DESKTOP
Contact
The Season
On Broadway
Login

Search BroadwayStars

Search:
Author:
Source:
Date Range: From: To:
Sort by: Most Recent   Most Relevant
2,444 stories from chicagoreader.com

Local arts reviews, like Oscar nominations, aren't covering America by Coya Paz Brownrigg

Coverage and awards send a disappointing"but not unexpected"message about whose stories really matter. Coya Paz is an associate professor of Theatre Studies in …

SOURCE: www.chicagoreader.com at 1:00pm on January 31, 2020

Luftwerk's Requiem: A White Wanderer, Lunar New Year on Marz, and more to do this weekend by Reader Staff

Arts and culture happenings from Fri 1/31 to Sun 2/2. Will the groundhog see his shadow?…

SOURCE: www.chicagoreader.com at 7:00am on January 31, 2020

Jane and Roe wade into the history of abortion rights by Paula Kamen

The author of Jane: Abortion and the Underground and the Reader theater editor talk about putting reproductive justice center stage. Journalist and playwright Pa…

SOURCE: www.chicagoreader.com at 6:45pm on January 29, 2020

Leaping into live performance for February by Irene Hsiao

Our critics suggest ten ways to fill out that slightly longer calendar this month. Theater (Kerry Reid) Sophisticated Ladies…

SOURCE: www.chicagoreader.com at 5:30pm on January 29, 2020

Spoken Word muddies the issue of consent by Dan Jakes

MPAACT's campus drama pushes some hot buttons, but casts an ugly pall. Playwright and MPAACT founding member Shepsu Aakhu was inspired to write this campus sexua…

SOURCE: www.chicagoreader.com at 5:15pm on January 29, 2020

If/Then needs star power to compensate for its shallow story by Taryn Allen

Brown Paper Box Co. struggles to make sense of its parallel storylines. Performing a show specifically written for powerhouse Idina Menzel without Idina Menzel s…

SOURCE: www.chicagoreader.com at 4:05pm on January 29, 2020

Black Creativity thrives in its 50th year by Arionne Nettles

The legacy of the Museum of Science and Industry exhibition is built on cultural representation and innovation. Little superheroes dashed out of the Black Creati…

SOURCE: www.chicagoreader.com at 6:45pm on January 28, 2020

The Mousetrap puts on fun house finery at Court by Dmitry Samarov

Sean Graney's production offers a visually clever update of Agatha Christie's classic whodunit. Sean Graney directs a revival of the most commercially successful…

SOURCE: www.chicagoreader.com at 6:15pm on January 28, 2020

Grease revs up the revival engines at Marriott by Jack Helbig

Scott Weinstein's staging is far more knock-out than knockoff. It is hard not to have low expectations for yet another revival of Jim Jacobs and Warren Casey's 1…

SOURCE: www.chicagoreader.com at 6:00pm on January 28, 2020

Roe is a history lesson and a warning by Catey Sullivan

Lisa Loomer's docudrama examines the landmark abortion rights case. In 1984, my roommate drove across two states so she could get a legal abortion. It took a wee…

SOURCE: www.chicagoreader.com at 5:25pm on January 28, 2020

The Adult in the Room doesn't do full justice to Nancy Pelosi by Marissa Oberlander

Orlagh Cassidy centers this one-woman show, but the script needs more depth. Nancy Pelosi is having her moment. From her literal clapback at President Trump to h…

SOURCE: www.chicagoreader.com at 5:15pm on January 28, 2020

Bridging the spiritual and political divide in I Hunger for You by Irene Hsiao

Kimberly Bartosik/daela make their Chicago debut. In 2017, when choreographer and former Merce Cunningham dancer Kimberly Bartosik began working on I Hunger for …

SOURCE: www.chicagoreader.com at 5:00pm on January 28, 2020

Verböten has some sharp songs, but the book sags by Catey Sullivan

Jason Narducy and Brett Neveu's portrait of a 1983 teen punk band needs more edge. The opening tune Jason Narducy penned for his autobiographically inspired musi…

SOURCE: www.chicagoreader.com at 4:45pm on January 28, 2020

The Leopard Play, or Sad Songs for Lost Boys examines a fractured Mexican American family by Kerry Reid

Isaac Gomez's world premiere at Steep takes us over the border of trauma and truth. If you're in the mood for some serious decolonizing after the Jeanine Cummins…

SOURCE: www.chicagoreader.com at 4:10pm on January 28, 2020

Winter theater and dance in Chicago provides a home away from home by Kerry Reid

On nights when the temperature falls into single digits and icy sidewalks (clear that stuff, people!) make the public way treacherous, it's easy to find reasons to stay home.  But the mon…

SOURCE: www.chicagoreader.com at 6:00pm on January 23, 2020

Note From an Editor by Kerry Reid

Winter theater and dance in Chicago provides a home away from home. On nights when the temperature falls into single digits and icy sidewalks (clear that stuff, …

SOURCE: www.chicagoreader.com at 6:00pm on January 23, 2020

Congo Square celebrates its roots with the satirical Day of Absence by Albert Williams

Douglas Turner Ward's classic one-act kicks off their 20th season. Derrick Sanders and Reginald Nelson arrived in Chicago in 1999 with a singular goal: to start …

SOURCE: www.chicagoreader.com at 5:00pm on January 23, 2020

Once on This Island proves it takes a village by Kerry Reid

The central romance feels overly familiar, but this touring production's ensemble creates a magical environment. Your affection for Lynn Ahrens and Stephen Flahe…

SOURCE: www.chicagoreader.com at 4:30pm on January 23, 2020

Gina DeLuca walks the live lit line between funny and tragic by Jack Helbig

Her new monthly showcase at Duke of Perth creates a community for newbies and vets alike. Gina DeLuca is a 32-year-old Chicago-based writer and live lit performe…

SOURCE: www.chicagoreader.com at 1:30pm on January 23, 2020

Barbara Jordan's story takes center stage in Voice of Good Hope by Sheri Flanders

City Lit's docudrama captures some of the "moral muck" facing the south's first Black Congresswoman. Clocking in at 95 minutes, City Lit's production of Voice of…

SOURCE: www.chicagoreader.com at 1:05pm on January 23, 2020

The Tasters pictures dystopia"with a gourmet twist by Dan Jakes

Political prisoners swallow their pride (and maybe some poison) in Rivendell's world premiere. The gulags in Meghan Brown's world-premiere dystopian fable, The T…

SOURCE: www.chicagoreader.com at 12:50pm on January 23, 2020

Rose Valley Theatre Group debuts with Sunday Evening by Jack Helbig

Bulgarian playwright Zachary Karabashliev's ddrama shows promise, but falters. Bulgarian playwright Zachary Karabashliev's 2008 play, about two entwined dysfunct…

SOURCE: www.chicagoreader.com at 12:45pm on January 23, 2020

Stop Kiss still feels (sadly) current by Dan Jakes

A brutal homophobic assault tests the love between two women in Diana Son's drama. To be queer and in love in a 90s play is a pitiable fate. At best, characters …

SOURCE: www.chicagoreader.com at 12:25pm on January 23, 2020

Pure Lies gives us magic with a touch of malarkey by Catey Sullivan

Trent James lights up Wednesdays at the Chicago Magic Lounge. The intersection of comedy and magic has ballooned since the art form's vaudevillian heyday. Case i…

SOURCE: www.chicagoreader.com at 12:10pm on January 23, 2020

Juliet is a naked cry of pain by Dmitry Samarov

But Theatre Y's staging covers up the Romanian prison camp story with too many needless additions. As the audience enters The Ready storefront space in Lincoln S…

SOURCE: www.chicagoreader.com at 6:30pm on January 22, 2020
« Previous 25   Page 72 of 98   Next 25 »