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3,495 stories from The Arts Desk

Everybody's Talking About Jamie, Apollo Theatre review - inclusive and utterly joyful by Marianka Swain

It's a triumphant West End transfer for this big-hearted British musical Everybody's been talking about Everybody's Talking About Jamie since its Sheffield Crucible debut earlier this y…

SOURCE: The Arts Desk at 8:06pm on November 22, 2017

Tiger Bay, Wales Millennium Centre review - ambitious but flawed spectacle by Owen Richards

Brand new musical builds high production on a shaky structural base During the 19th century, Tiger Bay in Cardiff was the beating heart of the Industrial Revolution and the most multicultura…

SOURCE: The Arts Desk at 3:54am on November 17, 2017

Network, National Theatre review - Bryan Cranston's searing London stage debut by Matt.wolf

Seminal 1976 film resonates anew as Breaking Bad star gets 'mad as hell'Outrage knows no time barrier, as the world at large reminds us on a daily basis. So what better moment for …

SOURCE: The Arts Desk at 4:36am on November 14, 2017

Poison, Orange Tree Theatre review - study of grief is both courageous and subtle by Jenny Gilbert

Finely judged two-hander about death and how to survive itShould Brexit ministers need help understanding the cultural mindset of their continental counterparts, they might consider a subscr…

SOURCE: The Arts Desk at 7:42pm on November 13, 2017

Coriolanus, Barbican review - great, late Shakespeare compels but doesn't stun by James.woodall

It's a tough play to bring off but underpowered acting doesn't helpCoriolanus is post-tragic. It never horrifies like Macbeth or appals like King Lear, though its self-damaging pro…

SOURCE: The Arts Desk at 8:33pm on November 12, 2017

Soldier On: a theatrical treatment of PTSD by Jonathan Lewis

Jonathan Lewis on working with ex-servicemen and women to tell their stories through dramaI was invalided out of the army in 1986. I'd been an army scholar through school and had a bursary a…

SOURCE: The Arts Desk at 4:48am on November 11, 2017

Glengarry Glen Ross, Playhouse Theatre, review - Christian Slater is gently charismatic by Aleks.sierz

All-star cast in modern American classic celebrate the ideal of the dealAmerican classics dominate the straight plays in London's West End. Whenever a producer wants to revive a straight dra…

SOURCE: The Arts Desk at 8:04pm on November 10, 2017

Mother Courage, Southwark Playhouse review - this production is not one for our times by Katherine Waters

Uninspired treatment of Brecht's 1939 antiwar tractOne of the questions that can be asked of Brecht is whether for a modern audience his Verfremdungseffekt " or alienation effect " s…

SOURCE: The Arts Desk at 6:48am on November 9, 2017

The Retreat, Park Theatre, review - funny but a bit flat by Aleks.sierz

New play about getting away from it all by Peep Show writer fails to enlightenIs Buddhism a path to finding spiritual enlightenment " or just an excuse for not facing your personal problems?…

SOURCE: The Arts Desk at 6:24pm on November 7, 2017

Douglas Henshall: 'You can get stuck when you've been in the business for 30 years' - inteview by Jasper.rees

The Scottish actor on the National Theatre staging of Network and going back to Shetland"I'm mad as hell and I'm not going to stand for it!" In 1976 American anger about the state of the nat…

SOURCE: The Arts Desk at 5:54am on November 6, 2017

'This is how it happened': Tom MacRae on writing Everybody's Talking About Jamie by Tom Macrae

How the musical about a boy who wanted to go to the school prom dressed as a girl was createdI'd always wanted to write a musical, but I didn't start actually trying until four years ago. No…

SOURCE: The Arts Desk at 9:33pm on November 4, 2017

Heather, Bush Theatre, review - Harry Potter satire burns bright by Aleks.sierz

New play about storytelling examines a children's book craze " and its repercussionsHarry Potter has a lot to answer for. The phenomenal success of J K Rowling's books, and of their film ver…

SOURCE: The Arts Desk at 6:48pm on November 2, 2017

Romantics Anonymous, Shakespeare's Globe review - box of delights by Peter Quantrill

Emma Rice exits with a sweet-toothed musical in the Sam Wanamaker PlayhouseIt's all a bit Dairy Milk. That was, to wrap it in purple foil, the critical reaction to Les émotifs anonymes when…

SOURCE: The Arts Desk at 8:36am on November 2, 2017

The Exorcist, Phoenix Theatre review - see the movie by Adam.sweeting

It probably seemed like a good idea at the timeAlthough playwright John Pielmeier, who has written this stage adaptation of The Exorcist, reckons that "I adapted the novel, not the film," th…

SOURCE: The Arts Desk at 9:54pm on October 31, 2017

The Slaves of Solitude, Hampstead Theatre, review - crude, over-dramatic and under-motivated by Aleks.sierz

New adaptation of Patrick Hamilton novel is thinly written and poorly stagedThe second world war is central to our national imagination, yet it has been oddly absent from our stages recently…

SOURCE: The Arts Desk at 7:36pm on October 30, 2017

Insignificance, Arcola Theatre review - once-iconic play feels overwrought by Will Rathbone

The generational torch gets passed in off-kilter Terry Johnson revival Terry Johnson's award-winning 1982 play Insignificance hasn't been seen in London since the playwright directed a 1995 …

SOURCE: The Arts Desk at 5:33am on October 30, 2017

Young Marx, Bridge Theatre, review - fast-moving, but over-complicated by Aleks.sierz

Brand-new London theatre is wonderful, but its first show is disappointingGiven the rather uneven record of the National Theatre at the moment, there's already a certain nostalgia for the da…

SOURCE: The Arts Desk at 6:06pm on October 26, 2017

The Lorax, Old Vic Theatre review - a sage tale for young theatre goers by Katie Colombus

A brilliantly British take on the Dr Seuss kids' classicWith mentions of Theresa May, cricket jumpers and DMs, Trump slurs and a host of characters with Northern accents, The Old Vic's …

SOURCE: The Arts Desk at 8:04pm on October 24, 2017

Witness for the Prosecution, London County Hall review - favourable verdict on Agatha Christie classic by Aleks.sierz

This site-specific revival of 1953 courtroom drama works like a treatSome site-specific theatre feels like a really good fit. You could say, in this case, that it seems like poetic justice. …

SOURCE: The Arts Desk at 6:42pm on October 23, 2017

Of Kith and Kin, Bush Theatre, review - comic but confused gay surrogacy drama by Aleks.sierz

New play about gay parenthood suffers from an identity crisisA new baby is like an alien invasion: it blows your mind and it colonises your world. For any couple, parenthood can be both exal…

SOURCE: The Arts Desk at 7:12pm on October 20, 2017

The End of Hope, Soho Theatre review - initially bold but not quite enough by Katherine Waters

Darkly comic two-hander opens daringly and goes nowhere In David Ireland's new hour-long two-hander " a co-production between Soho Theatre and west London's Orange Tree " two str…

SOURCE: The Arts Desk at 5:36am on October 19, 2017

The Lady from the Sea, Donmar Warehouse review - Nikki Amuka-Bird luminous in a sympathetic ensemble by David.nice

Ibsen's great human comedy weathers a sea-change from fjord to Caribbean islandWhat a profoundly beautiful play is Ibsen's The Lady from Sea. It stands in relation to the earlier, relat…

SOURCE: The Arts Desk at 3:36am on October 19, 2017

Fierce: the Birmingham festival which reaches out to Europe and beyond by Aaron Wright

The new artistic director of the international showcase of live art and performance says what's comingSince its inception in 1997 Fierce, Birmingham's International Festival of Live Art…

SOURCE: The Arts Desk at 9:36pm on October 17, 2017

Venus in Fur, Theatre Royal Haymarket review - pain and pleasure in a starry two-hander by Marianka Swain

It's Fifty Shades of Auditioning in this tricksy erotic comedy A hit on Broadway, David Ives's steamy two-hander now boasts Natalie Dormer and David Oakes, well-known for their screen w…

SOURCE: The Arts Desk at 8:18pm on October 17, 2017

Albion, Almeida Theatre, review " Victoria Hamilton's epic performance by Aleks.sierz

Doctor Foster writer explores Englishness with enormous metaphoric zealProlific writer Mike Bartlett is the most impressive penman to have emerged in British theatre in the past decade. The …

SOURCE: The Arts Desk at 8:18pm on October 17, 2017
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