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3,495 stories from The Arts Desk

Aladdin, Richmond Theatre review - great Dame, weak script by Veronica.lee

Christopher Biggins is back in gorgeous frocksIt's always good news when Christopher Biggins announces he's going to don false bosoms again to play a panto Dame, and Aladdin offers lots of f…

SOURCE: The Arts Desk at 8:18pm on December 17, 2017

The Jungle, Young Vic review - physically and emotionally challenging by Aleks.sierz

New play about refugee camp life in Calais is a grueling docu-dramaRefugees, it is said, have no nationality " they are all individuals. This new docu-drama, deftly put together by theatre-m…

SOURCE: The Arts Desk at 8:12pm on December 15, 2017

Belleville, Donmar Warehouse review - prickly and unnerving by Matt.wolf

Imogen Poots and James Norton in terrific form as American expats living on the edge The city of love provides a backdrop for marital discord and worse in Belleville, Amy Herzog's celebrated…

SOURCE: The Arts Desk at 8:12am on December 15, 2017

Pinocchio, National Theatre review - boy puppet lifts off, eventually by David Benedict

Look no strings: long-nosed cartoon character is humanised by a magical stagingFrom Nicholas Hytner and Alan Bennett's wonderfully nostalgic version of The Wind in the Willows through Coram …

SOURCE: The Arts Desk at 4:54am on December 15, 2017

Jack and the Beanstalk, New Wimbledon Theatre review - Al Murray's panto debut by Veronica.lee

Less than the sum of its partsIt raised some eyebrows when Al Murray announced he was to make his pantomime debut " top comics rarely make that crossover these days " but, considering his al…

SOURCE: The Arts Desk at 10:18pm on December 14, 2017

Misalliance, Orange Tree Theatre review - smashing Edwardian comedy is a festive treat by Jenny Gilbert

Bernard Shaw curio gets its first major London revival in 30 yearsIf this play really were "A Debate in One Sitting" as its author called it in 1909, it would have sunk without trace. "Talk,…

SOURCE: The Arts Desk at 10:12pm on December 13, 2017

Julius Caesar, RSC, Barbican review - Roman bromance plays straight by William.ward

Angus Jackson's traditional staging opens the the Rome MMXVII season Even more than some of Shakespeare's other histories, Julius Caesar inevitably offers itself to "topical interpretat…

SOURCE: The Arts Desk at 6:54pm on December 13, 2017

Antony and Cleopatra, RSC, Barbican review - rising grandeur by Tom.birchenough

Coquetry and tragic command not quite balanced, but this steady RSC production reaches gloryIs there a key to "infinite variety"? The challenge of Cleopatra is to convey the sheer fullness o…

SOURCE: The Arts Desk at 10:06am on December 13, 2017

The Twilight Zone, Almeida Theatre review - from hokum to humanity by David.nice

Perfectly modulated ensemble and production vary the strains of a classic TV seriesDirector Richard Jones watched all 156 episodes of The Twilight Zone as research for this Almeida productio…

SOURCE: The Arts Desk at 4:36am on December 13, 2017

Cell Mates, Hampstead Theatre review - intriguing yet opaque by Matt.wolf

Simon Gray play is better served by its cast this time round The play that famously got away when one of its stars (quite literally) jumped ship is back. In 1995, Stephen Fry abandoned the W…

SOURCE: The Arts Desk at 6:24am on December 11, 2017

Jack and the Beanstalk, Lyric Hammersmith review - great fun for all ages by Veronica.lee

A fresh and inventive reworkingPantomime may be a very old art form, but the Lyric Hammersmith has been injecting some freshness into it each year since 2009, and this year's production, wri…

SOURCE: The Arts Desk at 8:33pm on December 10, 2017

The Box of Delights, Wilton's Music Hall review - children's classic novel transferred to stage by Saskia Baron

Matthew Kelly and Josefina Gabrielle provide double the value in John Masefield classicTheatreland is currently awash with pantomimes and rehashes of A Christmas Carol, so all credit to this…

SOURCE: The Arts Desk at 6:12am on December 9, 2017

The Melting Pot, Finborough Theatre review - entertaining morals by Katherine Waters

New York refugee drama confronts anti-semitism with humour and heartIsrael Zangwill's 1908 play The Melting Pot characterises Europe as an old and worn-out continent racked by violence an…

SOURCE: The Arts Desk at 5:04am on December 7, 2017

La Soirée, Aldwych Theatre review - flickers of brilliance in a patchy evening by Laura De Lisle

The West End run of the cabaret variety show has everything but variety La Soirée is on the up-and-up. Beginning life as an after-hours show at the fringes of the Fringe in 2004, it won an …

SOURCE: The Arts Desk at 4:06am on December 7, 2017

Barnum, Menier Chocolate Factory review - a big, blousy spectacle by Veronica.lee

Energetic retelling of the showman's storyYou have to hand it to Menier Chocolate Factory, a venue that doesn't let size matter as it stages an all-singing, all-dancing new production o…

SOURCE: The Arts Desk at 8:04pm on December 5, 2017

Parliament Square, Bush Theatre, review " uncomfortable blaze of anger by Aleks.sierz

New drama about political extremism is brilliantly written " mostlyThe political story of our time is the upsurge in support for Jeremy Corbyn, leftwing leader of the Labour Party, mainly by…

SOURCE: The Arts Desk at 6:54pm on December 5, 2017

Dear Brutus, Southwark Playhouse review " a judicious mix of comedy and sadness by Heather Neill

Barrie's grown-up fantasy gets a welcome centenary revivalConfused people, some of whom may have made the wrong choices in life and love, find themselves in an enchanted wood at Midsummer. D…

SOURCE: The Arts Desk at 10:18pm on December 4, 2017

The Passing of the Third Floor Back, Finborough Theatre review - the better nature of Jerome K Jerome by Tom.birchenough

Edwardian rediscovery verges towards the sentimental, but satisfyingly soEven by the standards of theatrical archaeology that the Finborough has made its own, The Passing of the Third Floor …

SOURCE: The Arts Desk at 7:04am on December 4, 2017

Goats, Royal Court review - unfocused and muddled by Aleks.sierz

New play about Syria is upstaged by its animal performersThe civil war in Syria spawns image after image of hell on earth. Staging the stories of that conflict presents a challenge to playwr…

SOURCE: The Arts Desk at 8:42pm on December 1, 2017

A Christmas Carol, Old Vic review - Rhys Ifans takes on Scrooge, triumphantly by Saskia Baron

Superb staging resurrects Dickens' morality tale Fresh from the success of Harry Potter and the Cursed Child, Jack Thorne now gives us his exuberant adaptation of another much-loved tex…

SOURCE: The Arts Desk at 6:54am on November 30, 2017

Inside Pussy Riot, Saatchi Gallery review - an immersive misfire by Will Rathbone

Promenade piece makes hyperactive theatrical weather of some important themes You say you want a revolution? Good luck locating one amidst the tonally muddled Inside Pussy Riot, the immersiv…

SOURCE: The Arts Desk at 3:36am on November 29, 2017

'She has escaped from my Asylum!': The Woman in White returns by Jasper.rees

Two more versions of Wilkie Collins's thriller on stage and screen join a long rollcallThe Woman in White insists on being told and retold. Wilkie Collins's much loved thriller is perha…

SOURCE: The Arts Desk at 5:36am on November 28, 2017

David Edgar: 'Ebenezer Scrooge is alive and well' by David Edgar

The playwright introduces his new version of A Christmas Carol for the RSCSince mid-August, I've been doing something I swore I'd never do again. I've been rehearsing a new adaptation of a n…

SOURCE: The Arts Desk at 3:12am on November 27, 2017

The Secret Theatre, Sam Wanamaker Playhouse review - a ferocious topical satire dressed up in period costume by Alexandra.coghlan

Finally, a new play worthy of the Globe's Wanamaker PlayhouseThe Globe's Sam Wanamaker Playhouse may be a historical recreation, but the same shouldn't be true of the plays staged with…

SOURCE: The Arts Desk at 4:54am on November 24, 2017

Bad Roads, Royal Court, review " memorably unsettling by Aleks.sierz

International season continues with savage Ukrainian war playWar is morally acidic: it dissolves social rules, loosens inhibitions and gives permission to men to behave like animals. And the…

SOURCE: The Arts Desk at 8:06pm on November 22, 2017
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