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35,750 stories from The Guardian

Patrick Marber interview: 'Your heart skips when someone is saying your lines' by Andrew Dickson

After early success writing for the National Theatre and for Alan Partridge, Marber's career stalled. As he returns with two plays, he talks about how Lewes FC, Turgenev and an escape from c…

SOURCE: The Guardian at 1:12pm on May 16, 2016

Bill MacIlwraith obituary by Michael Coveney

Playwright and television screenwriter best known for The Anniversary, which was turned into a 1968 film starring Bette DavisThe playwright and television screenwriter Bill MacIlwraith, who …

SOURCE: The Guardian at 1:12pm on May 16, 2016

Reassembled, Slightly Askew review " medical drama puts us in hospital beds by Lyn Gardner

Battersea Arts Centre, LondonShannon Yee's clever and moving story of her rocky road to recovery from a rare infection places the audience right in the wardIn 2008, the playwright Shannon Ye…

SOURCE: The Guardian at 12:02pm on May 16, 2016

Patrick Marber on five years of writer's block: 'We were in debt. I was depressed. It was awful' by Xan Brooks

Alan Partridge, Closer, an Oscar nomination … then nothing. As his Strindberg update goes on tour, the writer talks about Coogan, creativity and his days as a posh standupIt's lunchtime in…

SOURCE: The Guardian at 12:02pm on May 16, 2016

Daphne's Dive review " raising a glass to the Big Apple's outsiders by Alexis Soloski

Signature Theater, New YorkQuiara Alegría Hudes' new play, which shares a director with Hamilton, has a fierce compassion for its characters and an ardent love for New York's diversityIn …

SOURCE: The Guardian at 12:02pm on May 16, 2016

'A terrible beauty': US festival reflects on Ireland's Easter Rising 100 years later by David Smith In Washington

The 1916 Irish rebellion against British rule that in six days left 485 people dead is the cue for a festival of Irish arts and culture in WashingtonWhile on the election campaign trail for …

SOURCE: The Guardian at 12:02pm on May 16, 2016

Hold Your Own review " powerful poetry from Kate Tempest by Sarah Crown

She may have been pipped to the Mercury prize, but her latest collection is a winnerAt the heart of Kate Tempest's latest work is a captivating dichotomy. On the one hand, she is the soul of…

SOURCE: The Guardian at 9:55am on May 16, 2016

Football unites cities: can theatre ever do the same? by Lyn Gardner

Leicester's victorious tour bus will be greeted by jubilant football fans as it passes the Curve theatre, which has also earned the pride and passion of locals"Why can't theatre be more like…

SOURCE: The Guardian at 7:48am on May 16, 2016

Yukio Ninagawa obituary by Michael Billington

Japanese theatre director who harmonised the traditions of east and west in his productions of Shakespeare, Ibsen and EuripidesYukio Ninagawa, who has died aged 80, was a great Japanese thea…

SOURCE: The Guardian at 7:40am on May 16, 2016

Peter Brook on A Midsummer Night's Dream: a cook and a concept by Peter Brook

His 1970 RSC production of Shakespeare's play featured circus trapezes, stilts and plate-spinning " and changed theatre history for good. In an extract from his new book, Peter Brook explain…

SOURCE: The Guardian at 5:33am on May 16, 2016

Peter Brook: Timon of Athens really did bring down the house by Interview By Chris Wiegand

When the director re-opened a dilapidated Parisian theatre with an international Shakespeare production, the applause shook the buildingKing Lear is the supreme achievement of the world's th…

SOURCE: The Guardian at 3:31am on May 16, 2016

Royal Ballet announces new director by Mark Brown

Former dancer Kevin O'Hare plans to bring together the 'most talented artists of the 21st century'After a worldwide search to fill one of the most coveted jobs in dance " replacing the Royal…

SOURCE: The Guardian at 2:40am on May 16, 2016

Plan your week's theatre: top tickets by Lyn Gardner

A show featuring three and a half tonnes of coal opens in Cardiff, Katie Mitchell frees Ophelia from Hamlet at the Royal Court, and Daniel Evans makes his directorial swansong in SheffieldWi…

SOURCE: The Guardian at 2:40am on May 16, 2016

Australia Council cuts: theatre companies lament 'dark days' for arts by Monica Tan

Artistic directors of major theatre companies pen open letter saying government funding cuts represent an 'unprecedented assault' on the artsThe artistic directors of Australia's major theat…

SOURCE: The Guardian at 12:26am on May 16, 2016

Finding Neverland review " Gary Barlow's dull songs sink muddled show by Alexis Soloski

Lunt-Fontanne Theater, New YorkHarvey Weinstein has spent millions trying to make a film about Peter Pan's author fly on stage " but though the child stars shine, the music is leadenDo you b…

SOURCE: The Guardian at 4:31pm on May 15, 2016

Harriet Lane talks diets and divorces with Victoria Wood by Harriet Lane

For three decades she was Britain's everywoman, celebrating the ordinary and finding comedy in our daily chores. But when her husband walked out, she was stopped in her tracks. Now, she's ba…

SOURCE: The Guardian at 3:25pm on May 15, 2016

Sideways author: 'I was ready to shoot myself " then I found pinot noir' by Rex Pickett

His riotous story of two buddies on a wine-and-women odyssey intoxicated the world. As Sideways hits the stage, Rex Pickett recalls how he went from debt-ridden divorcee to the toast of Holl…

SOURCE: The Guardian at 10:06am on May 15, 2016

Rory Kinnear: my life in five shows by Interview By Catherine Love

From playing Cyrano at school to Hamlet at the National, the star of the Young Vic's The Trial talks about the productions that shaped his career I must have been about seven or eight when I…

SOURCE: The Guardian at 8:07am on May 15, 2016

Rory Kinnear: 'My singing voice has lain dormant for 20 years' by Killian Fox

The actor on getting his voice in shape for The Threepenny Opera, growing up with showbiz parents, and his almost-career as a goalkeeper…You're playing Macheath in a new production of The …

SOURCE: The Guardian at 5:50am on May 15, 2016

Indhu Rubasingham: 'A space for locals " that's what theatres can be about' by Interview By Nick Curtis

The Tricycle's artistic director on the theatre's £5.5m makeover, working with asylum seekers " and not casting Adrian Lester as a womanBorn in Sheffield to Sri Lankan Tamil parents in 19…

SOURCE: The Guardian at 4:39am on May 15, 2016

Jo Brand: 'If you're doing comedy, you must be funny first and preach second' by Interview By Tim Lewis

The comedian soon returns to our screens in a follow-up to the highly praised Getting On. But first, she answers questions from our readers and celebrity fans'My mum is always pestering me t…

SOURCE: The Guardian at 4:39am on May 15, 2016

Cymbeline review " thrown-together enthusiasm by Clare Brennan

Royal Shakespeare theatre, Stratford-upon-AvonThere is something of the Edinburgh fringe about this RSC production of one of Shakespeare's most complex playsWhat have we left of Shakespeare?…

SOURCE: The Guardian at 3:26am on May 15, 2016

The Complete Deaths review " poignant and hilarious by Clare Brennan

Theatre Royal, BrightonSpymonkey clown around in an inventive production that turns Shakespeare's complete works into a fabulous bloodbathThe Complete Deaths is a new show created by the clo…

SOURCE: The Guardian at 3:26am on May 15, 2016

Swan Lake review " antique and modern by Luke Jennings

Theatre Royal, NewcastleDespite contemporary costumes and choreography, Scottish Ballet's Swan Lake remains stuck in the 19th centuryIn his new version of Swan Lake for Scottish Ballet, Davi…

SOURCE: The Guardian at 2:28am on May 15, 2016

Theatre review: Jerusalem / Royal Court, London by Susannah Clapp

Royal Court, LondonAbout half a mile down from the Little Chef on the A14, a giant chats about building Stonehenge. In a Wiltshire glade at dawn, teenage girls tumble bug-eyed and doped-up f…

SOURCE: The Guardian at 1:21am on May 15, 2016
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