 2, 2018

Review: Memorial, The Barbican by Franciska Éry

A man, surrounded by a blue glow, falls slowly into what looks like sand. The stage is dark. A woman in red watches him with a solemn expression. Suddenly, 215 bodies turn to their sides on …

SOURCE: A Younger Theatre at 8:12am on October 2, 2018

Review: Antony and Cleopatra, National Theatre by Alannah Jones

Simon Godwin delivers a great big fuck-off Shakespeare at the National, and it's everything you'd expect it to be. Antony and Cleopatra is perhaps the most notoriously difficult of Shakespea…

SOURCE: A Younger Theatre at 12:12pm on September 30, 2018

Opinion: Getting produced by Soho Theatre didn't happen overnight by Karen Cogan

"A word after a word after a word is power." Margaret Atwood. It is vital that people, ALL people feel that their story and their authentic, uncompromised voice, has a place in the theatre i…

SOURCE: A Younger Theatre at 8:36am on September 30, 2018

Review: La Tragedie De Carmen, Asylum Chapel by Franciska Éry

I really love Pop-Up Opera. Not only because they make opera accessible to those who wouldn't pick Covent Garden as their first choice of entertainment; or because they make work that can to…

SOURCE: A Younger Theatre at 2:06pm on September 29, 2018

Review: SYLVIA, Old Vic Theatre by Hilary Webb

The battle to get Kate Prince's musical SYLVIA out of previews continues to be almost as painful as the fight for women's suffrage itself, but when it eventually does open, it's set to be a …

SOURCE: A Younger Theatre at 8:24am on September 28, 2018

Review: The Human Voice, Gate Theatre by Anna Zanetti

The Human Voice is a monodrama, a stolen conversation, a phone call that no one is supposed to hear, perhaps not even the person on the other end of the line. And yet there we are, wearing h…

SOURCE: A Younger Theatre at 5:06am on September 28, 2018

Review: Cold Chips, Theatre N16 by Alannah Jones

Theatre N16, which recently took over the performance space of the aptly named 'Styx', located in the far reaches of North-East London, is a bare concrete space which provides a stark and ed…

SOURCE: A Younger Theatre at 8:12am on September 26, 2018

Review: Alan Fielden with JAMS: Marathon, Barbican Theatre by Sebastian Calver

Marathon is the thought process you experience when watching the news: what’s wrong with the world today? Heart-breaking story after heart-breaking story. Who’s going to do an…

SOURCE: A Younger Theatre at 1:42pm on September 25, 2018

Review: 4:48 Psychosis, New Diorama Theatre by Alice Devoy

Although Sarah Kane's 4.48 Psychosis is a play familiar to most people in touch with the world of theatre, Paula Garfield has directed a first: the only production of 4.48 Psychosis to be pe…

SOURCE: A Younger Theatre at 1:42pm on September 25, 2018

Review: Point of Echoes, The Place by Gabriel Wilding

Moving sheets billow, and the waves begin to look as although they are dancing as we stare out to sea. So the stage is set for this nautical themed dance piece set in a far-flung lighthouse.…

SOURCE: A Younger Theatre at 9:06am on September 24, 2018

Opinion: Theatremaker on a Budget: Cut that spending! by Holly Bond

The last good bit of news I had was that my mum's friend from work has a life size Idris Elba cut out. After scrolling forever through Amazon trying to find the 'right Idris' for a set piece…

SOURCE: A Younger Theatre at 8:06am on September 23, 2018

Review: The Outsider, The Print Room at the Coronet by Charlotte Irwin

Albert Camus's 1942 novel L'Etranger follows Meursault, whose mother dies, and who then kills an Arab man on the beach just because the sun was in his eyes. It has now been adapted for th…

SOURCE: A Younger Theatre at 1:42pm on September 22, 2018

Review: Touching the Void, Bristol Old Vic by Phoebe Graham

“[They cross the Andes]” So goes the seemingly unstageable direction from Peter Schaffer's 1964 epic The Royal Hunt of the Sun. The buzz of public scepticism and curiosity, which…

SOURCE: A Younger Theatre at 1:48pm on September 21, 2018

Review: Six Attempts to Swallow a Scream, Theatre N16 by Jessica Handscomb

Far, far away, out in the treacherous zone 3, is Styx. Open both day and night, it boasts chilled out seating areas, a bar, a pizza joint, and Theatre N16. It's tucked away down a road; just…

SOURCE: A Younger Theatre at 3:06pm on September 20, 2018

Review: Tartuffe, Swan Theatre, Stratford-Upon-Avon by Max Thomas

In this modern reimagining, Tartuffe (Asif Khan) is a con man who swindles a Brummie-Pakistani family out of their house and savings. Assuming the piety of 'an angel' and eschewing material …

SOURCE: A Younger Theatre at 9:42am on September 20, 2018

Review: Dishoom!, Watford Palace Theatre by Sebastian Calver

Gurpreet Kaur Bhati's new play Dishoom! is a bizzare yet enlightening look at Indian culture, scratching at the surface of the struggles the country faced due to westernisation. Set in a …

SOURCE: A Younger Theatre at 8:36am on September 20, 2018
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