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10,593 stories from A Younger Theatre

Review: Burgerz, Hackney Showroom by Charlotte Irwin

Travis Alabanza speaks from the heart. They open Burgerz with a short story about how someone threw a burger at them on Waterloo Bridge and shouted "tranny" in 2016. This anecdote of abuse i…

SOURCE: A Younger Theatre at 3:32pm on October 27, 2018

Review: Macbeth, Barbican Theatre by Alannah Jones

The RSC's production of Macbeth, directed by Polly Findlay, takes up its London residency at the Barbican, bringing the famed brutalism of the theatre right onto the stage itself. But this r…

SOURCE: A Younger Theatre at 6:36am on October 27, 2018

Review: Consensual, Soho Theatre by Alannah Jones

The National Youth Theatre's revival of Evan Placey's 2015 commission exploring the grey area of consent law and morality showcases some seriously formidable young acting talent. I would lik…

SOURCE: A Younger Theatre at 6:36am on October 27, 2018

Review: The Wild Duck, Almeida Theatre by Gabriel Wilding

Henrik Ibsen‘s classic play The Wild Duck is reinvented for a modern time, and with a modern style. The evergreen issues that underline the story stand out even more because of the …

SOURCE: A Younger Theatre at 12:04pm on October 26, 2018

Review: The Wipers Times, Arts Theatre by Suzannah Ball

This easy, affectionate and immersive play captivates the audience with its quick and docile humour. The Wipers Times, a newspaper named for the English mispronunciation of the French town Y…

SOURCE: A Younger Theatre at 6:33am on October 26, 2018

Review: The Distance You Have Come, by Sebastian Calver

A simple yet effective story line following the lives of six individuals who juggle the constant challenges of life, depression, heartache and love; The Distance You Have Come is a warm and …

SOURCE: A Younger Theatre at 5:18pm on October 23, 2018

Review: Debris, Theatre N16 by Dovydas Laurinaitis

Cordoned off by a square perimeter of pale blue light, siblings Michelle (Louise Waller) and Michael (Jamie Anthony-Rose) try to entertain themselves amongst the dust of barren ground, broke…

SOURCE: A Younger Theatre at 5:18pm on October 23, 2018

Ellen McDougall: "There's no agenda, just teenage girls on the pitch" by Phoebe Graham

Just because football didn't quite make it home this year, it doesn't mean it can't take a trip overseas. Sarah DeLappe's award-winning and Pulitzer-nominated play, The Wolves, is on the bri…

SOURCE: A Younger Theatre at 9:42am on October 23, 2018

Review: Concert, Colin Dunne, The Barbican by Gabriel Wilding

Traditional Irish dancing; the springing, the fiddling, the stiff upper bodies, and stony faces. As someone who knows very little about this cultural phenomenon, I jumped at the chance to wa…

SOURCE: A Younger Theatre at 9:42am on October 23, 2018

Review: Wise Children, The Old Vic by Sebastian Calver

Unconventionally whacky yet importantly relevant. Shining a light on the significance of nature and nurture. Wise children, as explained by director Emma Rice in an interview with A Younger …

SOURCE: A Younger Theatre at 9:42am on October 23, 2018

Review: Troilus and Cressida, The Royal Shakespeare Theatre by Max Thomas

With first editions dating to 1609 (incidentally the year of the publication of his sonnets), Troilus and Cressida is one of Shakespeare's later plays. It takes place seven years into the si…

SOURCE: A Younger Theatre at 5:12am on October 22, 2018

Review: Jericho's Rose, The Hope Theatre by Saskia Coomber

Tying in with the very topical subject of living and being able to work in the UK as a non- British citizen, Jericho's Rose explores the idea of belonging through the tales of Yasmin- a youn…

SOURCE: A Younger Theatre at 11:33am on October 20, 2018

Review: Chotto Desh, Sadler's Wells by Dovydas Laurinaitis

An empty calendar. Body without instruction. Subsequent restlessness. Questions and exclamations for help travel via phone-call to a Bangladeshi, twelve-year-old, customer service advisor. R…

SOURCE: A Younger Theatre at 11:33am on October 20, 2018

Review: Stories, Dorfman Theatre by Jessica Handscomb

After her critically acclaimed Consent last year, which went on to transfer to the West End, Nina Raine has returned to the National Theatre with her new play, Stories. It follows Anna (Clau…

SOURCE: A Younger Theatre at 9:18am on October 20, 2018

Review: Death Of A Salesman, Royal Exchange Theatre by Emily Bancroft

Death of a Salesman is a play by Arthur Miller that explores the depressive and manic mind of salesman Willy Loman; accompanied by the stories of the broken relationships he has forged with …

SOURCE: A Younger Theatre at 6:36am on October 20, 2018

Right now, it's safe to say, it is unsafe to be trans by Travis Alabanza

I flick open the Metro and immediately put it down. I try to ignore what I see and get my head into rehearsal mode. Two weeks to go Travis, don't let it phase you. "Get your head in the game…

SOURCE: A Younger Theatre at 7:42pm on October 19, 2018

Review: On Your Head Be It, Old Red Lion Theatre by Steph J. Watkins

Phrase – On Your Head Be It Definition – To tell someone to take full responsibility for what they plan to do On Your Head Be It is a humorous anecdote of Stuart and Eleanor who …

SOURCE: A Younger Theatre at 6:33am on October 19, 2018

Review: The Incident, Canada Water Theatre by Suzannah Ball

If you are uncomfortable in your own worldly position, or unsure of your place, then you may find comfort in watching a glimpse of another you fight the same uncertainty in Joakim Daun's The…

SOURCE: A Younger Theatre at 4:24am on October 19, 2018

Review: Say My Name, Theatre N16 by Alannah Jones

The Styx, former ambulance depot turned bar and performance space, current home of Theatre N16 and venue for Say My Name is soon to meet its fate. Last week they resignedly tweeted “we…

SOURCE: A Younger Theatre at 3:12pm on October 18, 2018

Niamh Cusack: "The Macbeths are flesh and blood, they're not monsters" by Josephine Balfour-oatts

On the terrace of the Barbican Centre, the wind blows decisively. The sky shifts, throwing shadows over the sun in unpredictable waves. Niamh Cusack brings the material of her cardigan close…

SOURCE: A Younger Theatre at 2:04pm on October 17, 2018

Review: The Inheritance, Noel Coward Theatre by Grace Patrick

For the most part, I try to avoid the use of superlatives when I'm writing about plays. They're generally too strong, or bigger than what's actually needed. Additionally, if you don't use th…

SOURCE: A Younger Theatre at 7:33am on October 17, 2018

Review: Measure for Measure, Donmar Warehouse by Sebastian Calver

A masterclass in interpreting Shakespeare: whether verse line or thought line take precedence.  Josie Rourke‘s Measure for Measure is a well-rounded and creative exploration into in…

SOURCE: A Younger Theatre at 3:32pm on October 15, 2018

Theatremaker on a budget: Sometimes DIY is the only option by Holly Bond

Last July, my theatre company, Wonderbox and I sat in deep discussion on the Megabus to Bristol, boxes of props in our laps. We were doing a show at The People's Republic of Stokes Croft, an…

SOURCE: A Younger Theatre at 2:24pm on October 15, 2018

Review: The Wider Earth, The Jerwood Gallery, Natural History Museum by Manuel Muñoz

It is only fitting that a play about the voyage of Charles Darwin aboard the HMS Beagle is staged at the Natural History Museum. The trip that changed the fate of biology as we know it start…

SOURCE: A Younger Theatre at 7:48am on October 15, 2018

Review: Sod's Law, The Pleasance Theatre Trust by Gabriel Wilding

A romp through the Regency and a tryst with the Tudors; revelling in the salacious, unseen and tumultuous lives of the queer folk of the past and present has never been so much fun. "Lord" G…

SOURCE: A Younger Theatre at 2:06pm on October 14, 2018
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