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2,044 stories from The Theatre Times

Sarah Kane Through a Russian Prism by John Freedman

Of all the unexpected things I think I might be able to imagine, one I could never have imagined for a minute was Alexander Zeldovich's production of Sarah Kane's 4.48 Psychosis at the Stani…

SOURCE: thetheatretimes.com at 4:39pm on April 8, 2020

Love, Labor, Loop: (Object's) Life according to Geumhyung Jeong by Eylül Fidan Akıncı

The history of puppetry is full of supernatural bodies on stage that dramatically or subtextually represent their quest of coming to life and gaining autonomy from their masters. A puppet's …

SOURCE: thetheatretimes.com at 1:19am on April 7, 2020

The Importance Of Safdar Hashmi by Vikram Phukan

Sudhanva Deshpande's book, Halla Bol remembers the legendary theatremaker and activist through a series of events that recall his life's worth. A book tour with a difference is currently mak…

SOURCE: thetheatretimes.com at 2:09am on April 6, 2020

"Gardzienice:" Wesele " Wyspiański " Malczewski " Konieczny. Tomasz Wiśniewski in a Conversation with Włodzimierz Staniewski by Tomasz Wiśniewski

One of the major figures in Polish experimental theatre, WÅ‚odzimierz Staniewski, is the founder of the world-famous company, "Gardzienice." In January 2018, Tomasz WiÅ›niewski conduct…

SOURCE: thetheatretimes.com at 1:03am on April 5, 2020

"New Dramaturgies:" Insights Into Mark Bly's Playwriting Exercises. Interview with Mark Bly by Mary Davies

Mark Bly is an American dramaturg, editor, and lecturer. He was the chair of the MFA Playwriting Program at the Yale School of Drama from 1992-2004 while being the associate artistic directo…

SOURCE: thetheatretimes.com at 1:54am on April 4, 2020

"The Claim" at The Shoreditch Town Hall by Aleks Sierz

Your story. Our story. Their story. Just imagine: you're a political refugee, and, having experienced horrible things that happened to your family, you finally, after a lot of trouble, arriv…

SOURCE: thetheatretimes.com at 11:44pm on April 3, 2020

"Launcher 5," or a Recipe to Make Young Men Monsters  by Baharak Sahami

Launcher 5's honest rendition of narrative and characters is its winning card, which drew an increasingly large number of audiences to the theater during the eight months it was staged in Te…

SOURCE: thetheatretimes.com at 2:03am on April 3, 2020

Italian Resilience Against COVID-19: The "Strange Interlude" at the Teatro Stabile in Turin by Maria Pia Pagani

Having opened in May 1955, the Teatro Stabile in Turin is one of the most important artistic institutions in Italy. Since 1977, its main productions have been officially hosted at the Teatro…

SOURCE: thetheatretimes.com at 2:02am on April 3, 2020

Paranoia at the Fore in Steppenwolf's Revival of Tracy Letts's "Bug" by Maria Delgado

Tracy Letts's Bug may be fourteen years old, but this tale of a couple convinced that they are suffering an insect infestation feels infinitely more topical now than when it was first seen i…

SOURCE: thetheatretimes.com at 11:51am on April 2, 2020

Simon Stephens' "Maria:" Aggressive Optimism is Saving the World by Mila Bulimbasic Botteri

"The theatre is a device for empathy " its job is to create better people." Those are the words of Simon Stephens, one of Britain's foremost, contemporary dramatists. His plays include Heise…

SOURCE: thetheatretimes.com at 5:16pm on April 1, 2020

Interviewing Crystal Field, Artistic Director or Theater for the New City by Marcina Zaccaria

Life cannot exist without art.  That is something that is hard to get into people's heads, because they say 'I have to eat.  I have to pay the rent.  I have to be warm in the Winter…

SOURCE: thetheatretimes.com at 11:56pm on March 30, 2020

The Mechanics of Crafting Transitions by Vikram Phukan

For ensemble pieces in theatre, where actors never once leave the stage, what becomes all-important are the transitions between scenes " how the action, settings and mood segue in transformi…

SOURCE: thetheatretimes.com at 11:54pm on March 30, 2020

Review of Porte Parole's "The Assembly " Montreal" by Aisling Murphy

No longer is there a "safe place" on the Canadian political spectrum; to be moderate is to be a mere bystander to fascism and anarchy, while to cling to either ideological extreme is to enga…

SOURCE: thetheatretimes.com at 11:57pm on March 29, 2020

All You Need to Know About Eight Years of India by the Nile in Egypt by Ati Metwaly

As the eighth India by the Nile festival approaches, let us celebrate the history of one of the most significant annual events and see what to expect this year. It was in 2012 that I first h…

SOURCE: thetheatretimes.com at 11:48pm on March 29, 2020

Flawless Live Stream of Award-winning New Zealand Solo Show Celebrates Transgender Tdentity by David O'Donnell

Princess Boy Wonder, performed by George Fowler (aka Hugo Grrrl), Directed by Lori Leigh, BATS Theatre online live stream event, 20 March 2020. In a sad and desperate week in which shows wer…

SOURCE: thetheatretimes.com at 12:57am on March 29, 2020

Shakespearean Tragedy Unfolds Wave of Populism on Tehran Stage by Niloofar Mohtadi

A Review on Iranian Adaptation of Coriolanus in Tehran A free adaptation of William Shakespeare's tragedy Coriolanus was on stage at Tehran Independent Theater in August 2019 for a month. Th…

SOURCE: thetheatretimes.com at 11:37am on March 28, 2020

Ken Watanabe: A Conquistador in "Pizarro" by Nobuko Tanaka

Ever since his Oscar-nominated Hollywood debut as Lord Katsumoto in 2003's The Last Samurai, Ken Watanabe has been the best-known Japanese actor in the world. Along with other memorable s…

SOURCE: thetheatretimes.com at 1:56pm on March 27, 2020

"I Think We Are Alone" at Theatre Royal Stratford East by Aleks Sierz

Once-radical theatre companies are increasingly celebrating anniversaries, as if to say, hey, look, we're still here. Now it's the turn of Frantic Assembly to mark its 25th anniversary with …

SOURCE: thetheatretimes.com at 12:47am on March 27, 2020

Lasting Friendships: An Interview with Philip Arnoult by Tamás Jászay

When someone speaks about US and Hungarian theatrical relationships, you cannot miss his name. Philip Arnoult, head of the Center for International Theatre Development (CITD) says that he sp…

SOURCE: thetheatretimes.com at 7:59pm on March 26, 2020

"Too Early for Birds" Returns to the Stage with Music Edition by Alexander Nderitu

'Kenyan History has been scored and underscored by music. From when it was interwoven with every aspect of life, across all the nations and communities that are now counted as Kenyan, in pre…

SOURCE: thetheatretimes.com at 1:38am on March 26, 2020

Uganda's Elvania Namukwaya Who Broke the Glass Ceiling of Theatre by Ian Kiyingi Muddu

The African theatre scene in the 1960s and the 70s was mainly peopled by men. But there were women like Efua Sutherland, Ama Ataa Aido and Rose Mbowa that stood shoulder to shoulder with the…

SOURCE: thetheatretimes.com at 12:05am on March 25, 2020

undercurrents 2020: "Crippled"" A Necessary Intersect Between Grief and Hope by Aisling Murphy

undercurrents Festival Director Patrick Gauthier and Associate Director Brit Johnston have discussed openly their curatorial strategy for this year, one which stems from an urgent problem: m…

SOURCE: thetheatretimes.com at 11:31am on March 24, 2020

"Hair:" The American Tribal Love-Rock Musical by Jane Baldwin

Hair the first Rock Musical opened in 1967 for six weeks at the New York Shakespeare Festival Theatre and moved to the Biltmore Theatre on Broadway the following year wh…

SOURCE: thetheatretimes.com at 5:38pm on March 23, 2020

"The Arrival" Arrives at Contemporary Questions by Ian Kiyingi Muddu

Wondering what may draw young people to theatre? It's a theatre about them, with them and specially designed for them. This is what The Arrival, performed on 22 February 2020 at the National…

SOURCE: thetheatretimes.com at 1:19am on March 22, 2020

Italian Resilience Against COVID-19: The Balcony Performance by Maria Pia Pagani

In Italy, in the hard times due to the national sanitary alert for COVID-19, everyday life is completely destroyed. The number of deaths is constantly increasing, and anguish is the dominant…

SOURCE: thetheatretimes.com at 1:17am on March 22, 2020
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