3,986 stories from CurtainUp
As usual, the Pearl Theater is up to the challenge of faithful representation of a classic play
A quietly meaty play and a chance to see actors often seen on Broadway in an intimate theater space where the cost of admission is under twenty dollars
With four of the play's six actors playing more than one role, makes the latest written and starring Charles Bush vehicle something of of a four-de-force
Ian McDiarmid has adapted and stars in Andrew O'Hagan's novel with a sense of tender melancholy and haunting sadness, reflecting both the original book and the Tennyson poem of the title
With lots of great things to do even on economy squeezed budgets
New Jersey premiere of part of Richard Dresser's trilogy about happiness in America
For a piece written in 1930, Coward's play still works its charms
Sharleen Cooper Cohen's musical traces the life of Lena Horne in story and song, driven by the powerful performance and rich voice of Leslie Uggums as Lena
Eliot Spitzer and Rod R. Blagojevich certainly aren't the first American Governors whose behavior shocked their constituents. Edward Hyde, Lord Cornbury who became the third English Royal Go…
A stunning revival of the 1970s musical smash at the Taper co-produced with Deaf West Theatre.
This Goodman Theater's revival downsizes O'Neill to an intermissionless 100 minutes.
The most anticipated musical of the year with star director Rupert Goold, choreographer Matthew Bourne.
Andrea Lepcio's wry, witty, and warm play offers keen insights on illness by focusing on the relationship between two sisters.
Tennessee Williams revived at the Walnut Street Theater.
A new musical of an old story at the Stella Adler Theater.
The TEAM has created a crazy quilt of ideas, fictional characters, actual people, and time periods.
As staged by the Irish Rep Brian Friel's Chekhovian play is given the intimacy it deserves.
Christopher Shinn's new adaptation of Ibsen's famous gun-toting anti-heroine, plus an essay: The Many Faces of Hedda.
George Street Playhouse revives Donald Margulies' play about a conflicted artist.
Richard Greenberg's 1990 play still sparkles with wit that's buoyed by the effervescent Lily Rabe and the magnificent Mercedes Ruhl.
Dan LeFranc's new play is a fine follow up to SoHo Rep's Sarah Kane's Blasted.
This adaptation of Potok's novel depends upon superb acting and precise direction, which is just what it gets at the Arden, where it crackles and pops with life.
Eighty minutes are spun out around the unlikely of premise that a man and a woman wake up together, neither having any idea who the other is . . . and stick around for 12 hours of talk.
A world premiere by Amy Freed at South Coast Rep.
