Leaves of Glass
Glass is a metaphor that crops up throughout this depressing tale about the skeletons haunting two East London brothers.
Glass is a metaphor that crops up throughout this depressing tale about the skeletons haunting two East London brothers.
It's hard not to wonder what could have been more wrong as to time and place than this play on Broadway in 1953. Which makes the sense of Target Margin's staging now, in its original raw for…
Director Sam Mendes' stylish, visual fillips work well enough to make this one of the engaging and enjoyable versions of this wonderful play that I've seen.
Almost by universal acclaim, this is considered the apex of Oscar Wilde's stage works. Anyone unfamiliar with the play will be hard pressed to believe it with this production.
What may repel many playgoers about Edmund White's drama inspired by Gore Vidal's real-life correspondence with Oklahoma bomber Timothy McVeigh, will attract others.
The dissatisfied yet convention-bound wife in a lesbian adaptation.
English actress/writer Amelia Bullmore's Susan Smith Blackburn award winning play makes its American debut at the Lost Studio directed with feral glee by John Pleshette.
A new adaptation of the famously seamy Jack the Ripper story
With its live band this sure isn't your parents' Twelfth Night.
Mike Leigh's play is more than a dozen years old and depressingly timely.
A fine re-imagined version of Maria Irene Forne's Fefu and Her Friends.
Simon Saltzman says that any resemblance between the title character of Gina Gionfriddo's new play and Becky Sharp, the heroine of William Makepeace Thackeray's Vanity Fair is purely and pre…
From the tiny Watermill Theatre in Newbury comes a delightful small scale, actor musician production of Andrew Lloyd Webber's musical.
A. R. Gurney's willingness to poke fun at himself provides his play written for the Flea Theater's young acting company with its best laugh lines.
Director Garry Hynes' has intensified the mix of nastiness and humor and repetitions and silences that give Martin McDonagh's tragi-comedy its emotional richness.
Richard Greenberg has done a splendid job of making the libretto (originally by John O'Hara who invented Joey Evans) not just a hook on which to hang a bunch of bewitching show tunes.