From Broad Street to Broadway - and back By Howard Shapiro
Philadelphia's theater community has been building relationships with New York for decades.
Philadelphia's theater community has been building relationships with New York for decades.
Maybe you've never heard of Dear World, Bristol Riverside Theatre's current production. Chances are, you know its source material, Jean Giraudoux's postwar dig at French war profiteers, The Madwoman of Chaillot.
That rarest of entities - a one-man biographical show that's energized without being forced, as natural as a backyard conversation with an old friend - opened on Broadway last night.
Racial diversity onstage brings new dimensions to old plays, both regionally and on Broadway.
More than six years after opening night, the $275 million Kimmel Center for the Performing Arts is finally paid for.
Quiara Alegría Hudes is, herself, in the heights.