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3,495 stories from The Arts Desk

Paines Plough Roundabout, Orange Tree Theatre review - too brief to really rock by Aleks.sierz

Three-piece repertory is well staged, but the short-play formula doesn't really workHype is a dangerous thing. It often raises expectations beyond the reasonable, and disappointment inevitab…

SOURCE: The Arts Desk at 2:01am on February 5, 2018

Booby's Bay, Finborough Theatre review - a bit fishy by Katherine Waters

Play about the Cornish housing crisis isn't so swell Carry on out of London past the Finborough Theatre and you hit the A4. Follow it east as it becomes the M4, take a southern turn at …

SOURCE: The Arts Desk at 6:20am on February 2, 2018

Julius Caesar, Bridge Theatre review " blood, sweat and bullets by Sam Marlowe

★★★★ JULIUS CAESAR, BRIDGE THEATRE Nicholas Hytner's rabble-rousing production pits the ruling elite against populismNicholas Hytner's rabble-rousing production pits …

SOURCE: The Arts Desk at 3:03am on February 2, 2018

Julius Caesar, Bridge Theatre review " blood, sweat and bullets by Sam Marlowe

Nicholas Hytner's rabble-rousing production pits the ruling elite against populismAll hail! Shakespeare's Roman drama may be enjoying something of a resurgence at present, but it rarely prov…

SOURCE: The Arts Desk at 3:03am on February 2, 2018

The Open House, The Print Room review - razor wit, theatrical brio by Tom Birchenough

★★★★ THE OPEN HOUSE, THE PRINT ROOM A tyrannical family reunion and a dramatic volte-face in Will Eno's ingenious new dramaA tyrannical family reunion and a dramatic …

SOURCE: The Arts Desk at 5:45am on January 29, 2018

The Open House, The Print Room review - razor wit, theatrical brio by Tom.birchenough

A tyrannical family reunion and a dramatic volte-face in Will Eno's ingenious new dramaThe American family has seldom look more desperate. Will Eno's The Open House depicts a gathering …

SOURCE: The Arts Desk at 5:45am on January 29, 2018

The Believers Are But Brothers, Bush Theatre review - a gimmick in search of a story by Aleks.sierz

★★★ THE BELIEVERS ARE BUT BROTHERS, BUSH THEATRE One-man show about political extremism on the internet occasionally disturbsOne-man show about political extremism on the i…

SOURCE: The Arts Desk at 4:00am on January 27, 2018

The Believers Are But Brothers, Bush Theatre review - a gimmick in search of a story by Aleks.sierz

One-man show about political extremism on the internet occasionally disturbs Do boys never leave the playground? Just when I was reasonably sure that the crisis of masculinity was an old-fas…

SOURCE: The Arts Desk at 5:01pm on January 26, 2018

Mary Stuart, Duke of York's Theatre review - superb teamwork from Juliet Stevenson and Lia Williams in Schiller's thriller by Jenny Gilbert

★★★★ MARY STUART, DUKE OF YORK'S Superb teamwork in Schiller thrillerRobert Icke's production reaches the West End with Juliet Stevenson and Lia Williams tossing…

SOURCE: The Arts Desk at 5:30am on January 26, 2018

Mary Stuart, Duke of York's Theatre review - superb teamwork from Juliet Stevenson and Lia Williams in Schiller's thriller by Jenny Gilbert

The spin of a coin decrees which queen will wear the crownCasting decisions do not usually make gripping theatre. But in Robert Icke's version of Friedrich Schiller's 1800 political thriller…

SOURCE: The Arts Desk at 5:30am on January 26, 2018

John, National Theatre review - in for the long haul? by Katherine Waters

Annie Baker magnifies the indignities of embattled partners in emotional wars of attritionOn their return home from Ohio to New York, young couple Jenny and Elias (Anneika Rose and Tom Mothe…

SOURCE: The Arts Desk at 4:25am on January 25, 2018

The Flying Lovers of Vitebsk, Kneehigh on tour review - sweetest musical Chagalliana by David.nice

Wilton's Music Hall first stop for Emma Rice's fresh reincarnation of endung love storyTime flies so much more beguilingly in Daniel Jamieson and Emma Rice's 90-minute musical fant…

SOURCE: The Arts Desk at 3:06am on January 25, 2018

Beginning, Ambassadors Theatre review - funny and richly moving comedy about loneliness by Tom.birchenough

David Eldridge's two-hander about sex and solitude sets up home in the West EndAwkwardness is a challenging effect in drama, and one so rewarding when it works. When the movement isn't …

SOURCE: The Arts Desk at 6:26am on January 24, 2018

Lady Windermere's Fan, Vaudeville Theatre, review - Wilde abandoned by David Benedict

Jennifer Saunders gets laughs, but Kathy Burke's lamentable production misses the pointImagine, if you will, discovering a ninth-rate old melodrama about upper-class nonsense, hiring a …

SOURCE: The Arts Desk at 4:00am on January 23, 2018

Jeremy Irons: 'I was never very beautiful' - interview by Jasper.rees

In his 70th year the actor looks back on Olivier and Gielgud, on the Oscars and his start at Bristol Old VicIn 2016 the Bristol Old Vic turned 250. To blow out the candles, England's oldest …

SOURCE: The Arts Desk at 4:00am on January 22, 2018

The Birthday Party, Harold Pinter Theatre review - starry cast create a stunning masterpiece by Aleks.sierz

Toby Jones, Zoë Wanamaker and co breathe vibrant new life into classic Pinter comedy of menaceIs modernism dead and buried? Anyone considering the long haul of Harold Pinter's The Birthda…

SOURCE: The Arts Desk at 6:00pm on January 18, 2018

All's Well That Ends Well, Sam Wanamaker Playhouse review - feisty, prickly and topical, as well by Matt.wolf

Shakespeare problem play gets a spirited reading that chimes with our #metoo timesIt's the people who are problematic, not the play. That's one take-away sentiment afforded by Caroline Byrne…

SOURCE: The Arts Desk at 3:29am on January 18, 2018

Rita, Sue and Bob Too, Royal Court review - iconic 1980s title makes a welcome return by Matt.wolf

Andrea Dunbar's Thatcher-era classic is invigorated afresh The revival that almost didn't make it into town has got the Royal Court's 2018 mainstage offerings off to a rousing start. Fo…

SOURCE: The Arts Desk at 8:19am on January 13, 2018

Girl from the North Country, Noël Coward Theatre review - Bob Dylan fuels a dreamlike drama by Marianka Swain

Conor McPherson's latest play is blowin' in the windThe rolling stone is now at home in the West End, as Conor McPherson's inimitable dramatic take on Bob Dylan transfers from the …

SOURCE: The Arts Desk at 7:50pm on January 11, 2018

Cirque du Soleil - OVO, Royal Albert Hall review - fantastical creatures, heart-in-mouth thrills by Katie Colombus

Athleticism, daring feats, grace and visual poetry in Cirque's animal world exravaganzaFor their eighth debut at the Royal Albert Hall, mesmerising French-Canadian performance art compa…

SOURCE: The Arts Desk at 7:15am on January 11, 2018

My Mum's a Twat, Royal Court, review - Patsy Ferran shines in a solo play that looks back in anger by Matt.wolf

Autobiographical debut play is sprightly but sketchy, tooThat ages-old dictum "write what you know" has given rise to the intriguingly titled My Mum's a Twat, in which the Royal Court's deli…

SOURCE: The Arts Desk at 4:50am on January 11, 2018

Best of 2017: Theatre by Matt.wolf

Sondheim and Alexander Hamilton sang out, as did a bracing array of new plays Year-end wrap-ups function as both remembrances of things past and time capsules, attempts to preserve an experi…

SOURCE: The Arts Desk at 5:33am on December 30, 2017

Hamilton, Victoria Palace review - rich, radical and ridiculously exciting by Sam Marlowe

Lin-Manuel Miranda's hugely anticipated hit musical is a massive achievement"Are you aware that we're making history?" demands Alexander Hamilton in the show that has finally made the lesser…

SOURCE: The Arts Desk at 4:54am on December 23, 2017

Titus Andronicus, RSC, Barbican review - blood will out by James.woodall

A slick and youthful rendering of Shakespeare's goriest drama Live theatre, eh? It had to happen. On press night a sound of what seemed to be snoring (the production's really not dull) …

SOURCE: The Arts Desk at 4:36am on December 20, 2017

The Grinning Man, Trafalgar Studios review - cool puppets but too convoluted by half by Matt.wolf

Visually alluring Victor Hugo rewrite needs to go back to the storyboardThese are challenging times for new British musicals. Following quickly on from a Pinocchio that ought to be way more …

SOURCE: The Arts Desk at 5:54am on December 19, 2017
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