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35,750 stories from The Guardian

Katherine Ryan: 'Sara Pascoe is the voice of our generation' by Rachel Aroesti

From Garbage to Funny Girls, the comedian reveals the things she finds the funniestThe Soup remains one of the most consistently funny shows. The writing on that encouraged me to keep talkin…

SOURCE: The Guardian at 8:46am on May 20, 2016

Five of the best… plays this week by Lyn Gardner

Wrecking Ball | Tonight I'm Gonna Be The New Me | Boy | People, Places And Things | Matilda The Musical Action Hero's latest show is a clever and coolly manipulative look at what is real and…

SOURCE: The Guardian at 8:46am on May 20, 2016

Three of the best… dance performances this week by Judith Mackrell

Northern Ballet: 1984 | What Remains… Anatomy Of An Artist | International Dance Festival BirminghamJonathan Watkins is making a name for himself with adaptations of literary works. Follow…

SOURCE: The Guardian at 8:46am on May 20, 2016

Blue/Orange review " Joe Penhall peels tricky issues of mental heath and race by Michael Billington

Young Vic, London With tremendous performances from Daniel Kaluuya, David Haig and Luke Norris, Penhall's drama packs even more of a punch 16 years after its debutJunior doctors are in the n…

SOURCE: The Guardian at 7:44am on May 20, 2016

The Machine Stops review " EM Forster predicts Facebook in eerie sci-fi drama by Alfred Hickling

Theatre Royal, YorkHumans are reliant on a vast video-conferencing network in an uncanny tale featuring aerial contortions and a score by Ultravox founder John FoxxFor a writer associated wi…

SOURCE: The Guardian at 7:44am on May 20, 2016

The luvvies' Brexit letter only shows most people vote with their wallets | Simon Jenkins by Simon Jenkins

That our lucky stars of stage and screen benefit from the EU's largesse should hardly be a clincher for anybody elseWho can possibly argue with 250 luvvies crying, "Remain!"? How can anyone …

SOURCE: The Guardian at 5:31am on May 20, 2016

Gold for the soul: my play about dementia choirs with music by the Manics by Patrick Jones

Based on true stories and with a new song by the Manic Street Preachers, Patrick Jones's latest play, Before I Leave, examines how choral singing can transform the lives of people with demen…

SOURCE: The Guardian at 3:20am on May 20, 2016

Natasia Demetriou " comedy's most nervous standup? by Ryan Gilbey

In a show inspired by men she met on Tinder, with supporting roles for her family and her dog, the Invisible Dot's Natasia Demetriou elevates her anxieties to an art formWithin the opening m…

SOURCE: The Guardian at 8:55pm on May 19, 2016

Derek and Clive are back " are they too much for the 21st century? by Andrew Harrison

Peter Cook and Dudley Moore's relentlessly filthy 70s albums anticipated punk, and influenced both alternative comedy and a generation of smutty teenagers. But is this re-release just too of…

SOURCE: The Guardian at 8:55pm on May 19, 2016

How to help rising directors put down roots in regional theatre by Lyn Gardner

The Regional Theatre Young Director Scheme has played a role in growing the careers of many established artistic directors. Now, the scheme is focusing on how its participants can stay embed…

SOURCE: The Guardian at 12:08pm on May 19, 2016

'The atmosphere was electric' " opening up theatre to autistic people by Matt Trueman

Stage shows can be problematic for those on the spectrum, but a growing number of companies are adapting productions to bring great art to everyoneTheatre is on an accessibility drive " and …

SOURCE: The Guardian at 7:46am on May 19, 2016

The Invisible Hand review " Ayad Akhtar's thriller is right on the money by Michael Billington

Tricycle theatre, LondonThe arguments about global economics in Akhtar's follow-up to the Pulitzer-winning Disgraced are so dramatic that it's a shame when the plot kicks inOscar Wilde's Mis…

SOURCE: The Guardian at 7:46am on May 19, 2016

Made Up review " an actor faces up to her career in intimate show by Alfred Hickling

Birmingham RepA film star and her make-up artist debate nude scenes, paparazzi and awards ceremonies in this revealing play from Stan's CafeIt is a well-established fact that if you want to …

SOURCE: The Guardian at 7:46am on May 19, 2016

King John review " superb leads can't save Trevor Nunn's sluggish Shakespeare by Lyn Gardner

Rose theatre, KingstonDespite terrific performances from Jamie Ballard as the sad, silly king and Maggie Steed as his mother, this production feels dated and drawn outKing John is the 36th o…

SOURCE: The Guardian at 6:52am on May 19, 2016

How the Other Half Loves review " hilarious Ayckbourn, fresh and fighting by Michael Billington

Theatre Royal, Haymarket, LondonAlan Ayckbourn's vintage comedy about adultery and male bullying is shockingly up to dateTheatrical snobs still patronise Alan Ayckbourn. Alan Strachan's clev…

SOURCE: The Guardian at 4:37am on May 19, 2016

Kate Tempest: 'There is a damaging and poisonous racism at root in Australia' by Steph Harmon

British poet delivers passionate speech at Sydney writers' festival and urges 'empathy, humility, reparation and change'There is "a damaging and poisonous racism at root" in Australia, the B…

SOURCE: The Guardian at 4:37am on May 19, 2016

The Ruins of Civilization review " a dystopian domestic horrorshow by Alexis Soloski

Manhattan Theater Club, New YorkPlaywright Penelope Skinner offers a powerful portrait of an anguished woman fixating on the prospect of a baby as a source of affection, hope and escapePenel…

SOURCE: The Guardian at 10:16pm on May 18, 2016

Gender is a journey not a destination by Neil Bartlett

Thirty years ago, I put on a frock, crossed Leicester Square and received a death threat. That night led me to create Stella, my show about an extraordinary Victorian gender experimenterIn D…

SOURCE: The Guardian at 11:12am on May 18, 2016

Ricky Gervais is returning to standup and David Brent " we should celebrate by Brian Logan

The star of The Office has turned plenty of people off with his boorish public image, and even more with his non-PC standup. But his best-loved character still has much to offerSo Ricky Gerv…

SOURCE: The Guardian at 9:06am on May 18, 2016

Nederlands Dans Theater 2 review " wistful beauty and split-second wit by Judith Mackrell

Sadler's Wells, LondonThe junior wing of Nederlands Dans Theater have poise, speed and accuracy: if only the programme stretched them as much as they stretch themselvesIt's pretty much a giv…

SOURCE: The Guardian at 9:06am on May 18, 2016

The Philanderer review " Shaw's sex comedy played to the hilt by Michael Billington

Orange Tree, RichmondThe performances are full of Shavian vitality in this invigorating modern-day revival mocking the disparity between high ideals and personal practice George Bernard Shaw…

SOURCE: The Guardian at 8:04am on May 18, 2016

My Family: Not the Sitcom review " David Baddiel is breathtakingly honest by Michael Billington

Menier Chocolate Factory, LondonNothing is out of bounds in Baddiel's new standup, which exposes his father's dementia and his mother's hyperactive sex life to the same affectionate scrutiny…

SOURCE: The Guardian at 8:04am on May 18, 2016

Ophelias Zimmer review " Katie Mitchell brings Hamlet's real ghost into focus by Lyn Gardner

Royal Court, LondonMitchell, Alice Birch and Chloe Lamford deliver a forensic study of an imprisoned Ophelia, stalked by the Prince of DenmarkVirginia Woolf knew the importance of having a r…

SOURCE: The Guardian at 8:04am on May 18, 2016

Things I Know To Be True review " powerful debut of Andrew Bovell's affecting new play by Jane Howard

A collaboration between Australia and the UK, the family drama is tender, physical and deeply relatable " set in Adelaide, but looking towards the worldAs children move into adulthood their …

SOURCE: The Guardian at 2:04am on May 18, 2016

Amadeus review " Rupert Everett impresses as the seething Salieri by Susannah Clapp

Chichester Festival theatre, West SussexA vivid revival of Peter Shaffer's Amadeus christens a newly refashioned Chichester Festival theatreChichester Festival theatre reopens this summer, n…

SOURCE: The Guardian at 12:56am on May 18, 2016
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