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35,750 stories from The Guardian

Katie Mitchell, British theatre's queen in exile | Charlotte Higgins by Charlotte Higgins

Her champions regard Katie Mitchell as Britain's greatest living stage director " but her critics see a vandal smashing up the classics. After staging her most ambitious work in Europe, can …

SOURCE: The Guardian at 11:48pm on May 17, 2016

The holy trinity of cultural crises continues under Malcolm Turnbull | Paul Daley by Paul Daley

How does Australia want to be seen and to see itself? The attacks on our national institutions, the arts and science limit our ability to answer that Australian cultural identity is balanced…

SOURCE: The Guardian at 10:38pm on May 17, 2016

Indecent review " Broadway's first lesbian kiss locks lips once more by Alexis Soloski

Vineyard Theatre, New YorkA tender unconventional new play explores the furore created by Sholem Asch's play God of Vengeance, a flashpoint in Jewish and queer theatrical historyIn 1923, God…

SOURCE: The Guardian at 10:38pm on May 17, 2016

The Judas Kiss review " Rupert Everett compels as a doomed Oscar Wilde by Alexis Soloski

Brooklyn Academy of Music Harvey Theatre, New YorkThe 1998 production faltered, but David Hare's play is back with Everett physically transformed to play the famed wit, sharp of mind but foo…

SOURCE: The Guardian at 10:38pm on May 17, 2016

The Guardian profile: Tim Curry by Mark Brown

From Frank N Furter to king of Spamalot, via voiceovers - and some turkeysIt was 1968, and a young Tim Curry was in the gods at London's Palace Theatre looking down at Judi Dench as Sally Bo…

SOURCE: The Guardian at 10:08pm on May 17, 2016

Laurence Olivier's steamy love letters to Vivien Leigh see light of day by Hannah Ellis-petersen

Hundreds of previously unpublished letters reveal passionate exchanges from one of Hollywood's greatest affairsIt was one of the greatest Hollywood love affairs, beginning in a whirlwind of …

SOURCE: The Guardian at 8:38pm on May 17, 2016

Tamzin Outhwaite webchat " as it happened by Guardian Staff

The former EastEnders star is back in the West End, and she came in to talk about reincarnating as a guitar, HP sauce, training with the army and lots more 2.05pm BST Well, that was fun. Tha…

SOURCE: The Guardian at 4:09pm on May 17, 2016

Bird review " a fragile teenage tale with a fiercely beating heart by Lyn Gardner

Sherman Cymru, CardiffKatherine Chandler's award-winning play about two girls living in a care home takes flight under the superb direction of Rachel O'RiordanAva (Georgia Henshaw) has been …

SOURCE: The Guardian at 4:09pm on May 17, 2016

Excavation finds early Shakespeare theatre was rectangular by Maev Kennedy

Foundations of the Curtain where Romeo and Juliet and Henry V were possibly first staged uncovered in ShoreditchThe foundations and shoulder-high walls of the Curtain theatre, where Shakespe…

SOURCE: The Guardian at 10:43am on May 17, 2016

Sara Pascoe: 'There are certain things I've done that are just horrible' by Brian Logan

The outspoken standup talks about teenage bad behaviour, panel shows and the 'stubborn' iPhone pest who inspired her Manchester international festival showThe seeds of Sara Pascoe's Manchest…

SOURCE: The Guardian at 9:44am on May 17, 2016

Sara Pascoe: Animal review " God, pubes and glow worms in a fun, fresh show by Brian Logan

Soho theatre, LondonPascoe makes for charming company with a dose of self-deprecating skits on body image, being good and 21st-century sexYou'd think from the title of Sara Pascoe's new stan…

SOURCE: The Guardian at 8:39am on May 17, 2016

Bed, board and brass bands: sleeping over in Battersea Arts Centre by Matt Trueman

Taking 'artist in residence' to the next level, Battersea Arts Centre is offering live-work spaces designed like 3D paintings'Artist in residence' is a phrase that gets bandied about a lot. …

SOURCE: The Guardian at 7:36am on May 17, 2016

Cock and Bull: how we turned Tory conference speeches into theatre by Nic Green

Tired of their meaningless slogans and soundbites, we decided to use politicians' own words against them in a show that feels like an exorcismAnyone who has ever watched Prime Minister's Que…

SOURCE: The Guardian at 7:36am on May 17, 2016

Edinburgh play invites audience into 'brothel' to highlight sex workers' plight by Hannah Ellis-petersen

Hula House, developed in conjunction with the English Collective of Prostitutes, is championing the cause of decriminalising sex work at the fringeAn immersive play where the audience are to…

SOURCE: The Guardian at 6:34am on May 17, 2016

West End wizardry: designing Harry Potter and the Cursed Child " in pictures by Guardian Staff

From Hogwarts robes to Hermione's wand: take a look at some of the designs for Harry Potter and the Cursed Child, which begins previews at the Palace theatre, London, in JuneNoma Dumezweni o…

SOURCE: The Guardian at 5:30am on May 17, 2016

Trans mission: how to tell our stories on stage and screen by Fury

When a cisgender person tells a trans story, the potential for damage is high. This #Idahot, trans writer Fury discusses why it's important to get it rightThere's a reason trans people say c…

SOURCE: The Guardian at 3:25am on May 17, 2016

The competitive world of ballet by Luke Jennings

Set in a Palladian villa in Richmond Park, White Lodge is already one of the most fiercely competitive schools in the country. But young British dancers are finding it tougher than everIt's …

SOURCE: The Guardian at 1:14am on May 17, 2016

John Cleese's attack on Fawlty Towers tribute was about publicity, says creator by Elle Hunt

Faulty Towers Dining Experience founder Alison Pollard-Mansergh says she tried to get permission for her show 20 years agoThe Australian creator of the Faulty Towers Dining Experience has re…

SOURCE: The Guardian at 11:04pm on May 16, 2016

Ian Lavender: 'Dad's Army cost me a career in the movies' by Stuart Jeffries

Ian Lavender was 22 when he was cast as mummy's boy Private Pike in Dad's Army. It was a role that would come to haunt his career, stopping him from getting meatier parts. His one-man Edinbu…

SOURCE: The Guardian at 8:45pm on May 16, 2016

Amelia Bullmore: 'I love choppy waters' by Ryan Gilbey

She's acted in every edgy show going, from Jam to Ashes to Ashes to State of Play " and written many of her best lines. As her own hit play Di and Viv and Rose reaches the West End, Amelia B…

SOURCE: The Guardian at 7:46pm on May 16, 2016

Closer review " Patrick Marber's play is as powerful and pertinent as ever by Michael Billington

Donmar Warehouse, London David Leveaux's fine revival featuring an expertly balanced cast shows this 1997 play is much more than the product of its timeDoes it still resonate? That is the ob…

SOURCE: The Guardian at 7:46pm on May 16, 2016

Peter Kay's Phoenix Nights Live review " not for the easily offended by Alfred Hickling

Manchester ArenaFeaturing a musical mashup of Gary Glitter, Rolf Harris and Jim'll Fix It, this show finds Peter Kay and co as off-colour as everPhoenix Nights fans have been waiting since 2…

SOURCE: The Guardian at 5:22pm on May 16, 2016

Yoni ki Raat (Night of the Vagina): South Asian women on sex, fear and family by Rashmee Kumar

Inspired by The Vagina Monologues, 10 South Asian and Indo-Caribbean women shared intimate narratives in an absorbing and revealing eveningNadia was sitting by the pool in a bathing suit whe…

SOURCE: The Guardian at 4:25pm on May 16, 2016

Closer and closer: Patrick Marber returns by Tim Auld

With two new plays announced and his most famous work revived at the Donmar, Patrick Marber is staging a comeback. Tim Auld talks to the cast of Closer, the playwright's portrait of sexual b…

SOURCE: The Guardian at 2:18pm on May 16, 2016

Did the National Theatre's Connections festival change your life? | Letter from Rufus Norris by Letters

Twenty-one years ago teachers and directors began telling the National Theatre that they wanted relevant and challenging new plays for young actors. We responded by launching Connections, ou…

SOURCE: The Guardian at 2:18pm on May 16, 2016
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